17 Matching Annotations
  1. Aug 2020
    1. --Interlude--I want to take atime out right here to share somethingfrom yesterday. As I was revisingthis paper yesterday, feeling the weight of the ways that ChLA treats some of us, I popped over to Twitter and saw thatMia Wenjen had tweeted and tagged Adam Rex about my critique of his Smekday books. In reply to her, he said he had this pinned to his Twitter page:Learning he had pinned it, quite honestly, brought tears to my eyes. That’s respect. That’s visibility. That’s taking ownership of your errors.

      Mistakes can be made but it is so important to take accountability and make amends and learn

    2. From one school to another, they’re asked to read books that misrepresent them. Forthose children, the images and words are wrong. To some, the images and words inflict harm, create scars, and nudge them along a path where they disengage, and drop out of school.

      The books we read in primary and secondary school are so white, and even any women authors are few and far between. The racism, sexism, and general xenophobia we are taught in schools turns a lot of people away from not only books, but education as a whole.

    3. I’ve applied to positions at three of your universities. I didn’t get interviews at any of them. All I got was those form letters that say “thank you for appying, but...”

      There are roadblocks...from being rejected by research journals, to the school, to the invitation letter having questionable language

    4. That, by the way, is call out #1.

      I think this means that academic sources and research journals shut out a lot of information due to certain standards and elitism

    1. antiracist mentors.

      Not only to a more diverse generation of experts need to come up to mentor and welcome diverse students, but the white people already in the fields need to be antiracist, welcoming, and encouraging to diverse students

    2. college, in fact, is too late. We should engage with education programs that train literature, history, and social studies teachers who work in secondary schools

      The work on introducing and including diverse students in the humanities needs to start early, especially before college

    3. As the general population in the United States continues to diversify, surely our fields’ recalcitrant homogeneity will result in the death, or at the very least the atrophy, of the fields themselves. If we wish to nurture faculty members of color in earlier periods of literary scholarship, then we need a concerted strategic plan.

      The lack of diversity in the medieval and pre and early modern fields will lead to the fields' decline, so therefore these departments must work hard to decolonize and diversify

    4. The colonial project is stitched in and through the language and literatures of the pre- and early modern periods; the politics and economics that ultimately produced settler colonialism, chattel slavery, the forced migration of peoples, and the development of the British empire animate these early English texts.

      Global colonization has of course influenced what those in power consider educational, and therefore many studies screw towards the white colonizer's perspective

    5. First, a catastrophic decline in the number of majors across the humanities. Second, the assertion that studying medieval and early modern periods sheds light on the foundational texts of a so-called Western civilization has made the fields attractive to far-right extremists.

      1: too few humanities majors 2: white-focused studies attract far right extremists

    1. white (as Melisa Klimaszewski has suggested), or calling racist slurs, images, and figures of speech that appear in these novels what they are: racist

      This is an important way to undiscipline and decolonize VS

    2. Our point is that postcolonial scholarship on the Victorian era has not been accepted as central to the field, though the Victorian era has been central to postcolonial scholarship.

      A critical point of the article

    3. “Undisciplining” is not quick or easy, nor is it work that is necessarily ever completed. Ours is an ongoing, careful, and deliberate effort

      I appreciate the acknowledgement that this work will take time and effort. Unlearning and reteaching is a huge task, but teaching other generations will be much easier than this preliminary work.

    4. that unmake false universals and imagine new humanisms in their place.

      The greatest false universal in our discipline is the whole cast of "classic" authors. Their works certainly have merit, but they are from a small, white pool. So many greater works are overlooked. This is a huge problem in English classes in middle and high school especially, where any races but white represented are few and far between, and where female authors go similarly unnoticed.

    5. disciplinary institution of the academic journal, would enable us to build broader coalitions — especially with those who may not have access to such institutionalized spaces.

      This sentence attempts to bridge the gap between the privileged and the less privileged, which is putting the intent of the article into action.

    6. We don’t have to turn away from the mainstays of Victorian literature to study empire and racialization, although it may be useful to set these works in new constellations.

      I think a change of framing would be perfect for "undisciplining Victorian study." We can change what we take from these works when we view them not as "classics" but as the works produced by the rulers of an empire, or a higher, oppressive class.

    7. “anti-racist reading list,” which, while serving an important purpose, nurtures the impression that books and literature could be marked off as either “about race” or not.

      It is important to read beyond the pool of white authors who have been declared "classic" or "best" because it has been white readers and critics who find resonance with white stories. "Anti-racist reading lists" supply an opportunity for readers to look beyond shared experience in some cases, or invite others to recognize themselves in works for the first time. I hope the author further explains the idea that books might be "white" or "non-racist" because we should throw out the "norm" of white as a default to more dramatically decolonize our view of literature.