- Oct 2016
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www.gutenberg.org www.gutenberg.org
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But whatever the true explanation of Barrymore’s movements might be, I felt that the responsibility of keeping them to myself until I could explain them was more than I could bear. I had an interview with the baronet in his study after breakfast, and I told him all that I had seen. He was less surprised than I had expected. “I knew that Barrymore walked about nights, and I had a mind to speak to him about it,” said he. “Two or three times I have heard his steps in the passage, coming and going, just about the hour you name.” “Perhaps then he pays a visit every night to that particular window,” I suggested. “Perhaps he does. If so, we should be able to shadow him and see what it is that he is after. I wonder what your friend Holmes would do if he were here.” “I believe that he would do exactly what you now suggest,” said I. “He would follow Barrymore and see what he did.” “Then we shall do it together.” “But surely he would hear us.” “The man is rather deaf, and in any case we must take our chance of that. We’ll sit up in my room tonight and wait until he passes.” Sir Henry rubbed his hands with pleasure, and it was evident that he hailed the adventure as a relief to his somewhat quiet life upon the moor.
I would truly enjoy to see this small section played out in a visual adaptation because I feel like it could play off well by going back and forth from the actual description to a flash back of the events occurring and could be used to some interesting and impressive visual cinematography.
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The fresh beauty of the following morning did something to efface from our minds the grim and gray impression which had been left upon both of us by our first experience of Baskerville Hall. As Sir Henry and I sat at breakfast the sunlight flooded in through the high mullioned windows, throwing watery patches of colour from the coats of arms which covered them. The dark panelling glowed like bronze in the golden rays, and it was hard to realize that this was indeed the chamber which had struck such a gloom into our souls upon the evening before. “I guess it is ourselves and not the house that we have to blame!” said the baronet. “We were tired with our journey and chilled by our drive, so we took a gray view of the place. Now we are fresh and well, so it is all cheerful once more.” “And yet it was not entirely a question of imagination,” I answered. “Did you, for example, happen to hear someone, a woman I think, sobbing in the night?” “That is curious, for I did when I was half asleep fancy that I heard something of the sort. I waited quite a time, but there was no more of it, so I concluded that it was all a dream.” “I heard it distinctly, and I am sure that it was really the sob of a woman.” “We must ask about this right away.” He rang the bell and asked Barrymore whether he could account for our experience. It seemed to me that the pallid features of the butler turned a shade paler still as he listened to his master’s question. “There are only two women in the house, Sir Henry,” he answered. “One is the scullery-maid, who sleeps in the other wing. The other is my wife, and I can answer for it that the sound could not have come from her.” And yet he lied as he said it, for it chanced that after breakfast I met Mrs. Barrymore in the long corridor with the sun full upon her face. She was a large, impassive, heavy-featured woman with a stern set expression of mouth. But her telltale eyes were red and glanced at me from between swollen lids. It was she, then, who wept in the night, and if she did so her husband must know it. Yet he had taken the obvious risk of discovery in declaring that it was not so. Why had he done this? And why did she weep so bitterly? Already round this pale-faced, handsome, black-bearded man there was gathering an atmosphere of mystery and of gloom. It was he who had been the first to discover the body of Sir Charles, and we had only his word for all the circumstances which led up to the old man’s death. Was it possible that it was Barrymore, after all, whom we had seen in the cab in Regent Street? The beard might well have been the same. The cabman had described a somewhat shorter man, but such an impression might easily have been erroneous. How could I settle the point forever? Obviously the first thing to do was to see the Grimpen postmaster and find whether the test telegram had really been placed in Barrymore’s own hands. Be the answer what it might, I should at least have something to report to Sherlock Holmes.
This section would be a interesting section for a radio broadcast because it could be used to showcase a visual description just off the vocal words and the conversation could show the vocal levels used by the actors so that it would not have to be stated that he lied but instead we would know just by the voices.
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Our breakfast table was cleared early, and Holmes waited in his dressing-gown for the promised interview. Our clients were punctual to their appointment, for the clock had just struck ten when Dr. Mortimer was shown up, followed by the young baronet. The latter was a small, alert, dark-eyed man about thirty years of age, very sturdily built, with thick black eyebrows and a strong, pugnacious face. He wore a ruddy-tinted tweed suit and had the weather-beaten appearance of one who has spent most of his time in the open air, and yet there was something in his steady eye and the quiet assurance of his bearing which indicated the gentleman. “This is Sir Henry Baskerville,” said Dr. Mortimer. “Why, yes,” said he, “and the strange thing is, Mr. Sherlock Holmes, that if my friend here had not proposed coming round to you this morning I should have come on my own account. I understand that you think out little puzzles, and I’ve had one this morning which wants more thinking out than I am able to give it.” “Pray take a seat, Sir Henry. Do I understand you to say that you have yourself had some remarkable experience since you arrived in London?” “Nothing of much importance, Mr. Holmes. Only a joke, as like as not. It was this letter, if you can call it a letter, which reached me this morning.” He laid an envelope upon the table, and we all bent over it. It was of common quality, grayish in colour. The address, “Sir Henry Baskerville, Northumberland Hotel,” was printed in rough characters; the post-mark “Charing Cross,” and the date of posting the preceding evening. “Who knew that you were going to the Northumberland Hotel?” asked Holmes, glancing keenly across at our visitor. “No one could have known. We only decided after I met Dr. Mortimer.” “But Dr. Mortimer was no doubt already stopping there?” “No, I had been staying with a friend,” said the doctor. “There was no possible indication that we intended to go to this hotel.” “Hum! Someone seems to be very deeply interested in your movements.” Out of the envelope he took a half-sheet of foolscap paper folded into four. This he opened and spread flat upon the table. Across the middle of it a single sentence had been formed by the expedient of pasting printed words upon it. It ran: As you value your life or your reason keep away from the moor.
This passage feels like it was written specifically for a video adaption because of the detail in the descriptions of the guests and letter, but also leaving out much of the description of the scenery which would allow the director many artistic liberties to add in to improve or expand the mood and make the scene take on a more menacing tone.
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Dr. Mortimer refolded his paper and replaced it in his pocket. “Those are the public facts, Mr. Holmes, in connection with the death of Sir Charles Baskerville.” “I must thank you,” said Sherlock Holmes, “for calling my attention to a case which certainly presents some features of interest. I had observed some newspaper comment at the time, but I was exceedingly preoccupied by that little affair of the Vatican cameos, and in my anxiety to oblige the Pope I lost touch with several interesting English cases. This article, you say, contains all the public facts?” “It does.” “Then let me have the private ones.” He leaned back, put his finger-tips together, and assumed his most impassive and judicial expression. “In doing so,” said Dr. Mortimer, who had begun to show signs of some strong emotion, “I am telling that which I have not confided to anyone. My motive for withholding it from the coroner’s inquiry is that a man of science shrinks from placing himself in the public position of seeming to indorse a popular superstition. I had the further motive that Baskerville Hall, as the paper says, would certainly remain untenanted if anything were done to increase its already rather grim reputation. For both these reasons I thought that I was justified in telling rather less than I knew, since no practical good could result from it, but with you there is no reason why I should not be perfectly frank. “The moor is very sparsely inhabited, and those who live near each other are thrown very much together. For this reason I saw a good deal of Sir Charles Baskerville. With the exception of Mr. Frankland, of Lafter Hall, and Mr. Stapleton, the naturalist, there are no other men of education within many miles. Sir Charles was a retiring man, but the chance of his illness brought us together, and a community of interests in science kept us so. He had brought back much scientific information from South Africa, and many a charming evening we have spent together discussing the comparative anatomy of the Bushman and the Hottentot. “Within the last few months it became increasingly plain to me that Sir Charles’s nervous system was strained to the breaking point. He had taken this legend which I have read you exceedingly to heart—so much so that, although he would walk in his own grounds, nothing would induce him to go out upon the moor at night. Incredible as it may appear to you, Mr. Holmes, he was honestly convinced that a dreadful fate overhung his family, and certainly the records which he was able to give of his ancestors were not encouraging. The idea of some ghastly presence constantly haunted him, and on more than one occasion he has asked me whether I had on my medical journeys at night ever seen any strange creature or heard the baying of a hound. The latter question he put to me several times, and always with a voice which vibrated with excitement. “I can well remember driving up to his house in the evening some three weeks before the fatal event. He chanced to be at his hall door. I had descended from my gig and was standing in front of him, when I saw his eyes fix themselves over my shoulder and stare past me with an expression of the most dreadful horror. I whisked round and had just time to catch a glimpse of something which I took to be a large black calf passing at the head of the drive. So excited and alarmed was he that I was compelled to go down to the spot where the animal had been and look around for it. It was gone, however, and the incident appeared to make the worst impression upon his mind. I stayed with him all the evening, and it was on that occasion, to explain the emotion which he had shown, that he confided to my keeping that narrative which I read to you when first I came. I mention this small episode because it assumes some importance in view of the tragedy which followed, but I was convinced at the time that the matter was entirely trivial and that his excitement had no justification. “It was at my advice that Sir Charles was about to go to London. His heart was, I knew, affected, and the constant anxiety in which he lived, however chimerical the cause of it might be, was evidently having a serious effect upon his health. I thought that a few months among the distractions of town would send him back a new man. Mr. Stapleton, a mutual friend who was much concerned at his state of health, was of the same opinion. At the last instant came this terrible catastrophe. “On the night of Sir Charles’s death Barrymore the butler, who made the discovery, sent Perkins the groom on horseback to me, and as I was sitting up late I was able to reach Baskerville Hall within an hour of the event. I checked and corroborated all the facts which were mentioned at the inquest. I followed the footsteps down the yew alley, I saw the spot at the moor-gate where he seemed to have waited, I remarked the change in the shape of the prints after that point, I noted that there were no other footsteps save those of Barrymore on the soft gravel, and finally I carefully examined the body, which had not been touched until my arrival. Sir Charles lay on his face, his arms out, his fingers dug into the ground, and his features convulsed with some strong emotion to such an extent that I could hardly have sworn to his identity. There was certainly no physical injury of any kind. But one false statement was made by Barrymore at the inquest. He said that there were no traces upon the ground round the body. He did not observe any. But I did—some little distance off, but fresh and clear.” “Footprints?” “Footprints.” “A man’s or a woman’s?” Dr. Mortimer looked strangely at us for an instant, and his voice sank almost to a whisper as he answered. “Mr. Holmes, they were the footprints of a gigantic hound!”
This meeting between Sherlock Holmes and Dr. Mortimer would make a very interesting scene for a Radio broadcast specifically because it could focus specifically on the interactions between the two as well as their emotions can be played out well on the air, and it would force the audience to truly listen for these emotions rather than watch them play out and focus to much on extra images and sounds.
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- Sep 2016
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learning.instructure.com learning.instructure.com
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Routine 5-paragraph essays are, frankly, easier to read and evaluate. But writing pedagogy (in any discipline) should be about experimentation, not efficiency — about meditating on and employing forms, not adhering to them.
Unfortunately this is most likely the exact reason for the repetitive 2-3 page assignments that plague lower level classes because the teachers have so many assignments to read and grade on a regular basis. In the end writing any paper for those you either pick a topic that has not enough substance to write or you have way too much and either have to cram it all in or try and cut things out at the end.
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