62 Matching Annotations
  1. Nov 2022
    1. this turn is occurring, for the most part, as if plenty of fields, and professors, and artists, and students, and humanists hadn't been already been doing this for years

      This is an interesting perspective of the digital humanities field. Is this not true with all field though? Before biology was a field, people still investigated evolution, and biological concepts. I would argue that just because there is a name for a field of study, it does not devalue the work of people who were already doing it or do not classify as being in that field.

    1. Figure 1.1. Memac Ogilvy & Mather Dubai advertising campaign for the United Nations

      This is such a powerful way of advertising. This really incorporates the "Digital Creativity as Critical Material Thinking" point that creativity is essential to digital humanities. Incorporating creativity with digital techniques has the possibility to have such a strong impact on the audience.

    2. The campaign suggests that search is a mirror of users’ beliefsand that society still holds a variety of sexist ideas about women.

      This shows how digital methods can bring to light new evidence. The fact that these are the most commonly searched phrases when typing about women really exposes how many issues there still are with women's rights. I was curious after reading this so I typed "women should not" into the google search engine and the first autosuggestion was "a women should not teach men" and "a women should not be in combat roles." I was shocked after seeing that these are what people are actually searching into the engine.

    1. or instance, by exploring original e-lit works, students debated questions of originality [unoriginal genius, remix,appropriation, etc.] while also learning how to tweak the code of textual generators;they explored textual ontology [code ontology vs. print ontology] while buildingAugmented Reality experiences with mobile apps; or they challenged narrativestructures [hypertext vs. linear narrative] while building simple Twine programs, amongmany other topics and tools.

      I think this is a great way of learning material. It is an incorporation of both gnosis and poiesis where you learn conceptual information but actually do/make things to give you a better understanding. I learn best through this method too. I like to get a general understanding and then to help solidify this knowledge, practice and create things.

    2. reading digital texts as data but has failed to explore the literary value

      Although the ability to have so much online is in fact revolutionary, some things can "get lost in translation." In making texts into online documents, the actual value of the document, not the data, may be lost. The purpose of the texts in the first place need to be accounted for after being translated, and if they are not, we need to reassess the method we have for developing digital texts.

    1. However, we think that critical workoffers aproductive slowdown, forcing a project to reflect onits approach, method and goals,

      I like this elaboration about the slow down of critiquing. In general, critiquing does take time, and it does slow down the process, however, the end result (if done correctly) is better and worth the wait.

    2. critical analysis must dissociate itself from that which itstrives to comprehend;

      I think this a really neat quote. What I gather from it is that you cannot critique something if you are too involved with it. It is difficult to get an unbiased critique but that is what they strive for in digital humanities. Critiquing is an essential part of digital humanities but it is also one of the most difficult things to do.

      Here is an interesting post that critiques the critique of digital humanities. [(https://www.thenewatlantis.com/text-patterns/critiquing-critique-of-digital)]

    3. How is knowledgetransformed when mediated through code and software?

      This really summarizes what I think the goal of our exercises throughout the semester have been about. We have been trying to find different ways to use code and softwares in order to illustrate ideas and stories. We are not only focusing on the content, but how to display it effectively to our audience and find the best possible ways to present these ideas. In this course it has showed me that there is such a variety of ways information can be presented and that some methods work better than others depending on what we are trying to present.

    1. intended primarily to influence opinions or beliefs - to send a message - rather than to communicate geographic information.

      I think this is a really neat use of maps that is not utilized enough. Maps do not only have to be tools for directions, they can be used in many meaningful ways. These maps presented here goes to show how substantial the meaning and purpose behind them can be. It is also an opportunity to be creative in the method of delivering the message.

    1. In the South, most formerly redlined areas are also still starkly segregated — 28 of the 31 cities we analyzed.

      This is such a shockingly large amount. At this time and age I would think it would have declined more. I attached a link to a piece that discusses segregation in the South. [(https://www.theatlantic.com/business/archive/2017/02/segregation-invented/517158/)]

    2. And we found that nearly all formerly redlined zones in the country are still disproportionately Black, Latino or Asian compared with their surrounding metropolitan area, while two-thirds of greenlined zones — neighborhoods that HOLC deemed “best” for mortgage lending — are still overwhelmingly white.

      I think this really shows how maps are a great way to visualize trends. It is awful that these historic trends in redlining neighborhoods existed in the first place. Mapping these trends allows people to see how these communities are still being affected by prejudice and that there is still major issues with segregation. Being able to see that there is a problem is the first step in trying to resolve it.

    1. To increase security for vulnerable users, the map also identifies bars, dangerous locations, streetlights for safe routes, police presence, and points where users can find support for gender-based violence

      This is such a neat idea. This would provide an additional level of safety to those in that area. It would be interesting to investigate how big of a difference these types of maps would make for security. They could do this by measuring the amount of incidents reported in an area before the maps were implemented and then afterwards and compare them.

    2. Figure 1.2. OpenStreetMap view of Carleton Campus.

      I really prefer this map. I think especially for students, showing where all the parking lots, picnic tables, recycling bins, and what the names of the buildings are would be super helpful for navigating campus. This would be particularly helpful with very large campuses like ASU. I have tried navigating the ASU campus and it is so large that it is difficult to find anything, and google maps really does not help with navigating at that level. I find that google maps is better for general directions at large distances away from each other. If you want to drive from one side of town to the other, google maps is good for directions, but it is not the best once you are in the complex. I attached the link for a map of the ASU tempe campus but it is not nearly as detailed for studentlife as the openstreetmap example is. [(http://www.mappery.com/Arizona-State-University-Tempe-Camous-Map)]

    1. Avoid spiral timelines when the task requires fast lookup.

      This makes sense since, when I picture using spiral timelines, they are more complicated to read. The linear and circular timelines are much more straightforward. It would be interesting to extend on this experiment where they presented all three timelines with the same things on each one (instead of different things on each timeline) and asked them to find a certain year or event. You see which timeline is the easiest to work with but noting the actual time difference it takes to use between each of them would be useful to know. This would be cool to know since we are aware that some are more difficult to interpret and work with but we do not know how much more difficult it is relative to the exact time it takes to use each timeline.

    2. Some timelines work better than others in specific cases, while in some other cases, the choice of shape doesn’t make any difference.

      I did not expect these to be the results of the experiment. I really did think that there would be a clear, specific shape that was more impactful for recurrent vs. non-recurrent vs. mixed datasets.

    1. which in retrospect seemed obvious (it was the whole narrative of the story).

      Sometimes coming up with ways to present your data and get your point across in the right way to the audience is very difficult. It may seem obvious once you have come up with the idea, but actually getting there is a lot more difficult than it sounds. The way that they decided to present their events by government attitude is a really good idea and gets their point across very well. It is a good example of the thought process to coming up with a good timeline. The first idea you come up with may not be your best, but the trick is to keep trying to come up with ideas until you find one that clicks and you know it is the best way to represent your ideas.

    2. We wanted to present the history of these fines, emphasizing how often -- and how much -- the Red Cross has had to pay for unsafe blood handling. We also wanted a way to make the documents themselves public, so anyone could dive into the details.

      This is another example of a meaningful timeline. It would not be "mere sequences" as discussed in ch 1. of Cartographies of Time, but used as a method to help emphasize a point. Timelines should not be the main objective, they are a tool to help you show or emphasize your main objective.

    1. The timeline offered a new way of visualizing history. And it fundamentallychanged the way that history was spoken of as well.

      This is a great example of how meaning can be added to timelines. Good timelines should aim to provide perspectives and different ways of visualizing things. It is not enough to just list dates and events. It is most impactful when timelines incorporate a middle ground between fact and interpretation to allow the audience to take away something they had not considered in the past.

    2. The events must be...revealed aspossessing a structure, an order of meaning, that they do not possess as meresequence.”⁴

      This is something that I had not really considered. Whenever I was making a timeline, I usually just listed out things that happened in the order they happened, however, I see how much more substantial timelines can be if they have meaning. Instead of just listing facts, express a story of events. I was looking at examples of how to make meaningful timelines but most of the search had results like the one I linked. This one specifically says, "it's as simple as showing a sequence of events," which leads me to believe that a large proportion of the population is missing the part that makes timelines meaningful.

      [https://www.apptio.com/blog/42-timelines-is-the-answer/]

  2. Oct 2022
    1. The egalitarian ease of Twine has made it particularly popular among people who have never written a line of code

      I think it is great that they made it so accessible to the public. People are able to participate and learn the program fairly easily which allows a great amount of people to participate as well as enabling a large target audience.

    1. Social mediaroutinely cross locations, media, languages, and styles. The ease of copy-ing and embedding media means echoes and versions of stories can bereflected across different hardware and software ecosystems.

      It is really fascinating how complex technology really is. Social media has changed so much, even in the last decade. Social media allows communication between the whole world. It allows communication even when language barriers are present. For example, people are still able to communicate through pictures and videos through instagram. The ability to embed media also contributes to the complexity of digital networks.

    2. In fact, itwould be as foolish to consider contemporary storytelling without dwell-ing on gaming as to describe storytelling without movies, the spoken word,or print

      I originally hadn't considered video gaming when I thought about digital storytelling but it would be a great example of it. Gaming is following a storyline and interacting with it, which makes it a very impactful source of storytelling. Having the community get so absorbed in the story would indicate more reaction from the audience and greater engagement.

    1. storytelling andthe digital world as based upon a preference for analog media, namely,books, movies, TV, and music

      I think whether something digital is classified as a story or not really depends on how the information is utilized. It makes sense that people think data is not a story, it just looks like a bunch of random numbers. If the person who has the data is interested in sharing it with the rest of the digital community, they have the ability to make it into a story. Interpret the data, explain the patterns or lack of patterns. If there is no pattern to the data, they could try to explain why. My point is that I think anything can be a story if it is explained and interpreted well.

    2. We can also conceive of digital storytelling through examples of it inaction, such as

      Here is an example I found of digital storytelling: [(https://www.nytimes.com/projects/2012/snow-fall/index.html#/?part=tunnel-creek)] It is a story released in 2012 about the avalanche that occurred in Tunnel Creek. I think the event is really well described and they created a very good digital story from it.

    1. But many useful methods are supervised, comparativelystraightforward, and have been in social-science courses for decades

      This is an interesting point that reminded me of occam's razor. It is normal to overcomplicate things when sometimes it is the simplest answer or method that is correct/best. Just because something is simple does not mean it is not a good method to use.

    1. As long as readers remember that many ingredients of this history have longer backstories elsewhere, no one will be misled.

      I think this is an important point that is often overlooked. There are many things that are observed without actually looking at the background or history of it. It is normal to judge based on what you know, but oftentimes we do not know the full background on what we are judging. Everything has a backstory but often considering "how it came to be" is neglected.

    1. To discover the themes, a user could create a separate document of each of the duo’s albums, upload the corpus to Topic Modeling Tool, and interpret the string of words that the tool finds to be most prominent.

      This could also be a way in which artists could strategize the use of specific words in songs to attract a larger audience. They could look at the similarities between top hits and find certain words that were used in all of them and then include it when advertising the music. For example, they could use it as a tag when posting on instagram or twitter and it may attract more attention.

    2. Some words remained consistent, some words fell out of use, and others grew in use over time.

      Looking at the frequency in which words were used may be a good indicator of how history shaped literature. Certain words that were used more frequently may show what most of the population was feeling at that time or even what was going on. Words that fell out of use could also represent the end of certain period.

    1. collectively known as memory institutions – about what it means to share these items while also acknowledging the history of colonial violence that has allowed for the misappropriation, misuse and outright theft of material from Indigenous peoples.

      I think it would be difficult to decide the best way for sharing history of Indigenous peoples. The memory institutions are interesting since they would provide insight for those that are not well informed on their past. It is important to know what Indigenous peoples would be okay with sharing this information though with proper credit to where or whom they got the items/information they are sharing. Ultimately it should be their decision on what, or if at all, to display to the public.

    1. Thirteen years later, six researchers created a data set of more than 3.5 million scholarly articles about science, technology, and medicine, and determined that one in five no longer points to its originally intended source.

      I actually hadn't thought about this. It is interesting that so many references now have "broken links." I wonder for some references, would providing the name of the article and the authors be a more effective way to source than providing a link? Since providing actual URLs may not work.

    1. When you hold a letter in your hand and read the words on it you can imagine what it was like when the recipient of that letter held it in their hands in the past.

      Digitization has many advantages, however, it creates a more mechanical exchange. When you're sending emails or taking pictures on the phone, it is a completely different experience than receiving physical letters or pictures. So although it is more efficient, it can take away from the meaningfulness of the act and make it less personal.

    2. Contextual information like date of transmission, geocoding, and a wide array of relational information (number of followers, number of retweets, links to multimedia resources, etc.) is packaged along with it.

      All social media uses meta data in one way or another. Instagram for example uses location tags, hashtags, and many other types of features to organize the app. There are so many ways in which these apps gather information to sort posts into groups and target specific audiences. Metadata is used everywhere I just did not understand the extent of it until recently.

    3. However, if you poke around in the email headers, or in the metadata associated with a message you can find a wealth of information that isn’t typically rendered on the screen.

      There is so much information in metadata that is not easily accessible if you are not aware of it. It is interesting to note how much more information we can find if we know what to look for and how to look for it.

  3. Sep 2022
    1. For archivists, the goal is to preserve, describe, and provide access to archives for a broad range of users, from professional historians to private archive owners to the public at large. For historians, the goal is, most of the time, to “mine” archival material for interpretation.

      This distinction is not one that I had considered. It is interesting how many different ways archives can be used. I like the example they used with archivists and and historians showing how archives are interpreted and used in a variety of ways based on the field of research.

    2. So too does Kate’s insistence that we use the word “archives” with care and precision—and even perhaps not use it at all when its digital incarnation diverges fundamentally from archival purposes of preservation.

      Archiving is an interesting term, in this sense I think the paper is saying that archiving is when something is being stored permanently for a historical purpose. It does not encompass, for example, storing data on a memory drive that will one day be wiped or overwritten. It is important in this topic to use the term appropriately.

    3. Rather than treat evidence as transparent access to the truth, we might consider the how’s and why’s of the origins of our “evidence” from their starting point right through to the generations of archival creators, maintainers, and interpreters.

      I agree with this statement, I think it is always important to consider the context behind evidence. It is necessary to know the full picture before making assumptions.

    1. file name, type, size, creation date and time, last modification date and time.

      I knew that each file held this information but I did not know that these are actually examples of metadata.

    2. sending and receiving server names and IPs, format (plain text of HTLM), anti-spam software details.

      Is there a way for us to see the last three metadata examples in an email? It is interesting to understand how many fields I did not know about because they're not actively shown on every email.

    1. Travelers’ Green Book

      I really like how they designed the map, it is not only visually appealing but functional as well. It is very interesting to see some different ways technology can be used for projects.

    2. An essay, accompanied by photographs, video, and sound, that can be reconfigured by the viewer to be read in multiple ways.

      I think this is a really neat way to organize the platform. Enabling the reader to view the information in different ways is a great way to allow accessibility to more people (providing alternative styles for absorbing information, i.e., not just reading about it).

    1. Their effectivenessfor reading manuscript books has evolved greatly over the past decade,but they still require much direct intervention or "instruction" on thepart of a researcher or other investigator.

      This relates to the point earlier in the document that humans are still needed to continue the evolution of tools that are being created.

    2. But annotation canalso be done on web pages and HTML files and shared among a com-munity of readers,

      I think the community annotations are a really useful tool. It allows readers to see different perspectives and dive deeper when analyzing the readings.

    3. Although tools might comprise the infrastructure for digital human-ities and facilitate their work, they do not form the basis for discovery,authentication, valuation and communication of digital scholarship

      I agree with this statement because it shows how humans are still essential to innovation, research, communication and analysis. The tools we use are extremely important but they would not be existing if it weren't for people creating them. The ways in which we utilize "tools" are what leads to discoveries.

    1. The emphasis was, however, very much on navigation rather than on the analysis tools and techniques that had formed the major application areas within humanities computing in the past.

      This is where they wanted to make using the technology easier. The idea of analysis tools and techniques are still important to continue developing, however, having information that is easier to navigate makes it more accessible to the public.

    2. Now, the time was ripe to proceed. Scholars were increasingly tired of wasting time reformatting texts to suit particular software and had become more frustrated with the inadequacies of existing schemes.

      This is what I was mentioning before in which learning how to use the technologies would an exponential change. At this stage they were frustrated with trying to figure out softwares but overtime it would be become a major part of society.

    3. Owners of personal computers would work with these at home and, in the case of WordCruncher and TACT, obtain instantaneous results from searches.

      It sounds like these are the years where the internet and technology became more accessible to the public. Having personal computers would be a massive step towards global access to research. It would allow anyone (although during this time I would assume substantially less people had personal computers) to access research and allow collaboration to become more common.

    4. Other packaged or generic software also appeared at this time and significantly reduced the cost of a project in terms of programming support.

      I would be curious to find out what the relative costs were in the 70s/80s in order to use technology like this.

    5. They were input laboriously by hand either on punched cards, with each card holding up to eighty characters or one line of text (uppercase letters only), or on paper tape, where lower-case letters were perhaps possible but which could not be read in any way at all by a human being.

      This brings up how creating new technology can be an exponential improvement. When learning how to use new softwares and programs, it may end up taking longer than it had originally, but as time progresses, the opportunities get much greater and using the technology can become second nature.

    6. With so much material by both authorship candidates on the same subject matter as the disputed papers, this study presented an ideal situation for comparative work.

      The advances in technology have created such an expansion in the field of humanities. There are more opportunities, as said in this statement, for collaboration. This allows much more of the population to share, contribute, and compare research.

    1. The state of things in digital humanities today rests in that creative tension between those who’ve been in the field for a long time and those who are coming to it today, between disciplinarity and interdisciplinarity, between making and interpreting, between the field’s history and its future.

      Social media, websites, and online information have advanced so much in the last century (as can be demonstrated in Susan Hockey's "The History of Humanities Computing"). I think this would make it challenging to constantly keep up and redefine what digital humanities encompasses.

    2. Does that mean we should throw open the floodgates and declare all forms of humanities scholarship that come into contact with the digital to be digital humanities?

      There is a fine line between access to internet and gossip versus performing research and introducing well thought-out ideas and questions to the digital humanist field.

    3. Those differences often produce significant tension, particularly between those who suggest that digital humanities should always be about making (whether making archives, tools, or new digital methods) and those who argue that it must expand to include interpreting.

      This statement expands on a statement in Gold's article that "If you are not making anything, you are not . . . a digital humanist." The idea of making and interpreting sounds to be very controversial and brought up in multiple texts I have read. There is a large gray area when considering who is a digital humanist and who is not.

    4. The field’s background in humanities computing typically, but far from exclusively, results in projects that focus on computing methods applicable to textual materials.

      I like this statement because it explains that technology is necessary to digital humanities, however, it is a tool that assists the thoughts and questions that go along with the concept of humanities. Being able to apply the technology to the humanities is the most important part of this field.

    1. a scholarship and pedagogy that are collaborative and depend on networks of people and that live an active, 24-7 life online.

      With the online platform so large, many opportunities for reform present themselves. It is a very important field and learning about all the different ways to communicate and share knowledge is very interesting.

    2. This is manifested in the intensity of debates around open-access publishing, where faculty members increasingly demand the right to retain ownership of their own scholarship—meaning their own labor—and disseminate it freely to an audience apart from or parallel with more traditional structures of academic publishing, which in turn are perceived as outgrowths of dysfunctional and outmoded practices surrounding peer review, tenure, and promotion.

      Digital humanities allows for debates like this to occur. These debates can lead to spreading awareness and could possibly lead to movements. Many issues with systems can be brought up and discussed which not only shows different points of view but allows people who do not know about the situation, to learn about it and decide their stance for themselves.

    3. Tweeting has rapidly become an integral part of the conference scene, with a subset of attendees on Twitter providing real-time running commentary through a common “tag” (#mla09, for example)

      I can see how this statement could relate to the previous reading (Ch. Introduction The Digital Humanities Moment) about there being too many people practicing the digital humanities. When hashtags get used and everyone starts contributing information, misinformation can spread just as easily as facts. Maybe this is an example of the kind of situation Gold implied when he said people can ask "disruptive questions"?

    4. I also appreciated the fact that it seemed to cast a wider net than “humanities computing” which seemed to imply a form of computing, whereas “digital humanities” implied a form of humanism.

      From what I've been learning so far, the concept of digital humanities, as well as the name, is complicated. Trying to generalize all of the aspects that are performed in the field is challenging because there is such a variety of functions.

    1. a failure to leave substantivecomments would have reflected poorly on the reviewer’s own work

      Although i still think a blind review would have better outcomes. I can see this motivating people to comment less superficially.

    2. This led some authors not only to thank fel-low contributors in their acknowledgments for feedback given during peer-to-peerreview but also to cite one another’s essays and peer reviews

      I find this interesting. It is a definite benefit that there is an opportunity to connect with others and create a community through this peer review process. I would be a little concerned that reviewers criticisms would be lessened or dampened due to the fact that they do not want to lose professional relationships with the writers. Would they voice their true opinions in a nonblind environment?

    3. That it did so isa tribute to the intensity of the debates, the strength of the submissions, and theresponsiveness of the press.

      I would think that having more people involved in the humanities would be a positive change. This could contribute to a larger voice and a greater chance of being heard.

    4. o a more heterogeneous set of practitioners who sometimes ask more disruptivequestions.

      Is it better or worse to have more people contributing? What would be considered a disruptive question?

    5. If you are not making anything, you are not . . . a digital humanist”

      I agree that being a digital humanist should involve making a difference and building things, however, I think that by using a voice, be that a digital one, in any manner, you can contribute to making a change happen.