Noone-not even the most ardent defenders of the supermax-would try to argue today that absolute segregation, including sensory deprivation, is restorative and healing.
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Noone-not even the most ardent defenders of the supermax-would try to argue today that absolute segregation, including sensory deprivation, is restorative and healing.
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tal isolation in single cells where prisoners lived, ate, worked,, read the Bible (if, indeed, they were literate!,
sounds like today
he conditions of possibility for this new form of punishment were strongly anchored in a historical era during which the working class needed to be constituted as an army of self-disciplined individuals capable of performing the requisite industrial labor for dev~loping capitalist system.
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Today this seems ironic, but incarceration within a penitentiary was assumed to be humane-at least far more humane than the capital and corporal punishment inherited from England and other European countries.
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I have done fieldwork in Egypt over more than 20 years and I cannot think of a single woman I know, from the poorest rural to the most educated cosmopolitan, who has ever expressed envy of U.S. women, women they tend to perceive as bereft of community, vulnerable to sexual violence and social anomie, driven by individual success rather than morality, or strangely disrespectful of God.
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We need to have as little dogmatic faith in secular humanism as in Islamism, and as open a mind to the complex possibilities of human projects undertaken in one tradition as the other
confusing
Spokespersons point out the dangers of confusing governments with people, the Taliban with innocent Afghans who will be most harmed
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There was a constant slippage between the Taliban and the terrorists, so that they became almost one word—a kind of hyphenated monster identity: the Taliban-and-the-terrorists.
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It is common popular knowledge that the ultimate sign of the oppression of Afghan women under the Tali- ban-and-the-terrorists is that they were forced to wear the burqa. Liberals sometimes confess their surprise that even though Afghanistan has been liberated from the Taliban, women do not seem to be throwing off their burqas. Someone who has worked in Muslim regions must ask why this is so surprising. Did we expect that once "free" from the Taliban they would go "back" to belly shirts and blue jeans, or dust off their Chanel suits?
I like this stylistically - irony to contrast the situation
n both cases, the issue of the war which has caused that moment is effectively depoliticised
The moment of the war is taken out of context almost - the purpose of the whole image has become either shock value or a call to humane action through "OXFAM or UNICEF". But, it never addresses the roots of the issue
It now seems fortunate that few museums have had sufficient initiative to open photographic departments, for it means that few photographs have been preserved in sacred isolation, it means that the public have not come to think of any photographs as being beyondthem.
Anyone that afford a "photograph", since it is easily reproduced and can be pulled up pixel for pixel on a computer - that's why photography departments aren't that common, because there is no external price or feature that museum visitors would consider as "exclusive"
One clue is when the picture evades compositional cliché.
no more rule of thirds or specialized photo composition - only capturing the essence of what is truly real, which is interesting for the author to point out since it made me similarly realize that even those techniques can play into bias and incorrect portrayal
Non-Indians have made images that capture aspects of the endlessly complicated Indian experience, just as have Indian photographers like Ketaki Sheth, Sooni Taraporevala, Raghu Rai and Richard Bartholomew
Foreign photographers can still capture real images of other cultures through research and empathy - they can have the right mindsets
he pictures are staged or shot to look as if they were.
difference between candid and then the photographers own message that he wants to impose onto his image
An ancient statue of Venus, for example, stood in a different traditional context with the Greeks, who made it an object of veneration, than with the clerics of the Middle Ages, who viewed it as an ominous idol.
The same artifact or essay will carry separate meanings according to each person, just like how we each interpreted the essay fragments of the paper differently last week.
This unique existence of the work of art determined the history to which it was subject throughout the time of its existence.
This reminds me of the word "etymology" that I learned in a different class - every word or symbol has a lineage or history behind it that gives it meaning. Similarly, without understanding the context behind a work of art or seeing the process that went into it, even a perfect reproduction can never be truly perfect.
Poetry is not only dream and vision; it is the skeleton architecture of our lives
It's interesting how poetry is compared to "skeleton architecture". Poetry is a much more conceptual and interpretative form of expression, but it's being compared to something that is rigid and solid, so it's a cool contrast.
there is a dark place within, where hidden and growing 01,1r true spirit rises, "beautiful/ and tough as chestnut/stanchions against (y)our nightmare of weakness/"** and of impotence.
The idea of poetry and free expression from the basis of creativity and emotion instead of the stoicism of plain "problem solving". This form of expression is tucked away as a result of societal standards - but it doesn't mean that it's not there and growing.