29 Matching Annotations
  1. Jan 2018
    1. I wassomewhat of a stranger to myself.

      The narrator seems to be already giving hints of unreliability or misunderstanding of themselves characteristic with modernism.

    1. communicate something of their own seeming satisfaction

      I can relate to this sudden thoughtful feeling about seemingly random everyday experiences.

    1. The weight, the pace, the stride of a man’s mind are too unlike her own for her to lift anything substantial from him successfully.

      Woolf seems to imply that there will always be differences between man and woman.

    2. Now, in the passages I have quoted from Jane Eyre, it is clear that anger was tampering with the integrity of Charlotte Brontë the novelist

      Emotions can be barriers to our own integrity.

    3. And so, since no woman of sense and modesty could write books, Dorothy, who was sensitive and melancholy, the very opposite of the Duchess in temper, wrote nothing

      This line could be interpreted to be serious or to be satire.

    1. Anything may happen when womanhood has ceased to be a protected occupation

      This is an important point which needs to discussed. While anything may happen, what do we WANT to happen?

    2. Society gives me chicken and coffee, bed and lodging, in return for a certain number of pieces of paper which were left me by an aunt, for no other reason than that I share her name.

      I'm a little confused as to the relevance of this particular topic to the point of this section as a whole.

    3. professor’s face till he looked like a burning bush or a flaming comet—

      The anger in response to the man's description could certainly justified, but is anger really the correct response, or simply a roadblock to reform?

    1. ——

      The author is focusing on very specific details, but ignoring others which many would deem important. We need to look very carefully at what is outlined, as it must be important.

    2. As I have said already that it was an October day, I dare not forfeit your respect and imperil the fair name of fiction by changing the season and describing lilacs hanging over garden walls, crocuses, tulips and other flowers of spring.

      Again, the narrator makes the relationship with the reader feel personal

    3. soles, sunk in a deep dish, over which the college cook had spread a counterpane of the whitest cream, save that it was branded here and there with brown spots like the spots on the flanks of a doe

      This whole passage seems to correlate with the chapter on food from the Foster book. Is there a deeper meaning we can derive?

    4. Teams of horses and oxen, I thought, must have hauled the stone in wagons from far countries, and then with infinite labour the grey blocks in whose shade I was now standing were poised in order one on top of another, and then the painters brought their glass for the windows, and the masons were busy for centuries up on that roof with putty and cement, spade and trowel

      Woolf is giving quite a meandering narrative that feels confusing, but also flows in a peculiar way. However, what is the significance of the wandering parts that feel unimportant?

    5. letter of introduction

      this means that there is opportunity for a woman to "enter the library", but it also signifies an extra barrier of entry

    6. which—but here I was

      another abrupt change in thoughts: Woolf appears to deliberately be leaving thoughts unfinished, almost as if they'll be returned to later. Not sure if I like this.

    7. To the right and left bushes of some sort, golden and crimson, glowed with the colour, even it seemed burnt with the heat, of fire.

      Sudden transition signifies that the writing may not be following a concrete path, perhaps will continue to float

    8. call me Mary Beton, Mary Seton, Mary Carmichael or by any name you please—it is not a matter of any importance

      The passage gives a sense of intentional detachment from the protagonist, but why?

    9. might mean, and you may have meant it to mean, women and what they are like, or it might mean women and the fiction that they write; or it might mean women and the fiction that is written about them

      semantically, the language used feels much more personal and draws the reader in