49 Matching Annotations
  1. Sep 2017
    1. I’d blow it up on the wall right behind you here, fill up the whole wall over the stairwell, and all of a sudden, this thing came to life! You blow it up to full size for people, or even half size, if you see Rodney King four feet tall in that picture as opposed to three inches, boy, you see a whole bunch of stuff.

      Blowing the image up takes Rodney King from a blob on a screen to a life size human. It makes the situation more accessible because you can see yourself in him. It forces you to understand

    2. The Emmett Till narratives illustrate how, in order to survive, black people have paradoxically had to witness their own murder and defilement and then pass along the epic tale of violation.

      Hope for future generations to care

    3. remember a poster of a thin white man in striped pants and a top hat who pointed at us above the words Uncle Sam wants you.

      Metonymy of the suppressive nature of White America

    4. This community acts without hesitation and, according to this account, in tandem and agreement that a violation has taken place in which the entire community is implicated, and which demands a physical response.

      As one "people".

    5. there’s only one person who’s in charge of this situation and that’s Rodney Glenn King.”

      Parallels the common phrase made by misogynists "women shouldn't dress provocatively unless they want to get raped"

    6. King was described as a “buffed-out” “probable ex-con,” “bear-like,” “like a wounded animal,” “aggressive,” “Combat- ive,” and “equaterd] . . . with a monster.

      Terms used to describe animals. Shows how Black bodies were on the same level as animals

    7. White men have been the primary stagers and consumers of the historical spectacles

      The way Alexander describes white men draws the feeling of a dystopia of being controlled. The life Black bodies are living aren't there own.

    8. tribe seemed for a time to speak to a history and group identification that is claimed rather than merely received, and theorized by the people in that group

      To me the word "tribe" is not a choice but a necessity. It makes me think of times when survival of the fittest ruled, and the choices were band together or be picked off alone.

    1. Questions still arise today about the disproportionately high numbers of people of African descent killed, beaten, and arrested by police in major urban cities of America

      Systemic abuse from the prison system. Positive feedback loop that pulls Black people down

    2. being White undoubtedly made it easier for ethnic minorities to assimilate

      The first thought that comes to mind when hearing the word immigrant isn't Polish, Russian, or any European/White person. It's POC.

    3. lynch mobs had a justified reputation for hanging minorities first and asking questions later

      Reminds me of a blurb in the MIT Press about "DIY citizenship", and how people are taking action (positively and negatively) into political and societal spheres

    1. but often still reluctant to engage with their brutality.

      Thinking about the barbaric, gruesome events that happen(ed) to your lineage is not something that most people can confront

    2. the silences and gaps in the narratives of women’s lives are sometimes more significant than the filled spaces

      Linking back to being active participants, it conveys the feeling of loss for words, something so horrible it it indescribable.

    3. A person is born in bondage to a cruel master; he or she observes a first whipping, struggles to obtain literacy, attempts to flee, fails, and later successfully escapes to the North

      Reminds me of the Hero's Journey guide. People's lives were reduced to a template of a broad adventure

    4. “wrote to correct impressions rather than to make them,” and that “their work lacked any significant literary quality.”

      It's hard to create an unbiased, true retelling because anyone who has ties to slavery or was once a slave will be completely on one side (no shades of grey).

    5. We feel its presence always, but we cannot bear to stare directly at it.

      Slavery is a part of the foundation of America. To claim it isn't a factor of who we are is part of the reason it is so hard to address.

    6. that centers around the brutalization of black people

      This reminds me of movies like Gladiator or the Hunger Games, where oppressed people were viewed as entertainment. People might still be in that headspace.

    1. The dominant rhetoric surrounding this movement masked much of the traditional West African religious practices

      And slaves were punished for doing so (chapter one cut-off hand panel)

    2. In an emotional transaction, Turner’s skull was finally in the possession of his family

      I often forget that slavery is such a recent event, and the lasting impact it has over people today. An emotional return of Nat Turner's remains to his descendants with reading the emotions in the graphic book together have a impact of longevity.

    3. Ignoring portions of the book that focused on liberation of slaves, they often promoted the passages that affirmed slavery

      The theme of this chapter is the relationship between religion and literacy, and how each results in power

    4. The white slave-owning South wanted obedience through Christianity.

      And used slaves as preachers to extend their reach. Turner being one of these preachers was beneficial to his rebellion. His audience extended past his own plantation to the surrounding plantations he visited and preached to.

    5. Nat’s family and community believed he was a blessed child. He had particular markings on his body that his grandmother identified as divine

      Due to this and his ability to read, Turner commanded power even as a child. His "divinity" allowed him to lead a rebellion.

    6. This absence provides steep challenges for scholars, who have very little traditional evidence to consult.

      Also why a graphic novel was a smart choice in story retelling. It looked past the minute, missing detail and allowed the connection of emotions and empathy via art

    7. Living with the knowledge that his family could be taken away at any moment surely shaped Nat Turner’s outlook

      His family was taken away and probably was the basis for his rebellion

    1. Fadng west,

      This reminds me of writing tutorial book called "On Writing Well" where the author/teacher stressed the importance of being direct and not unnecessarily complicated in one's writing

    2. 139

      (Food for thought) -- Why do we have to stop interchangeable usage of words/images from happening if the point coming across is the same? I understand you don't sound educated when you can't fully explain your thoughts, but if it ain't broke...?

    3. 145 1ohn'J:$all Ode on a <;;recian Urn

      I still don't agree with writing and art drifting apart. Each is so tangled in the other that separating them would force each to be meaningless.

    4. DADA POSlf~ FOR Tllf. PLAY "THE BE~ROED HfA!n

      I like this poster because it uses the letters to crete art. There are no pictures so the letters themselves are the pictures (another example to the similarities between words and images)

    5. OR A GlANCE 10 RUMINATE ON 9ROADCR 7DP'ICS:

      Nat Turner uses this method of ruminating on larger ideas by including the text from Turner's life. We don't need to read about the pain of his life when we understand it from pictures.

    6. 144

      I think that McCloud is being dramatic with the separation of language and pictures. Instead of words looking like an action, they now evoke that action in my mind. Language is ever-evolving. I'm still visualizing what is going on, just in a different way than before.