In other words: Bonasso's narrative articulates a Peronist Left's political culture by activating, in the 1980s and 1990s, central images and tropes encoded in a 1970s tone (Williams, Citation1977: 122). As in other products of the same cultural formation, such as Fernando Solanas's Tango (1985) or even Sur (1987), Bonasso's writing constructs a militant memory and, in so doing, configures a residuality.
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