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    1. Let me be no nearerIn death's dream kingdomLet me also wearSuch deliberate disguisesRat's coat, crowskin, crossed stavesIn a fieldBehaving as the wind behavesNo nearer—

      heavy use fo alliteration -> there are fleeeting moments of meaning through the alliteration

    2. Sunlight on a broken columnThere, is a tree swingingAnd voices areIn the wind's singing

      positive cannotations biblical -> possible link to Dante and Beatrice: his muse --> in 'Divine comedy' her eyes are a powerful symbol, representing divide grace and the pathway to God.

    3. quiet and meaninglessAs wind in dry grassOr rats' feet over broken glass

      simile -> no worth haering/no voice at all to communicate --> reduces humanity

    4. Eliot had not yet converted to Anglicanism and still had an issue with religious purpose.

      Modernity: where does religion belong? Science and industry led too less spiritualaity in society.

      The presence of God is deliberately redacted (抹除) throughout -> lament (哀悼) of humanity?

    5. This is the way the world endsThis is the way the world endsThis is the way the world end

      repetition -> meaninglessness of life --> Apocalyptic (濒临崩溃、失去信仰与意义的) modern world

    6. desire

      'desire', 'spasm', 'potency', existence', 'descent'

      Assonance -> chant like --> feeling and Catharsis (情感净化/宣泄) has been lost ---> they are now only Hollow

    7. Here we go round the prickly pearPrickly pear prickly pearHere we go round the prickly pearAt five o'clock in the morning.

      allusion to the nursery rhyme 'Here we go arounnd the mullery bush' -> showing desolation (荒凉) and emptiness in a more barren landscape/ world

    8. Here we go round the prickly pearPrickly pear prickly pearHere we go round the prickly pearAt five o'clock in the morning

      bathetic moment(情感突降的反高潮) -> hope doesnt seem to last in the poem --> Eliot 将原本象征希望与循环的童谣改写为空洞的仪式,使短暂的希望立刻坠入荒凉与虚无之中。