The best way to do this is to find and follow people doing design engineering work in public, and pay attention to their outputs, skills, and responsibilities.最好的办法是找到并关注在公共场合从事设计工程工作的人，关注他们的产出、技能和责任。

“我们已经成为一个老龄化社会，无论是在大城市还是在郊区，建筑师都应该就如何在社区中生活提出好的想法。

“门槛的一侧属于家庭，另一侧属于社区，而我就坐在中间。”

Sponsoring social media influencers who have large followings on YouTube, Instagram and TikTok and are keen to share what they’ve made.

Starting an Ambassador program to connect superfans with the company and each other.

“We’re now seeing people sell Notion templates,” said Ben. “Not only does that mean they’re super fans of our product, but it also means they’re promoting it for their own businesses.”

在每个场合中，作品都会在声音和结构上进行修改以适应空间。在大多数场馆中，我会搜寻当地的二手高保真音响店，寻找有趣的旧扬声器。

我们有可能彻底拓展大多数乐器的音色可能性，

这种沉浸的可能性提出了新的音乐形式，音乐中的构成重点不仅仅是熟悉的旋律、和声和节奏，而更多地放在了质感（音色）上

Sophistication often comes early to weapons.  The same goes for training in their use, as in this gorgeous manual.

The Complete Herbal.  It was, in effect, the Merck Manual of his time.  The

Richard Sennett in The Craftsman: “It celebrated those who are committed to doing work well for its own sake; the craftsman stood out as the emblem of Enlightenment.”

In the eyes of Diderot, the son of a master cutler, it was a matter of doing justice to a social species, the skilled craftsman, whose role in the national life was absurdly undervalued.6

He imagined “another globalization” where we thought of technologies in service to humanity.

在街道长度不到2公里的范围内，观察到大约50家夫妻店。

居民们在七年非法占领期间创造的东西值得我们学习，我们发现的既不是一个犯罪窝点，也不是一个浪漫的乌托邦。大卫塔是一座复杂的城市建筑，它融合了正式的空间结构和非正式适应策略，以提供迫切需要的解决方案，并向我们展示了自下而上的资源如何有能力解决目前普遍存在的城市稀缺性问题。

rule number one

Interactivity wants to be free.交互性希望是自由的。

创造的主体应该至少在某种程度上是“有意向性地（Intentionally）”在进行创造，它的创造应该是出于它自身的表达欲和审美价值观。

“创造力意味着产生出价值（Value）和新颖性（Novelty）”。