We need literary criticism in African languages. And equally importantly, we have to decolonize African literary theory. Why should literary criticism continue to draw its primary conceptual oxygen from European literary theories?
I'm really interested in the idea of de-colonial literary criticism being the outcome of this discussion. "Legitimizing" is the wrong word...but it's meaningful that this is the call to action the author of this article presents. There's something to how we respond to art and literature that makes it communal.