38 Matching Annotations
  1. Jun 2024
    1. Clicking each dot displays a key phrase

      not sure if this was inspired by the Tied in Knots project https://tiedinknots.io/#/

      additionally, is there a design reason to obfuscate the responses on initial click?

    1. .

      i love this paragraph!

    2. interface

      it would be very cool to see this as a GIF :)

    3. Visualizing Time

      I'm not sure you need the two charts side by side. the interaction along with the timeline works just fine without the recreated quilt on the right

      and even though the standard timeline below the quilt is helpful, it makes it easier to read, defeating the purpose (for me). I would rather not see the timeline

    4. This is also a feminist move

      depending on your audience, embodied ways of knowing as feminist may not be self-evident and so with this statement, it feels like you are leaving certain readers to take your word for it

    5. above

      flag for position to text

    1. But what we can change is our awareness of our position with respect to our data, and to the visualizations that we create.

      not a direct comment but a thought: I find this sentence very interesting! this is the god trick problem with current visualization design, because implicit in visualization, data are 'masked' by the marks and channels that represent them -- the data are implicitly immaterial without being given form through the designer via visualization design. in your example diagram, the visualization emphasizes the process of generating data, visualization, and insight -- so, how may other forms of visualization also demonstrate process? there is work in provenance recording and visualization, but these often start with the data and record manipulation.

    2. along with ourselves

      it's not immediately apparent that you are on the diagram. also, would adding a legend be antithetical to the rhetorical purpose of the diagram?

    3. diagram

      in prior chapters we get a lot more information about the visualisation and since this is the first hand-drawn and static visual, it would be nice to know more about the diagram up front. who drew it? what type of visualisation is this? for those not familiar, is this a standard vis?

    1. two

      minor comment: but why only two?

    2. Plotting the Zotero data

      minor comment: would be nice to see a chart title

    3. "simple view," and its utility for those who lack the time or the inclination to be distracted by detail. These are not intrinsic features of the data; they derive from Playfair's choices in how to put that data on display.

      there is a well-quoted line from Shneiderman that continues this logic:

      There are many visual design guidelines but the basic principle might be summarized as the Visual Information Seeking Mantra: Overview first, zoom and filter, then details-on-demand Overview first, zoom and filter, then details-on-demand

      Shneiderman, Ben. "The eyes have it: A task by data type taxonomy for information visualizations." The craft of information visualization. Morgan Kaufmann, 2003. 364-371.

    4. epistemological claim

      a skeptic might say here: "but how much of this epistemological claim is also driven by a material shift?"

      D3 did not have to be made by using data to manipulate the DOM -- it would be helpful to see this point made more explicit in your argument!

    5. Jo Wood in an Observable notebook, to the surprising verisimilitude achieved by Jorge Camoes using Microsoft Excel

      links?

    6. Their concerns are not with complexity, or with individual impact, because their rank and resources shield them from any personal fallout from the events represented through the charts. The knowledge that is recorded and visualized in the Atlas is valuable to them precisely because it is clear and efficient, and because it allows them to ignore any details that might otherwise cloud their view. The result of this picture is a further consolidation of their political and economic power, which directly follows from the clarifying and consolidating design of the charts themselves.

      this paragraph also gave me pause (I haven't read pass this yet, so you might address my concerns in the next section) but there is a lot of vis research about decision making with visualizations that offer both a similar and different perspective on the intersection of visualization and decision making. Dimara & Stasko 2021 offers a good place to start on that discussion.

      Dimara, Evanthia, and John Stasko. "A critical reflection on visualization research: Where do decision making tasks hide?." IEEE Transactions on Visualization and Computer Graphics 28.1 (2021): 1128-1138.

    7. It is because of this uncertainty, I contend, that Playfair places tremendous value in the clarity of perspective produced by his charts

      when it comes to the audience of the book, this is one of the statements that might strike a vis researcher as different. I don't mean to imply that it is unfounded, but rather, vis doesn't have the same history of unpacking context in this way to justify design decisions. i find this deeply interesting.

      a follow-up comment, I wish the topic did not change so quickly from uncertainty to "for whom this knowledge is useful". I find myself wanting more to understand your argument.

    8. also placed the titles in oval superimposed upon the chart, rather than above, and decided to remove the explanatory notes about the charts’ scale

      it would be nice to see the old title and notes about scale through the scrollytelling story

    9. View Footnotes

      minor comment: could the text for the toggle change? for example, show footnotes -> hide footnotes.

      at the moment I have trouble knowing what state the toggle is in

    10. that the specific tools with which a visualization is created, and the specific purposes for which—and people for whom—it is designed are sources of insight in and of themselves

      it would be nice to have this highlighted as quote text or bold or alt titles for the chapters

    11. meaning—meaning

      is this a typo?

    12. visualization luminary Edward Tufte

      flagging in context to the previous comments that call for a deemphasis of Tufte in the historical narrative of visulization

    13. Engraving

      this needs a little context

    1. Practical takeaways

      I like both the conceptual and practical takeaways and would personally have benefitted from seeing them before reading the chapter, or having them clearly stated in the text as a takeaway

      Overall, the text is super interesting, but I had trouble following the winding narratives while also trying to apply it to other visualization practices. This is partially because the material is entangled and also the use of multiple visualizations and historical individuals that I am unfamiliar of. I also found myself wondering if this type of implosion would benefit from categories of implosion (this is currently outline in the conceptual takeaways) but I would love to see the vis object slowly broken into pieces labeled "Design decisions", "Design influences", "Context of the data collection"...but maybe I want more clarity, when the exact point is to avoid it?

    2. These earlier iterations of maps derived from the Trans-Atlantic Slave Trade Database are a reminder of the important continuities between the “age of print” and the “digital age.”

      I'm not sure I understand what I should take away from this footnote comment

    3. 26Clarkson’s motivation for these design choices is, admittedly, difficult to discern.

      This is so rich and informative and I would rather see this in the main text than a footnote.

    4. Rather, it is that we must always consider what is lost in the process of visualizing data at the same time that we consider what is gained.

      it would be great to have a little cliff-hanger here that indicates you're going to discuss the how we do this at some point.

    5. An early engraving

      would be nice to have the year, title, and author repeated here

    6. read about the images

      there is a tension between censoring the images of the slave ship and then textually describing them that feels unintentionally ableist. I'm not sure how you could resolve this though and I also don't have the lived experience to comment more extensively either.

    7. at the bottom right

      small note: the button can be bigger

  2. May 2024
    1. button

      can this button remain persistent to give a reader the option to change the setting regardless of where they are in the text?

    1. The table

      maybe consider reaching out to Frank Elavsky or Arvind about how to generate the alt text for the visualizations

      https://vis.csail.mit.edu/pubs/vis-text-model/

    2. the best-known

      I would soften this to say one of the best...

    3. Whereas

      the format of the quote/indent caught me off-guard a little. I though you were quoting something at first

    4. images

      just warning you all it is mildly distracting that the grid is producing the Hermann Grid Illusion. Not super distracting though

    5. shuffle

      a minor UI UX thought: I'm not sure it is immediately obvious that the shuffle button to the right is interactive

    6. insight

      I'm not sure insight makes sense in this opening graph. The quote “the purpose of data visualization is insight” is really about reading the data, whereas the story your telling (at least in my interpretation) is one about putting critical theories of visualization to work. Or, rather, perhaps realising that it is easy to make a chart that looks objective and complete, even when you have all the intentions not to, because of conventions, tools, etc. etc.

    7. early design

      Minor: this is blurry on my screen