Guiding her across difficult borders, Eshrat’s final dream exposes the gap between contemporary Muslim women’s stories and the narratives contained in orientalist histories of Muslim women. Her dreams of crossing the water render visible what both Indian Ocean scholarship and Australian histories often efface: that non-white women move. They not only cross multiple borders, but also tell stories in a particular way to make sense of their travels. Disciplining these stories into progress narratives of ‘tradition’ to ‘modernity’ does not do justice to the archives of border-crossing women.
I think Khartum finds a way of highlighting the agency women navigated despite the misogyny and constraints placed on them by white australian and south asian men.