44 Matching Annotations
  1. Apr 2022
  2. digital-grainger.github.io digital-grainger.github.io
    1. But would’st thou see thy negroe-train encrease, Free from disorders; and thine acres clad With groves of sugar

      These two are inherently tied. The slave population as like the sugar cane: different varieties, prone to pests, requiring specific "care," etc. The slaves and the commodity produced by their labor become one. (Reminds me of how the Chinese workers on the transcontinental railroad were equated to the train itself to deny them housing and sustenance. As the laborer is alienated from both their labor and their humanity, they themselves become the commodity produced.)

    2. NOR pine the Blacks, alone, with real ills, [365] That baffle oft the wisest rules of art: They likewise feel imaginary woes;646 Woes no less deadly. Luckless he who owns The slave, who thinks himself bewitch’d; and whom, In wrath, a conjurer’s snake-mark’d staff647 hath struck! [370] VER. 370. snake-mark’d] The negroe-conjurers, or Obia-men, as they are called, carry about them a staff, which is marked with frogs, snakes, &c. The 144 They mope, love silence, every friend avoid; They inly pine; all aliment reject; Or insufficient for nutrition take: Their features droop; a sickly yellowish hue Their skin deforms; their strength and beauty fly. [375] Then comes the feverish fiend, with firy eyes, Whom drowth,648 convulsions, and whom death surround, Fatal attendants! if some subtle slave (Such, Obia-men are stil’d) do not engage, To save the wretch by antidote or spell.

      Mental illness as witchcraft, the medicalization of "improper" behavior/character.

    3. How far more pleasant is thy rural task

      Taps into the pastoral tradition of romanticing rural labor. Also recontextualizes much of the other passages on the beauty of the "island paradise"--the mere presence of rural beauty and proximity to nature is seen as ameliorating the inhumane conditions. It reminds me of how the Japanese American Incarceration in WW2 was so thoroughly associated with the grand vistas of the Rockies (e.g., in Ansel Adams' camp photography)--with natural beauty utilized to obscure dehumanization or to even claim the forced relocation was a gift/improvement.

    4. YET, if thine own, thy childrens life, be dear; Buy not a Cormantee,578 tho’ healthy, young. Of breed too generous for the servile field; They, born to freedom in their native land, Chuse death before dishonourable bonds: [85] Or, fir’d with vengeance, at the midnight hour, Sudden they seize thine unsuspecting watch, And thine own poinard579 bury in thy breast.

      Fear of slave rebellion, again this idea that one can be naturally "suited" to enslavement or freedom.

    5. chuse the slave, Who sails from barren climes; where art571 alone, Offspring of rude necessity, compells The sturdy native, or to plant the soil, [60] Or stem vast rivers for his daily food.

      Geohumoral bs with a side serving of Social Darwinism well prior to Darwin. Shows Social Darwinism's terminology may be stolen from evolutionary theory, but the ideology well predates Darwin--they just use evolutionary theory so that nature/science can be their scapegoat and moral shield.

    6. The Minnahs make good tradesmen, but addicted to suicide. The Mundingos, in particular, subject to worms; and the Congas, to dropsical disorders. How salt-water, or new negroes should be seasoned. Some negroes eat dirt. Negroes should be habituated by gentle degrees to field labour.

      Very striking how this parallels the earlier "where to plant the sugar cane" and "different kinds of sugar cane pests" passages. This poem not only praises sugar cane farming, it is How To Run a Plantation for Dummies. And we see here how slaves were treated as just another step in the process.

    7. Leave Europe; there, through all her coyest ways, [625] Her secret mazes, nature is pursued: But here, with savage loneliness, she reigns On yonder peak, whence giddy fancy looks, Affrighted, on the labouring main below. Heavens! what stupendous, what unnumbered trees, [630] “Stage above stage, in various verdure drest,”548 Unprofitable shag its airy cliffs! Heavens! what new shrubs, what herbs with useless bloom, Adorn its channel’d sides; and, in its caves What sulphurs, ores, what earths and stones abound! [635] There let philosphy conduct thy steps, “For naught is useless made:

      Reminds me of the sublime and manifest destiny, as well as the frontier myth.

    8. WHILE such fair scenes adorn these blissful isles; Why will their sons, ungrateful, roam abroad?526 Why spend their opulence in other climes? SAY, is pre-eminence your partial aim?

      Caribbean as pinnacle of world as colonial possession that meets any and all needs of the colonizer. Very reminiscent of the narrative of India as "Jewel of the Crown." The colony not only supplies luxury items like sugar--the colony ITSELF is a luxury item.

    9. WHILE flows the juice mellifluent from the Cane, Grudge not, my friend, to let thy slaves, each morn, But chief the sick and young, at setting day, Themselves regale with oft-repeated draughts [410] Of tepid Nectar; so shall health and strength Confirm thy Negroes, and make labour light. WHILE flame thy chimneys, while thy coppers foam, How blithe, how jocund, the plantation smiles! By day, by night, resounds the choral song [415] Of glad barbarity; serene, the sun Shines not intensely hot; the trade-wind blows: How sweet, how silken, is its noontide breath?

      Slave labor presented as luxury and joy: "labour light" from the "juice mellifluent", "jocund, the plantation smiles" with "glad barbarity." Abuse and hardship disguised as romanticized play and leisure.

    10. WHEN may the planter idly fold his arms, And say, “My soul take rest?” Superior ills, [195] Ills which no care nor wisdom can avert, In black succession rise. Ye men of Kent,321 When nipping Eurus,322 with the brutal force Of Boreas,323 join’d in ruffian league, assail Your ripen’d hop-grounds;324 tell me what you feel, [200] And pity the poor planter;

      Call to pity the "planter" for the hardships of his "work"

    11. “BE pious, be industrious, be humane; “From proud oppression guard the labouring hind. “Whate’er their creed, God is the Sire of man, “His image they; then dare not thou, my son, “To bar the gates of mercy on mankind. [635] “Your foes forgive, for merit must make foes; “And in each virtue far surpass your sire. “Your means are ample, Heaven a heart bestow!

      Montano as font of virtue

    12. Well-fed, well-cloath’d, all emulous to gain Their master’s smile, who treated them like men;

      "treated them like men" The propaganda here creating a complete fantasy out of slavery.

    13. To tropic suns, to fell barbaric hinds, A poor outcast, an alien, did he roam; His wife, the partner of his better hours, [590] And one sweet infant, chear’d his dismal way. Unus’d to labour; yet the orient sun, Yet western Phoebus, saw him wield the hoe.

      Lots of ink spilled to make Montano the victim/earn sympathy

    14. IN plants, in beasts, in man’s imperial race, An alien mixture meliorates the breed; Hence Canes, that sickened dwarfish on the plain, [460] Will shoot with giant-vigour on the hill. Thus all depends on all; so God ordains. Then let not man for little selfish ends, (Britain, remember this important truth;) Presume the principle to counteract [465] Of universal love; for God is love, And wide creation shares alike his care.

      I would love to go over this passage in class, as it strikes me as important but I am having difficulty parsing it. We seem to be going from sugar cane growth to a universal statement on how life/God works. And then there's the apostrophe to Britain...

    15. Thy Negroe-train, (in linen lightly wrapt,)161 Who now that painted Iris162 girds the sky, (Aerial arch, which Fancy loves to stride!) Disperse, all-jocund, o’er the long-hoed land.

      "all-jocund"

    16. AS art transforms the savage face of things, And order captivates the harmonious mind; Let not thy Blacks irregularly hoe: But, aided by the line, consult the site Of thy demesnes;135 and beautify the whole.

      Slave labor as artistic practice beautifying the land

    17. PLANTER

      It is striking how invisible the slave labor is in this poem so far, with the white plantation owner taking the place as "planter."

    18. Columbus’ daring keel89 explor’d. DAUGHTERS of Heaven,90 with reverential awe, Pause at that godlike name; for not your flights [95] Of happiest fancy, can outsoar his fame. COLUMBUS, boast of science, boast of man!

      ...Wow.

      More seriously: Western science as inherently inherently tied to colonial conquest, Western humanism as deification of white men.

    19. The inhabitants of St. Christopher look whiter, are less sallow, and enjoy finer complexions, than any of the dwellers on the other islands

      A potentially interesting passage to discuss in class

    20. This land, for many a crop, will feed his mills; Disdain supplies, nor ask from compost aid. SUCH, green St. Christopher, thy happy soil!

      Apostrophe to the island itself...might be interesting to close-read this passage

    21. Canoes have been scooped out of this tree, capable of holding upwards of a hundred people;

      N.B. passive voice avoids acknowledging the indigenous peoples making said canoes

    22. The Greeks and Romans seem to have known very little of this most useful and beautiful plant

      Gee, I wonder why. (Sugar cane is originally from Asia.)

    23. o Fame’s eternal Dome, where Maro23 reigns; Where pastoral Dyer, where Pomona’s Bard, And Smart and Sommerville in varying strains,24 4 Their sylvan lore convey: O may I join This choral band, and from their precepts learn

      His poetic lineage

    24. Medicines of such amazing efficacy, as I have had occasion to make trials of in these islands, deserve to be universally known.

      Caribbean, not Western Europe, as font of medical knowledge.

    25. IN a West-India georgic,14 the mention of many indigenous remedies, as well as diseases

      How were the georgic and the pastoral genres shaped by colonialism? Where in their genre conventions do we see this colonial history?

    26. Vos sequor, ô Graiae gentis decus, inque vestris nunc Fixa pedum pono pressis vestigia signis; Non ita certandi cupidus, quam propter amorem, Quod vos imitari aveo.——13

      Constant references to famous Roman poets-->he places himself in a Western humanist tradition

    27. My inducements to this arduous undertaking were, not only the importance and novelty of the subject, but more especially this consideration; that, as the face of this country was wholly different from that of Europe, so whatever hand copied its appearances, however rude, could not fail to enrich poetry with many new and picturesque images.

      Poem's purpose/inspiration