Hybridity and transformation are such great words for how to approach design as a team rather than in a "teacher dictatorship." Hybridity is a sticky word in my field because it has varied origins, some colonizing racist reduction and some just sort of ambiguous. Here's a section of an explanation that I found that I think works well for connecting hybridity to transformation, though from https://literariness.org/2016/04/08/homi-bhabhas-concept-of-hybridity/:
"However, Young himself offers a number of objections to the indiscriminate use of the term. He notes how influential the term ‘hybridity’ was in imperial and colonial discourse in negative accounts of the union of disparate races – accounts that implied that unless actively and persistently cultivated, such hybrids would inevitably revert to their ‘primitive’ stock. Hybridity thus became, particularly at the turn of the century, part of a colonialist discourse of racism. Young draws our attention to the dangers of employing a term so rooted in a previous set of racist assumptions, but he also notes that there is a difference between unconscious processes of hybrid mixture, or creolization, and a conscious and politically motivated concern with the deliberate disruption of homogeneity. He notes that for Bakhtin, for example, hybridity is politicized, made contestatory, so that it embraces the subversion and challenge of division and separation. Bakhtin’s hybridity ‘sets different points of view against each other in a conflictual structure, which retains “a certain elemental, organic energy and openendedness”’ (Young 1995: 21–22). It is this potential of hybridity to reverse ‘the structures of domination in the colonial situation’ (23), which Young recognizes, that Bhabha also articulates. ‘Bakhtin’s intentional hybrid has been transformed by Bhabha into an active moment of challenge and resistance against a dominant colonial power . . . depriving the imposed imperialist culture,not only of the authority that it has for so long imposed politically, often through violence, but even of its own claims to authenticity’" (23).