32 Matching Annotations
  1. Nov 2015
  2. learn-us-east-1-prod-fleet02-xythos.content.blackboardcdn.com learn-us-east-1-prod-fleet02-xythos.content.blackboardcdn.com
    1. in a stylewhich suited the rather fantastic gloom of our common temper

      this is an interesting connection to dwelling. We've discussed in class how our surroundings effect our moods and actions.

    1. It will be in vain to follow;for I shall learn no more of him, nor of his deeds.

      to me, Poe's tactic of following people in order to understand them emerges as a more active way of reading the city. Instead of viewing the city from a distance he immerses himself in it.

    2. The gamblers, of whom I descried not a few, were still more easily recognisable.

      The structure of the story so far is reminiscent of Alcott's The Young Man's Guide, as he lists the kinds of people he sees.

  3. gimmeshelter2015.files.wordpress.com gimmeshelter2015.files.wordpress.com
    1. Ten minutes on this road, an ordeal for anyone, is especially dreadful for people, who remember the Bronx as it used to be: who-remember these neighborhoods as they once lived and thrived, until this road itself cut through their heart and made the Bronx, above all, a place to get out of. For children of theBronx Uke myself, thts road bears a load of speci .!!_o'!y: s we race throu h our childh,ood world, rushin to et o , teved to see ~nd in sight, we are not merely spectators but active partici-pants in the process of destruction that tears our hearts.

      the parkway can symbolize the emotion and physical desires or capabilities to leave a city.

    2. _<:.<:IIJ'~~·7lJec'?.IIle_nOLfll!'reiy. a . d.~-"i-...... ,~,~ .. "~~~, .. _,, __ .. ~.:. .. ~ _mulumedta nresentat· h.--~~ tence ts the whole world Th '7 :----h ....... -.... -... ~-;'-·---.. -~.r.~-~--,.----... -..... --......... }Q.f! ____ ~--~...9-~! allif depthtOffi.liCh ·~f~hat· i

      How do people perform within this "theater?" How does New York influence how we conduct ourselves?

    3. he entire-city became a 'abricated by man, o live inside fantasy. )• · d -r · .~. ..~-~ence w e real and nat

      This is an interesting connection with our discussion of city planning and the idea of designing places. Considering the influence of city planning, do we have complete control of our emotions in a city?

    1. Unpopular parks are troubling not only because of the waste and missed opportunities they imply, but also because of their frequent negative effects. They have the same problems as streets without eyes, and their dangers spill over into the areas surround-·ng so that streets along such parks become known as danger 1 Ia~es too and are avoided.

      This reminds me of the question of whether or not streets should be designed for socialization or for buildings considering that socialization can be harmful.

    2. The first necessity in understanding how cities and their parks influence each other is to jettison confusion between real uses and mythical uses-for example, the science-fiction nonsense that parks are "the lungs of the city." It takes about three acres of woods to absorb as much carbon dioxide as four people exude in breathing, cooking and heating. The oceans of air circulating about us, not parks, keep cities from suffocating. •

      This offers a more literal reading to the "lungs of the city" statement than the more metaphorical one that could be ascribed.

    3. In orthodox city planning, neighborhood open spaces are ven. erated in an amazingly uncritical fashion, much as savages vener-ate magical fetishes. •

      Goes against ideas seen in previous readings that suggest that a large amount of planning goes into the creation of open spaces.

    1. There was a reason for the size of their fiefs, for their willingness to buy :-and, year after year, to pay taxes on-hundreds of acres that they kept m woods and never used.

      It's interesting that the accumulation of space is still associated with wealth in the city. Today, however, it's connected with square footage instead of land.

    2. They could esc~pe the Cit~, and, mo~e Im-portant, they could free their children for a t~me from Its clutc~es, they could take them boating and hiking and campmg, ~ould. ro~m With them through fields and forests, sprawl with them eatmg picntc lunches on blankets.

      I wonder if the parks in the city are actually fulfilling their purpose today? I know that a lot of people make the conscious decision of moving out of the city when they decide to have a family.

    3. arks had always been a concern of reformers who were fond of referring to the need for "breathing spaces for the slums" or "lungs for the city," and the agitation for increased respiratory facilities in New York-generally for playgrounds in low-income areas-had been long and insistent.

      This is interesting when considered in conjunction with studies about the emotional effects of living in low-income areas.

  4. Oct 2015
    1. a productive, yet relatively unconscious, speaking/writing of the city.

      interesting that walking can help one experience the city considering that we've read many essays that discuss how one experienced the city . Perhaps writing can help people see and reflect upon what they normally can't

    2. cross-dressing for women at certain times and places;

      women having to distance themselves from traditional expressions of femininity in order to experience the city properly.

    3. hus, cities become meaningful and habitable through the legends, memories, and dreams that accumulate in and haunt places

      cities are meaningful because of our interactions and experiences within them. Also, the idea of dreams, memories, etc. haunting us is a good connection with Didion and how she can't smell Henri Bendel soap without thinking of NY

    1. Surveys of routes miss what was: the~ of passing by. The ;j,eration of walking, wandering, or "window shopping," that is, the activity of passers-by, is transformed into points that draw a totalizing and reversible line on the map.

      Interesting connection to our previous study of what maps leave out and why alternative maps are needed.

    2. a sea in the middle of the sea

      Interesting considering that just as we can never know the true depths and complexity of the sea we can never really know comprehend every piece Manhattan. This can also suggest that there's a sea of people.

  5. Sep 2015
    1. None of this should be changedby the fact that Hamlet lived here, and yet it is changed completely.

      is it possible for us to enter a space without any preconceived ideas?

    2. What begins as undifferentiatedspace becomes place as we get to know it better and endow itwith value.

      Was Didion unable to make New York the space into a place? It seems like she had a difficult time creating a home in NY and therefore didn't see its value.

    3. Place is security, space is freedom

      interesting when considered along with our conversation of NY and LA. While they are both large cities, LA provides more space which can provide mental and physical freedom. Perhaps this is what Didion and Devore were in search of.

  6. gimmeshelter2015.files.wordpress.com gimmeshelter2015.files.wordpress.com
    1. ooking at cities can give a· special pleasure, however commonplace the sight may be.

      Immediately provides a contrast to how people traditionally see cities

    2. hey are clear enough about the ugliness of the world they live in, and they are quite vocal about the dirt, the smoke, the heat, and the congestion, the chaos and yet the monot-ony of it. But they are hardly aware of the potential value of harmonious surroundings, a world which they may have briefly glimpsed only as tourists or as escaped vacationers.

      continues the idea that those who live in cities are jaded. Although tourists are seen as annoying and out of place, they highlight what makes the city special and appreciate things more.

    3. While it may be stable in general outlines for some time, it is ever changin~ in detail.

      Last class we established that in Mistress America construction was a metaphor for internal change that one goes through as a result of living in a city. Since the city is "ever-changing" would it be possible for us to remain unchanged while living there?

    1. You will lose. Everyone loses.

      The author embraces the difficulties of living in New York while Dorot uses them as propaganda to discourage young women from moving to the city. What would the author say about Dorot's advice?

    2. Money only buys two things: lavish self-deceptions and comfortable suffering.

      This is an interesting statement if placed next to Didion's statement in Goodbye to All That. If New York is only for the rich (and young) then money cloaks the inevitable suffering in New York.

    3. That your rent is a tumor in the guts of your bank account.

      Connection in theme to The Coming Bachelor Girl. Both Dorot and Devor discuss the weight that rent carries.

    1. You see I was in a curious position in New York: it never occurre~ to me that I was living a real life there.

      the idea of constantly being in a dream-like state while experiencing moments of absolute, albeit painful, clarity seems to be a theme.

    2. "New faces," he said finally, "don't tell me about new faces."

      this contributes to the idea that one becomes jaded the longer they live in a city. Everything becomes banal.

    3. In retrospect it seems to me that those days before I knew the names of all the bridges were happier than the ones that came later,

      This attests to the common idea that living in a large city contributes to depression, anxiety, etc. Her innocence and naiveté is apparent. While being inexperienced can be a hindrance, it can also provide protection.

    1. There is the seducer in the shape of the young man who came before him, and who has already lost the last remains of shame. Th

      This connects to Glance At New York in that as soon as George arrives in the city he is almost immediately seduced by Jake and Mike. Here, we see that there seems to be imminent danger present.

    2. . . The influence is often silent and unperceived, like the rolling in . of a wave in a quiet sea; but like that same wave it is mighty and resistless."12

      This simile is so emotive because often when you've been overtaken by a wave it seems as though you can't escape since the power of the water is too great. Similarly, Baker suggests that once a confidence man has lured his prey in it is hard to escape.

    3. What distinguished the nineteenth-century confidence man was.his position at the center of the anxieties that advice manuals expressed about American youth.

      connection with Alcott and Dorot