On such an afternoon, if ever, the Lord High Chancellor ought to be sitting here—as here he is—with a foggy glory round his head,
We go from the grand descriptions of vast foggy space, down to a microscopic level of Lord High Chancellor.
On such an afternoon, if ever, the Lord High Chancellor ought to be sitting here—as here he is—with a foggy glory round his head,
We go from the grand descriptions of vast foggy space, down to a microscopic level of Lord High Chancellor.
nd all at once it is completely fire.

The "passionate flames" remind me of this photo by Fédèle Azari. I imagine the dangerous and daring act of parachuting. Seeing it enveloped with flames by it's side- that mirrors how I understand the deadly nature of the dance. The Dancer is "ignited" and she must fight off the flames.
around her body, she takes and flings it out haughtily, with an imperious gesture,

This line really reminds me of this photo I found on the Getty website. Reading this part of the poem, I couldn't help but imagine the dancer as possessed by her passion. I feel like I see this possession in the Louis Fleckenstein photo above--the woman pictured arches in a dramatic way, conjuring movement as you look at it- as if she will snap back up and continue dancing. It reminds me of the comparison to the rattlesnakes in lines 4 and 5.
Till, moving with total confidence and a sweet exultant smile, she looks up finally
I think of the passion of dance to be a matter of triumph, or victory at the end- why is the dancer stamping out her fire?
fire were too tight around her body, she takes and flings it out haughtily, with an imperious gesture, and watches: it lies raging on the floor,
it possesses her!
aroused and clicking
The speaker is taking in the dancer as both sexual and deadly. The dancer's energy and passion is so permeable that it is dangerous?
furnace
The passion and dance is likened to combustion and fire- It is delightfully dangerous
Reading the Image: An Annotative Approach to Rilke’s “Spanish Dancer” (Annotation Comrades: Final)
Jill DeLong
Avenida de los Muertos
Historical site in Teotihuacan, which is an ancient city in MX. What does it mean that her brother walks among the dead/past? This is what the site looks like
My brother flung them into cenotes, dropped them from cliffs, punched holes into their skulls like useless jars or vases, broke them to pieces and fed them to gods ruling
addiction is full fledged war on family/love
My brother shattered and quartered them before his basement festivals— waved their shaking hearts in his fists,
Huitzilopchtli is the god of war...
Huitzilopchtli, a god, half-man, half-hummingbird.
addiction put into super-human terms.
If the Jews were color-blind, so were the Bible and God himself. Blyden repeatedly quoted a passage from the Book of Amos, in which God says "Are you not as children of the Ethiopians unto me, O children of Israel? Have I not brought up Israel and out of the Land of Egypt and the Philistines from Caphtor and the Syrians from Kir."3' Blyden never doubted that "the Bible is constantly pointing out that the dispensations of Jehovah are not restricted to the Hebrew course of history - that Jehovah makes no distinction. The
If the Jews are colorblind
Owing to the prominence of Africans in its pages, Blyden regarded the Old Testa- ment as non-racist and even anti-racist. The doctrines of white supremacy in the Chris- tian world then stood out as glaring attempts to gain legitimacy for prejudice by fal- sification and
Blyden uses Christianity to bolster and defend black nationalism
Blyden was eager to show that Africans played an important and respectable role in the Old Testament. He referred specifically to the role of the Egyptians, Cushites and Ethiopians, "African peoples" who play a role in the Holy Book. According to Blyden, the Hebrew Bible pays its respect to the "Black Civilization of Egypt," not- withstanding the Israelites' enmity and hatred toward their Egyptian enslavers. It may be that, in this instance, Blyden attributed his own ambivalent feelings toward ancient Egypt to the Israelites. The Egyptians were, for him too, at one and the same time the cruel oppressors and the representatives of African achievements in early history. In the same way, Blyden quoted with undisguised pride the story of the Ethiopian general, Zerah, who commanded an army of "a thousand thous
Using the bible to depict a biased history- piggybacking on Christianity and mirroring the Jewish experience
Above all, the World Wide Web is a web, and the way to establish authority and truth on the web is to use the web-like properties of it. Those include looking for and following relevant links as well as learning how to navigate tools like Google which use that web to index and rank relevant pages. And they include smaller things as well, like understanding the ways in which platforms like Twitter and Facebook signal authority and identity.In short, we need a web literacy that starts with the web and the tools it provides to track a claim to ground. As we can see from the confusing and confused reactions of students in the Checkology program, that’s not happening now, and “news literacy” isn’t going to fix that.
Instructors have specific outcomes for critical literacy. The web does not. It is too easy to fall into a rabbit hole without thinking critically. So let's teach these critical thinking skills.
How do programs like the News Literacy Project’s Checkology get these issues wrong? The intentions are good, clearly. And there is a ton of talent working on it that’s had a lot of time to get it right:
I don't think the intentions are good at all...
or the role of writing in information literacy instruction—appears in journals outside the field of Composition.
why
with an average academic preparation
What does average mean?
customary goals is to help students develop the skills they need to produce papers that select, reflect on, and incorporate sources
Why shoud this goal take precedence over other process-driven reading methods
Like earlier small-scale and single-institution studies, this research presents an image of students moving into their sophomore year only sometimes demonstrating expert reading and still mostly shaping what they read and write "at the point of utterance." They need help to manipulate sources into academic conversations and arguments.
Main point
with the professor doing double duty as the conduit for the flow of information and the quality control manager.
Implying that the internet lacks quality control, requiring students to master their own?