o much to take (Aciman).Sugimoto, however, is unbothered. No matter what, his work ismuch too slippery to be tied down. I circle back to him during his Onthe Beach series in New Zealand: glasses pushed back, white hair rest-ing against a speckled forehead, he walks along rust, sand, and water,pausing to lean forward and inspect what could have been a door han-dle, what now appears to be nothing more than a rotting piece of rustymetal. But he sees something more.
Beautiful ending. Reflective, personal, and great representation.