26 Matching Annotations
  1. Dec 2019
    1. People live in places. The power to control place is always the power to control people. Power is never exerted only through technological control, but always through discursive control as well: the power to do and the power to know are inseparable.

      While this section may feel 'dumbed down' I found it extremely helpful to have this article written in language that I didnt feel I had to decode. This type of language is what gets the author to connect to their readers, an easy to follow narrative.

    2. Representing the other is representing "our" power in it, and is not just a semantic sleight of hand but is a material exercise of power.

      How does this play into the concept of representation via token characters or news stories?

    3. Abstract art, for instance, can represent the ability to impose an external order upon even those parts of nature (subjective feelings) which appear to be most disordered, most entropic: it can give a public form to the most private of experiences.

      I think this is a really great perspective on how art, especially abstract, can be received in so many different ways. These "most private experiences" that the art showcases may be different for each person.

    Annotators

    1. Similarly, reruns of the fi~st season of Survivor did not attract strong viewership. ((Reality shows have a short shelf life;' one programmer noted; ''they just don't seem to sell well in syndication:'

      As someone that frequently watches reality shows, typically game shows, I can confirm that it is almost a one and done kind of viewing system. Once you know who wins there is no need to go back and watch it again, rather we wait for the next show instead. This is likely why networks stagger their seasons of differing shows, such as CBS with Survivor, The Amazing Race, and Big Brother.

    2. In the mid-198os, FOX cut 20 percent of its studio staff, Capital Cities/ ABC cut 10 percent of its staff, and CBS cut 30 percent of its administrative staff and 10 percent of its news division

      Does this history present a fear in modern day media employees that 'history will repeat itself' and they could be let go if their position is replaceable?

    3. Advertisers and audience-measurement services bus-ily tried to record who was watching what, how much attention they paid to the commercial breaks, and whether they were buying any of it.

      This relates to what we learned in a few of our previous articles regarding Neilson Marketing Research!

    Annotators

    1. LC is explicitly branded as a cable channel for program-ming about “different” people not usually afforded media representation.

      Why were they not afforded this media representation before? Was it just believed to be unprofitable?

    2. Variety said the program seemed “inauthentic” and staged

      While this may be true, it may only seem this way to far removed viewers because of their lack of belief in these systems as they have never experienced them first hand.

    3. brings TV viewers inside the everyday lives of low-income people usually hidden from view, or stig-matized as debased and “trashy” when they do appear in the media

      This sensation almost allows viewers to recognize their privilege in their own community to feel so separate from these people.

    Annotators

  2. Nov 2019
    1. His notion of the televi sion audience, which is as close to a theory of the televisual subject as he comes, is one of complicity: "we" are viewing what we have delegated our "look" to, and "we" are a "family." "We" are not present to the real world; "we" are monitoring it through television's presentation.

      This part confused me initially but after reading the discussion posts I better understood that the author meant "we" as a collective audience that can often feel tied in to the shows we watch more easily than we can what we see at the cinema.

    Annotators

    1. The military embraced the media,

      Why was this not embraced before by the military? Was it the dangers presented or was it unwillingness by the camera crews to put themselves in those dangerous situations?

    2. Of course, the war that got the most sustained coverage in the years since World \Var II was not a war at all-it was a gar-gantuan standoff between civilizations, each of which had the nuclear capacity to destroy each other

      Why is it that this was the time that got the most coverage? Was it because it was safest to report it or because it was what people most wanted to see?

    Annotators

    1. The public must get involved and make demands.

      The public is the one that controls what media is consumed and what is discussed throughout society- if we do not address the change we want to see then it will not be made by anyone else

    2. America the safe haven and America the self-absorbed, even the self-righteous America that assumes the right to impose enlightenment on foreign nations:

      Unfortunately this is still true- which is why it is part of the reason that we face so many issues with refugees and immigrants because we are known to be protected and because we feel so in our own bubble, we act entitled.

    3. Getting off the plane and meeting people who had stayed in America was a strange experience," Liebling wrote, "be-cause they hardly seemed to know that anything was wrong."

      This reminded me a lot of modern day society and how currently we turn a blind eye to our problems and pretend that nothing is wrong when we arent experiencing it first hand.

    Annotators

    1. he same frame of study and to posit their relationships on the basis offirsthand ethnographic research

      I didn't really understand this sentence beyond his connection that all of the points of discovery are often connected and that ethnographers must examine a whole system to get a proper view, yet often times that is not possible.

    2. The twenty-something Simon hung out with selected shifts,drank with the detectives in many bars, followed the progression or im-passes of both heartbreaking and mundane cases

      We don't often hear about where stories like these come from or how closely they can truly be tied to the cases and stories they originate from. I think it's unfortunate that this is the first im hearing of the truthfulness of the story and the accuracy of the journalist's tale.

    3. we see the interconnected truths of many institutional fail-ures— rampant drug trade and thus the failure of police and law, decliningunions and thus the decrease of the very value of work, a cynical citygovernment and the failure of reform, the poignant waste of schools, anda media that cannot see the truth of what is revealed before its very eyes.

      Exposes the cities for the secrets they hide and the history they hold. Growing up in Chicago, I am familiar with a tainted educational system as well as justice system. It was refreshing to have a show accurately portray these concepts rather than sugar coating them.

    Annotators

    1. most analyses of!he Cosby Shgw §t \?rc:>ad.ly il1tO. mw .. of .two. yi~~~:.the, showJi.ieeii.~1t~~r as ~oda.ny pr()gressive or as an apology for a~~cis.t ~ys!ell,l: ~hat gi~eciva11tages most \black people.

      I hadn't considered the latter view of this perspective. That this show could be seen as an apology for the current oppressive systems in place. Fascinating take.

    2. Its all-black cast offered viewers a gentle comedy without gimmicks, zany situations, or intriguing plot lines.

      Something that I'm sure was refreshing for black audiences to see during this time period.

    Annotators

    1. Our ability to construct a consistent worldview depends upon linking these associations; otherwise our ideas may swim around disconnectedly like fish in an aquarium, drifting independently, never touching.

      Very interesting analogy- made me consider how we categorize our thoughts especially when we take in so much content each day in our current technology driven society.

    2. 'Il!ll•it&i~i>!iiiic.ftas:i¥11!f~*ll1:u~'!!ili'R4:~8asingly ' ag~~Wg&llt.hm!iRlWifgtla~e*''~f~'atfoellirrSfTI!'~athef'"tlii'llW•ttfl.e'+'Jia.'figuage of "~~rre&i~~~~~t·

      This is something that we see that pertains to other shows we've seen that have proper representation of women in power like Big Little Lies. It is not the language of the script but the ability for the audience to see themselves in the characters that allows them to connect.

    Annotators

    1. If The Cosby Show succeeds in this laudable mission (and we shall demonstrate that in many ways it does), then it would be easy to argue that the series plays a positive and progressive role within a racially divided society.

      I'm curious how this theory would be tested. While we know that the Cosby Show was one of many that gave white families some insight to how normal and similar a black family can be, how would one test that this series made that progressive changes? Reviews? Ratings?

    2. it has influenced the way black people are repr.~§_ented on prime~time. teleV1s1on. generiiTy:

      This show normalized the black middle class experience and showed viewers that they can relate to these families and that not every family lives by the stereotype that we are presented with through news and society

    Annotators

  3. Sep 2019
    1. (1) This story 1s a self-contained episode. The Kopstick family are not "regulars" on Rescue 911 and the viewer has no expectations of seeing them again next week. d f th " . " Th~s their future is not predetermined by the deman s o e series form~t· (2) The story itself has the unpredictability, the unforeseeable " -~ess" of "real life" (these twists and turns are not likely to occur to mess1 , · " rt television scriptwriters); and (3) The show capitalizes on a certam rea 1 Y effect"_ knowing that the action really transpired along these lines makes the peril and the stakes much higher than they would be in an overtly fictional text.

      This section reminded me a lot of the reasoning that people do with themselves when they are trying to critically analyze a show or movie. For example, I have also definitely considered some of the factors of "Well this is a regular actor on this show, clearly he isnt dead" and tried to reason through all of the possible twists and turns of a show. I imagine that these 3 points of view would help contribute to the writing and considerations being made when deciding what will happen in each episode given an audience perspective.

    2. Television is the principal storyteller in contemporary American society.

      While this may have been true at the time that this article was published, this statement seems slightly outdated. Smartphones and apps seem to be the principle storytellers in our current decade. But it is important to note that television is still a prime option for someone that is looking for news or stories, which therefore still makes the statement true, just outdated.

    Annotators