14 Matching Annotations
  1. Apr 2021
    1. a scavenger’s cart happening to stand unattended at the corner, with its little ladder planted against the wheel, Mr S. found it impossible to resist the temptation of shooting Mr Silas Wegg into the cart’s contents. A somewhat difficult feat, achieved with great dexterity, and with a prodigious splash.

      Silas has to deal with the shame and humiliation of returning right back to the social position he tried so hard to escape and this interaction is great moment of symbolism. He is treated and throw out like a piece of trash into a scavenger’s cart, which is filled with literal garbage. This symbolizes how his social position in life will always prevent him from rising in any way and the last line of this paragraph encompasses that downfall perfectly.

  2. Mar 2021
    1. ‘O yes!’ cried Bella, covering her face with her hands; ‘but that I never shall be able to understand as long as I live. It is, how John could love me so when I so little deserved it, and how you, Mr and Mrs Boffin, could be so forgetful of yourselves, and take such pains and trouble, to make me a little better, and after all to help him to so unworthy a wife. But I am very very grateful.’

      I feel like this entire scenario could be viewed in two different ways. Everyone Bella knows has been lying to her for quite some time, even if it was for her own good, and she's been distraught over the idea that Boffin has become corrupted. On the other hand, Bella is shown to fully trust John and has been rewarded with money since proving that wealth no longer affects her negatively.

    2. ‘You are stupid enough, I suppose. But if you are clever enough to get through life tolerably to your satisfaction, you have got the better of me, Man as I am, and Mutton as you are!’

      This section reminds me of the saying "ignorance is bliss." If you aren't aware of the problem, then you don't have to spend the time and energy worrying about it. I feel like looking at animals and being envious of how simple their lives are is common in times of conflict and stress, which Wrayburn is definitely experiencing.

    3. ‘Hold your tongue, Boffin! Answer when you’re called upon to answer. You’ll find you’ve got quite enough to do. Now, you’re aware—are you—that you’re in possession of property to which you’ve no right at all? Are you aware of that?’

      This is not the first time Wegg has made his opinions on Boffin's wealth known. He has consistently thought that Mr. Boffin did not deserve his wealth and feels entitled to his generosity. I feel like Wegg's feelings on this subject keep growing as Boffin becomes more miserly.

    4. ‘I shall never more think well of you,’ cried Bella, cutting him short, with intense defiance in her expressive little eyebrows, and championship of the late Secretary in every dimple. ‘No! Never again! Your money has changed you to marble. You are a hard-hearted Miser. You are worse than Dancer, worse than Hopkins, worse than Blackberry Jones, worse than any of the wretches. And more!’ proceeded Bella, breaking into tears again, ‘you were wholly undeserving of the Gentleman you have lost.’

      In this interaction, Bella finally speaks out against Mr. Boffin and accepts that his money has corrupted him beyond a man she can respect. This also kickstarts Bella's self-reflection and she realizes that she's terrified of ending up like Mr. Boffin and losing touch with her values.

    5. Lizzie Hexam very softly raised the weather-stained grey head, and lifted her as high as Heaven.

      Betty's death is both a relief and a tragedy at the same time. She dies completely free and without being a burden to anyone. Her character is very adamant about remaining independent and standing on her own. However, her desire for independence also became her insistence for isolation. Betty very nearly dies alone, and the only reason she doesn't is because Lizzie just happens to come across her.

    6. And we must be up to the difference,’ pursued her husband; ‘we must be equal to the change; that’s what we must be. We’ve got to hold our own now, against everybody (for everybody’s hand is stretched out to be dipped into our pockets), and we have got to recollect that money makes money, as well as makes everything else.’

      It’s interesting to see Mr. Boffin’s personality change compared to Mrs. Boffin’s in regard to their money. Both have access to the same amount of wealth, but Mr. Boffin is more negatively influenced by it. The couple viewed their new money as a tool to help others in the beginning of the novel, which is a stark contrast to Mr. Boffin’s current attitude.

    7. ‘If you give those names to my thanking you for your proposal and declining it, is it my fault, Mr Headstone?’ said Lizzie, compassionating the bitter struggle he could not conceal, almost as much as she was repelled and alarmed by it.

      Although Lizzie is held back in society by her lack of education, she benefits from her beauty and personality. This gives her the opportunity to find a new position in society through marriage. Lizzie effectively closes the door on her one opportunity of a secure future with finality that was rare in the 17th century.

    8. ‘Your brother’s plans were communicated to me when he first had them in his thoughts. In point of fact he spoke to me about them when I was last here—when we were walking back together, and when I—when the impression was fresh upon me of having seen his sister.’

      This retraction might offer Lizzie some measure of security and protection in the future, but Headstone is becoming a threatening presence. Combined with her brother, these two represent a power that would determine every aspect of the rest of Lizzie's life.

    9. ‘Eugene, do you design to capture and desert this girl?’ ‘My dear fellow, no.’ ‘Do you design to marry her?’ ‘My dear fellow, no.’ ‘Do you design to pursue her?’ ‘My dear fellow, I don’t design anything. I have no design whatever. I am incapable of designs. If I conceived a design, I should speedily abandon it, exhausted by the operation.’

      A rivalry over Lizzie starts between Headstone and Wrayburn. Both men see her as an object and their desire to educate her turns into a display of dominance over each other, while also reflecting the hope that they will be able to control and groom her.

  3. Feb 2021
    1. ‘Well, it’s Saturday night,’ she returned, ‘and my child’s coming home. And my child is a troublesome bad child, and costs me a world of scolding. I would rather you didn’t see my child.’ ‘A doll?’ said Eugene, not understanding, and looking for an explanation. But Lizzie, with her lips only, shaping the two words, ‘Her father,’ he delayed no longer.

      In this exchange, Lizzie's father is compared to a child and a doll. This is a metaphor for the parent-child roles and how they are reversed between Lizzie and her father. She is consistently taking care of him and putting his needs before her own, much like a mother would their child, which causes her to sacrifice educational opportunities.

    2. ‘My time, sir,’ returned Wegg, ‘is yours. In the meanwhile let it be fully understood that I shall not neglect bringing the grindstone to bear, nor yet bringing Dusty Boffin’s nose to it. His nose once brought to it, shall be held to it by these hands, Mr Venus, till the sparks flies out in showers.’

      Wegg has come to be a sinister character and does not see Boffin as the "correct" person to posses the amount of wealth that he does. Wegg feels entitled to Boffin's generosity and plans to exploit the situation. This also follows the book's theme that no one is exactly what they seem.

    3. In the sound good feeling and good sense of her entreaty, Miss Abbey had softened into a soothing tone, and had even drawn her arm round the girl’s waist. But, she only replied, ‘Thank you, thank you! I can’t. I won’t. I must not think of it. The harder father is borne upon, the more he needs me to lean on.’

      Lizzie rejects Miss Abbey's help and refuses to leave her father. While she doesn't believe the accusation, this could also be alluding to the fact that her father and his lifestyle hold Lizzie back. Lizzie also serves as somewhat of a maternal figure for her father and brother. This is one of the many example where young people must step in to roles that the adults fail to hold.

  4. Jan 2021
    1. Mr and Mrs Veneering were bran-new people in a bran-new house in a bran-new quarter of London.

      This implies that the Veneerings have recently come into money, which is likely to make them outsiders in old-money-London society.