Well, that Sunday Albert was home, they had a hot gammon, And they asked me in to dinner, to get the beauty of it hot—
Who is speaking? Lil or the voice?
Well, that Sunday Albert was home, they had a hot gammon, And they asked me in to dinner, to get the beauty of it hot—
Who is speaking? Lil or the voice?
But at my back from time to time I hear The sound of horns and motors, which shall bring Sweeney to Mrs. Porter in the spring.
The chasing footsteps of time and contextual meaning in Marvell's THCM (lines 21-22) in relation to the new industrial age
What is "Sweeney"?
for I speak not loud or long.
simple pursuit, similar to the purity of a nuptial song
Leman
Private, from Eliot himself
'
What is this?
'My nerves are bad to-night. Yes, bad. Stay with me. 'Speak to me. Why do you never speak. Speak. 'What are you thinking of? What thinking? What? 'I never know what you are thinking. Think.'
A conversation between two people; perhaps man and woman, husband and wife
echt
political struggles and ambiguity in national identity during the modernist era
us
ambiguous yet complete shift in attitude from three lines prior (from dried tubers in snow to light showers over lakes and coffee in courtyard gardens)
feeding
continuous enjambment (lines 1-6), reemergence of life through the changing of the seasons
us
ambiguous, from voices of loss ("A little life", line 7)