12 Matching Annotations
  1. Last 7 days
    1. Exeunt MONTAGUE and LADY MONTAGUE] Benvolio. Good-morrow, cousin. Romeo. Is the day so young? Benvolio. But new struck nine. Romeo. Ay me! sad hours seem long. 185Was that my father that went hence so fast? Benvolio. It was. What sadness lengthens Romeo's hours? Romeo. Not having that, which, having, makes them short. Benvolio. In love? Romeo. Out— 190 Benvolio. Of love? Romeo. Out of her favour, where I am in love. Benvolio. Alas, that love, so gentle in his view, Should be so tyrannous and rough in proof! Romeo. Alas, that love, whose view is muffled still, 195Should, without eyes, see pathways to his will! Where shall we dine? O me! What fray was here? Yet tell me not, for I have heard it all. Here's much to do with hate, but more with love. Why, then, O brawling love! O loving hate! 200O any thing, of nothing first create! O heavy lightness! serious vanity! Mis-shapen chaos of well-seeming forms! Feather of lead, bright smoke, cold fire, sick health! 205Still-waking sleep, that is not what it is! This love feel I, that feel no love in this. Dost thou not laugh? Benvolio. No, coz, I rather weep.

      Romeo finally walks in but Benvolio notices Romeo’s gloom and tries to find out what’s wrong.

    2. [Enter ROMEO] Benvolio. See, where he comes: so please you, step aside; I'll know his grievance, or be much denied. Montague. I would thou wert so happy by thy stay, To hear true shrift. Come, madam, let's away. 180 [Exeunt MONTAGUE and LADY MONTAGUE] Benvolio. Good-morrow, cousin. Romeo. Is the day so young? Benvolio. But new struck nine. Romeo. Ay me! sad hours seem long. 185Was that my father that went hence so fast? Benvolio. It was. What sadness lengthens Romeo's hours? Romeo. Not having that, which, having, makes them short. Benvolio. In love? Romeo. Out— 190 Benvolio. Of love? Romeo. Out of her favour, where I am in love. Benvolio. Alas, that love, so gentle in his view, Should be so tyrannous and rough in proof! Romeo. Alas, that love, whose view is muffled still, 195Should, without eyes, see pathways to his will! Where shall we dine? O me! What fray was here? Yet tell me not, for I have heard it all. Here's much to do with hate, but more with love. Why, then, O brawling love! O loving hate! 200O any thing, of nothing first create! O heavy lightness! serious vanity! Mis-shapen chaos of well-seeming forms! Feather of lead, bright smoke, cold fire, sick health! 205Still-waking sleep, that is not what it is! This love feel I, that feel no love in this. Dost thou not laugh? Benvolio. No, coz, I rather weep. Romeo. Good heart, at what? 210 Benvolio. At thy good heart's oppression. Romeo. Why, such is love's transgression. Griefs of mine own lie heavy in my breast, Which thou wilt propagate, to have it prest With more of thine: this love that thou hast shown 215Doth add more grief to too much of mine own. Love is a smoke raised with the fume of sighs; Being purged, a fire sparkling in lovers' eyes; Being vex'd a sea nourish'd with lovers' tears: What is it else? a madness most discreet, 220A choking gall and a preserving sweet. Farewell, my coz. Benvolio. Soft! I will go along; An if you leave me so, you do me wrong. Romeo. Tut, I have lost myself; I am not here; 225This is not Romeo, he's some other where. Benvolio. Tell me in sadness, who is that you love. Romeo. What, shall I groan and tell thee? Benvolio. Groan! why, no. But sadly tell me who. 230 Romeo. Bid a sick man in sadness make his will: Ah, word ill urged to one that is so ill! In sadness, cousin, I do love a woman. Benvolio. I aim'd so near, when I supposed you loved. Romeo. A right good mark-man! And she's fair I love. 235 Benvolio. A right fair mark, fair coz, is soonest hit. Romeo. Well, in that hit you miss: she'll not be hit With Cupid's arrow; she hath Dian's wit; And, in strong proof of chastity well arm'd, From love's weak childish bow she lives unharm'd. 240She will not stay the siege of loving terms, Nor bide the encounter of assailing eyes, Nor ope her lap to saint-seducing gold: O, she is rich in beauty, only poor, That when she dies with beauty dies her store. 245 Benvolio. Then she hath sworn that she will still live chaste? Romeo. She hath, and in that sparing makes huge waste, For beauty starved with her severity Cuts beauty off from all posterity. She is too fair, too wise, wisely too fair, 250To merit bliss by making me despair: She hath forsworn to love, and in that vow Do I live dead that live to tell it now. Benvolio. Be ruled by me, forget to think of her. Romeo. O, teach me how I should forget to think. 255 Benvolio. By giving liberty unto thine eyes; Examine other beauties. Romeo. 'Tis the way To call hers exquisite, in question more: These happy masks that kiss fair ladies' brows 260Being black put us in mind they hide the fair; He that is strucken blind cannot forget The precious treasure of his eyesight lost: Show me a mistress that is passing fair, What doth her beauty serve, but as a note 265Where I may read who pass'd that passing fair? Farewell: thou canst not teach me to forget. Benvolio. I'll pay that doctrine, or else die in debt. [Exeunt]

      Before going any further, My hypothesis is that Romeo's reason for feeling down has something to do with love.

    3. Montague. I neither know it nor can learn of him. Benvolio. Have you importuned him by any means? 165 Montague. Both by myself and many other friends: But he, his own affections' counsellor, Is to himself—I will not say how true— But to himself so secret and so close, So far from sounding and discovery, 170As is the bud bit with an envious worm, Ere he can spread his sweet leaves to the air, Or dedicate his beauty to the sun. Could we but learn from whence his sorrows grow. We would as willingly give cure as know.

      I wonder what problem's Romeo is facing that makes him want to isolate himself.

    4. You Capulet; shall go along with me: And, Montague, come you this afternoon, 120To know our further pleasure in this case, To old Free-town, our common judgment-place. Once more, on pain of death, all men depart. [Exeunt all but MONTAGUE, LADY MONTAGUE, and BENVOLIO] Montague. Who set this ancient quarrel new abroach? 125Speak, nephew, were you by when it began? Benvolio. Here were the servants of your adversary, And yours, close fighting ere I did approach: I drew to part them: in the instant came The fiery Tybalt, with his sword prepared, 130Which, as he breathed defiance to my ears, He swung about his head and cut the winds, Who nothing hurt withal hiss'd him in scorn: While we were interchanging thrusts and blows, Came more and more and fought on part and part, 135Till the prince came, who parted either part. Lady Montague. O, where is Romeo? saw you

      Benvolio explains that the servants of both houses started fighting first. He tried to stop them, but then Tybalt being the hot head he is, came and attacked him he later gets asked by Lady Montague if he was involved in the fight which he wasnt

    5. Exeunt all but MONTAGUE, LADY MONTAGUE, and BENVOLIO] Montague. Who set this ancient quarrel new abroach? 125Speak, nephew, were you by when it began? Benvolio. Here were the servants of your adversary, And yours, close fighting ere I did approach: I drew to part them: in the instant came The fiery Tybalt, with his sword prepared, 130Which, as he breathed defiance to my ears, He swung about his head and cut the winds, Who nothing hurt withal hiss'd him in scorn: While we were interchanging thrusts and blows, Came more and more and fought on part and part, 135Till the prince came, who parted either part. Lady Montague. O, where is Romeo? saw you him to-day? Right glad I am he was not at this fray. Benvolio. Madam, an hour before the worshipp'd sun Peer'd forth the golden window of the east, 140A troubled mind drave me to walk abroad; Where, underneath the grove of sycamore That westward rooteth from the city's side, So early walking did I see your son: Towards him I made, but he was ware of me 145And stole into the covert of the wood: I, measuring his affections by my own, That most are busied when they're most alone, Pursued my humour not pursuing his, And gladly shunn'd who gladly fled from me.

      Montague is asking who started the fight

    6. Prince Escalus. Rebellious subjects, enemies to peace, Profaners of this neighbour-stained steel,— Will they not hear? What, ho! you men, you beasts, That quench the fire of your pernicious rage With purple fountains issuing from your veins, 105On pain of torture, from those bloody hands Throw your mistemper'd weapons to the ground, And hear the sentence of your moved prince. Three civil brawls, bred of an airy word, By thee, old Capulet, and Montague, 110Have thrice disturb'd the quiet of our streets, And made Verona's ancient citizens Cast by their grave beseeming ornaments, To wield old partisans, in hands as old, Canker'd with peace, to part your canker'd hate: 115If ever you disturb our streets again, Your lives shall pay the forfeit of the peace. For this time, all the rest depart away: You Capulet; shall go along with me: And, Montague, come you this afternoon, 120To know our further pleasure in this case, To old Free-town, our common judgment-place. Once more, on pain of death, all men depart.

      Prince Escalus is letting them know their actions are causing a huge disturbance.

    7. Enter BENVOLIO] Benvolio. Part, fools! Put up your swords; you know not what you do. [Beats down their swords] [Enter TYBALT] Tybalt. What, art thou drawn among these heartless hinds? 80Turn thee, Benvolio, look upon thy death. Benvolio. I do but keep the peace: put up thy sword, Or manage it to part these men with me. Tybalt. What, drawn, and talk of peace! I hate the word, As I hate hell, all Montagues, and thee: 85Have at thee, coward! [They fight] [Enter, several of both houses, who join the fray; then enter Citizens, with clubs]

      Why doesnt Tybalt like peace?

    8. Sampson. Gregory, o' my word, we'll not carry coals. Gregory. No, for then we should be colliers. Sampson. I mean, an we be in choler, we'll draw. Gregory. Ay, while you live, draw your neck out o' the collar. 20 Sampson. I strike quickly, being moved. Gregory. But thou art not quickly moved to strike. Sampson. A dog of the house of Montague moves me. Gregory. To move is to stir; and to be valiant is to stand: therefore, if thou art moved, thou runn'st away. 25 Sampson. A dog of that house shall move me to stand: I will take the wall of any man or maid of Montague's. Gregory. That shows thee a weak slave; for the weakest goes to the wall. Sampson. True; and therefore women, being the weaker vessels, 30are ever thrust to the wall: therefore I will push Montague's men from the wall, and thrust his maids to the wall. Gregory. The quarrel is between our masters and us their men. Sampson. 'Tis all one, I will show myself a tyrant: when I 35have fought with the men, I will be cruel with the maids, and cut off their heads. Gregory. The heads of the maids? Sampson. Ay, the heads of the maids, or their maidenheads; take it in what sense thou wilt. 40 Gregory. They must take it in sense that feel it. Sampson. Me they shall feel while I am able to stand: and 'tis known I am a pretty piece of flesh. Gregory. 'Tis well thou art not fish; if thou hadst, thou hadst been poor John. Draw thy tool! here comes 45two of the house of the Montagues. Sampson. My naked weapon is out: quarrel, I will back thee. Gregory. How! turn thy back and run? Sampson. Fear me not. Gregory. No, marry; I fear thee! 50 Sampson. Let us take the law of our sides; let them begin. Gregory. I will frown as I pass by, and let them take it as they list. Sampson. Nay, as they dare. I will bite my thumb at them; which is a disgrace to them, if they bear it.

      Proving he's the "stronger" or "better" servant does nothing for Sampson as the people he's trying to compete against fall in the same category as him already. Us human's tend to seek completion with the urge to prove ourselves when there is no need to.

    9. Nay, as they dare. I will bite my thumb at them; which is a disgrace to them, if they bear it.

      What does it mean to "bite my thumb"? is it an insulting gesture?

    10. Nay, as they dare. I will bite my thumb at them; which is a disgrace to them, if they bear it.

      Sampson wants a fight but would prefer the other side to start it. I'm assuming "biting my thumb" is a form of insult used back then and he will do this to get the reaction he wants out of the other servants.

    11. Sampson. Gregory, o' my word, we'll not carry coals. Gregory. No, for then we should be colliers. Sampson. I mean, an we be in choler, we'll draw. Gregory. Ay, while you live, draw your neck out o' the collar. 20 Sampson. I strike quickly, being moved. Gregory. But thou art not quickly moved to strike. Sampson. A dog of the house of Montague moves me. Gregory. To move is to stir; and to be valiant is to stand: therefore, if thou art moved, thou runn'st away. 25 Sampson. A dog of that house shall move me to stand: I will take the wall of any man or maid of Montague's. Gregory. That shows thee a weak slave; for the weakest goes to the wall. Sampson. True; and therefore women, being the weaker vessels, 30are ever thrust to the wall: therefore I will push Montague's men from the wall, and thrust his maids to the wall. Gregory. The quarrel is between our masters and us their men. Sampson. 'Tis all one, I will show myself a tyrant: when I 35have fought with the men, I will be cruel with the maids, and cut off their heads. Gregory. The heads of the maids? Sampson. Ay, the heads of the maids, or their maidenheads; take it in what sense thou wilt. 40 Gregory. They must take it in sense that feel it. Sampson. Me they shall feel while I am able to stand: and 'tis known I am a pretty piece of flesh. Gregory. 'Tis well thou art not fish; if thou hadst, thou hadst been poor John. Draw thy tool! here comes 45two of the house of the Montagues. Sampson. My naked weapon is out: quarrel, I will back thee. Gregory. How! turn thy back and run? Sampson. Fear me not. Gregory. No, marry; I fear thee! 50 Sampson. Let us take the law of our sides; let them begin. Gregory. I will frown as I pass by, and let them take it as they list. Sampson. Nay, as they dare. I will bite my thumb at them; which is a disgrace to them, if they bear it.

      Sampson is purposely being aggressive with the other servants with the intention to get under their skin forcing them to make a wrong move to where his reaction wont make him be in the wrong.

    12. True; and therefore women, being the weaker vessels, 30are ever thrust to the wall

      Discrimination against women was a lot more accepted during this time of writing than it is today.