8 Matching Annotations
  1. Feb 2022
    1. betray the truth . .. and . . . it had to be true sothat people with AIDS and people who knew all about this [would] . . . seeit and say, ’Yeah, that’s the way it is.

      Friedman's words are so groundbreaking. I really appreciate how he was able to take over Massi's work and complete it because of his own personal goal that people would soon "know all about this." The work he put in and countless months of editing shows exactly the kind of dedication that was needed to raise awareness on AIDS and how it affected the lives of gay men.

  2. learn-us-east-1-prod-fleet02-xythos.content.blackboardcdn.com learn-us-east-1-prod-fleet02-xythos.content.blackboardcdn.com
    1. The view is grim. Formerly routine trips to the supermarket a r e physical endurance tests requiring rests in the car between aisles. Family dynamics are psychically grueling, fittingly nuclear. Eating is a game of conning the body into keeping something in. Taking medicine is a discipline that demands vigilant attention every thirty minutes, around the clock, day in and day out. And yet, the result is the same: dead, too fast, too painfully, too young

      Reading this paragraph was extremely visually and emotionally stimulating. The reader is given various instances of how AIDS inhibits the quality of life for individuals, even for the most mundane tasks.

  3. learn-us-east-1-prod-fleet02-xythos.content.blackboardcdn.com learn-us-east-1-prod-fleet02-xythos.content.blackboardcdn.com
    1. Gay Bombs produce a strategy that posits the queer as the bomb itself, that is, Gay Bombs ultimately follow the logic of the queer ( as separate from the already exploded homosexual) and not the military.

      It's really interesting to learn how the US military has shamed and weaponized people identifying as homosexuals. Specifically, how their main strategy wasn't through conventional means of warfare or "bombing," rather through the weaponization of homosexuals by subjugating their innate moral psyches.

    1. This is made possible through the processes set in motion by structuring the film around a main controlling figure with whom the specta-tor can identify.

      Media and film exacerbate the hyper-sexualization of women by maintaining the audience's perspective through the male gaze. "The spectator identifies with the main male protagonist." - Absolutely insane. I didn't even think of this type of one sided perception that presents women as object of lust and takes away their power and voice.

    2. This mirror-moment predates language for the child.

      Interesting to see how a child's first time realizing their self image can play a large role in the way they perceive themselves around others, and how they perceive the rest of the world in relation to their own sense of self-image.

    3. unwilling victim

      "unwilling victim" i think it's extremely important to emphasize this point to acknowledge the fact that scopophilia is derived from the lack of consent amongst all parties involved. The fact that it is so obscure and inappropriate is what drives this lustful thought process.

    4. One is scopophilia

      Wasn't sure what this meant so I looked it up: Purdue university defines scopophilia as "Literally, the love of looking. The term refers to the predominantly male gaze of Hollywood cinema, which enjoys objectifying women into mere objects to be looked at (rather than subjects with their own voice and subjectivity)."

    5. Woman's desire is subjected to her image as bearer of the bleeding wound, she can exist only in relation to castration and cannot transcend it. She turns her child into the signifier of her own desire to possess a penis (the condition, she imagines, of entry into the symbolic).

      An interesting take on Wittig's ideology of heteronormative society. Women only have value in relation to men. Mulvey defines an example of a woman's added value through her ability to bear children. But specifically refers to women as "bearer of the bleeding wound" not as people.