68 Matching Annotations
  1. Jan 2024
    1. So although this article will inform musicians about the contractual changesand bargaining power with contracts

      PR - author primarily focuses on economic perspective of industry, with contracts

    2. Rather than selling his music, Chance has allowed for all of his music to be downloaded orstreamed for free.102 He uses his music to further his clothing line and his touring sales.

      EX of how a musician can gain revenue other than through streaming

    3. because of the clout the duo obtained as independent artists, they were able toobtain more bargaining power in negotiations

      PUR - offers potential idea of working independently initially then signing with a label later on bc artist already has "bargaining power"

    4. Rather than focusing on physical album sales, like thetraditional contract, it seems that the focus here was digital sales.

      EX of the transition from physical to digital

    5. one stated that if the artist did not sale 250,000 albums within a specific time frame, therecord company could rescind the contract,79 which they did in late 2014.

      PUR - show alternate perspective of 360 deals in which they do not work as well

    6. In 2011, when he finally released his debut album, he soldover 200,000 albums in his first week75 and the album, along with his other two, are now all certifiedplatinum.

      PUR - demonstrates how successful a 360 deal can be by using real evidence of an artist and their success with a 360 deal

    7. Because of this, many videocreators and musicians post videos of their content on Youtube. In other words, Youtube has changedthe business norms of video sharing and made it to the point where if someone wants to share videosonline, they would do well posting it on Youtube.

      EX of "market power" applied to music industry

    8. record labels have a lot of power than unsigned, independent artists:larger economic resources, more education and access, and background law in music production,distribution, and marketing

      SE of how labels have more power of independent artists

    9. Because the costs of recording and producing has decreased, this has allowedmusicians that otherwise would not have created music to enter into the music field

      C/E - lower cost of producing music, more people entering music field

    10. Even though everyone has access to social media andthere may be many artists engaging in talking to fans, the benefits outweigh the negatives

      PR - clear that author has a positive bias regarding effects of social media

    11. With more than 73% of online teenagers and 47% of online adults using social media,musicians have immense access to consumers

      PUR - use statistics to emphasize prevalence of social media and how it can be beneficial to artists looking for consumers

    12. In May 2003, according to the Bureau of LaborStatistics, there were roughly 300 independent artists generating a profit in the music industry.36 InMay 2012 that number increased to 1,830.

      CIT - Bureau of Labor for increasing numbers of independent artists gaining profits

    13. Other artists, like Chance the Rapper, are opposed to the 360 deals

      PUR - demonstrate differing opinions on 360 deals; some artists favor them while others are against them

    14. Record companies have used these contracts to obtain revenue from:touring, merchandise sales, book publishing, fan club fees, sponsorship money, promotional ventures

      EX of what a 360 degree deal entails (and how it differs from more traditional contracts)

    15. Touring was important in so far that it brought in more record sales.20 Now, the opposite istruer: recorded music is used to promote the music and obtain sales from touring.

      C&C then and now of importance of touring

    16. This contracting structure allowed the major label record companies to earn “85 to 90percent of the profit from music sales,” which was where a majority of the revenue came from

      EX of just how much of music sales went to record companies over musicians themselves

    17. The reason musicians would agree to these contracts was because of the “high cost of recording,distributing, and marketing [the] records

      SE of why artists entered contracts (even if labels were gaining most of the profits)

    18. Because of this, artists entered into contracts (“traditional contracts”) withmajor labels

      C/E - artists could not get their music to consumers, causing them to enter into contracts with labels

    19. Previously, artists needed major record companies to get their music to consumers because ofthe costs8 and the difficulties in the way consumers obtained music: radio, print magazines, television,and stores.

      C&C old ways of consuming music to new

    20. how technological advances have changed the contractual agreementsindependent artists enter and whether this new change has benefitted independent artist

      MI - largely focuses on small artists and how technology has affected them

    21. that this artist is the first artist to ever win a Grammy by solely streaming his music and giving itaway for free as opposed to selling records and singles

      EX of how music gained popularity through streaming platforms and without being sold

    1. ocial media and the lack of interest in album ownership may take powerfrom the music star. But fans today are heavily invested in the actions of the star and constantly engagedwith music. Likewise, the star is now embedded in the culture he or she helps shape through direct contactwith followers

      MI

    2. it can be concluded that modern college students areengaged with music more often than ever before because of the total time streaming services allow studentusers to listen to any of the millions of songs on the app, which have never before been available.

      SE of how streaming services (and technology) allow individuals to listen to music more than ever

    3. While active and moving throughout the day, users are constantly opening themusic app, showing they are constantly engaging in new listening sessions, wherever they may be

      SE of the accessibility of streaming apps, being able to use them on the go at all times leads to more time listening to music

    4. Spotify was the overwhelming favorite platform for the entire pool of respondents. Three users foriTunes suggests that the concept of owning music is not as relevant as past studies indicated.

      C&C listening to music on streaming services vs owning music - more people now use a platform than own music

    5. Soundcloud has been more popular among lesser known artists and DJs for its socialmedia-type format that allows quick uploading and efficient access

      EX of one streaming platform typically targeted to smaller artists (Soundcloud)

    6. Rather than just following an artist for the music they produce, daily aspects of life arenow a quintessential element followers enjoy and sometimes expect from celebrities through social media. Infact, this ability to stay updated on seemingly ordinary occurrences in an artist’s life is a driving factor for itspopularity among Millennials

      C&C how followers enjoy music then and now - now listeners also are interested in their favorite artists life outside of music (largely due to social media)

    7. With just one regrettable tweet, a music star can sabotage this craftedimage instantaneously. This continuous, omnipresent connectivity forces a more authentic, yet often less culti-vated, image portrayed to the public

      EX of one of the downsides of social media - how easy it is for one post to ruin an individual's reputation, causing them to easily lose fans - the cost of a closer community

    8. continuously increasing number of people can tweet at amusic star through a single click on a mobile device, providing a means of accessibility that has never beforebeen achievable

      SE of how social media strengthens bond between musician and listener

    9. MTV viewers in Nebraska were exposed to the same music as viewers in New York. Boostingfandom to an increasingly large audience in this manner maximized the reach of influence for an artist andcontributed to a further installment of iconic figures with the potential to become recognizable to a nation witha single popular video.

      EX of how widespread technology enabled music to become

    10. Although sales of the physical productsharply declined through digital consumption, building a personal library of music is still influential in the psy-chological relationship that consumers have with music

      SE of how even though sales of physical media is down, it still is important for making that connection between listeners and artists

    11. major threat to the album concept came in the form of digital downloading and widespread piracy issues

      C/E technology caused some individuals to illegally download music, damaging industry

    12. Similarly, the presentation of the artist has changed greatly with technology. In previous decades, therecord label and savvy marketers could control the portrayed image of a music celebrity to mass audiences.Through social media, the freedom of interaction between music artists and their fans has never been greater.

      C/E introduction of social media causes more connection between fans and artist and makes artists more human to followers

  2. Dec 2023
    1. While the digital music revolution inarguably hurt music industry giants in terms of sales, it also leveled the playing field between big music businesses and smaller ones like indie record labels. Advancements in home recording software allow musicians to record at low cost. Digital distribution platforms also let artists and small labels sidestep larger industry-controlled distribution channels.

      SUM - technology caused the beginning of pirating music, which led to a decrease of sales, but also bridged the gap between large labels and independent artists

    2. This caused revenue in the music industry to plummet

      C/E - the introduction of methods to pirate music caused revenue to decrease (and still never return to previous levels)

    3. Composers can produce film scores from their home studios. Musicians can play for fans around the world through livestreamed performances. Songwriters can record albums and release them on digital distribution and streaming platforms without ever landing or signing a record deal.

      SE of how technology has changed the industry

    4. Consider the progression from the phonograph and analog tape machines to digital recording software and internet-based streaming services

      C&C old methods of listening to music to more contemporary practices

    5. Thus, many people in the music industry began to focus more on live music as the digital era decimated album sales.

      EX of tactics used to combat lower revenue as a result of piracy

    6. The digital era has been tough on the music industry, but it has also opened the door for emerging artists who might otherwise never have gotten the exposure they deserve

      MI - demonstrates how technology has caused the industry to suffer in certain aspects (illegally downloading music) while also benefiting other artists who previously would not have had the opportunity to make music

    7. Recording artists and publishers are also focusing on placing music in TV shows, films and commercials to generate revenue from licensing and royalties

      offers alternate perspective in which artists can gain revenue utilizing other types of media, like television or advertising

    8. In general, the digital era has led to a democratization of the music industry, improving opportunities for artists and professionals of many types

      MI - technology has made the music industry more accessible for individuals with no prior connections

    1. In Europe, the projected revenue of the music streaming segment is over 6.7 billion USD for 2021.

      C&C different streaming services and their popularity in different continents

    2. the music streaming industry is booming, with almost one-third of Americans listening to music via music streaming subscriptions

      SE demonstrates how prevalent streaming services are in present day society w statistics of how many ppl use them and the revenue

    3. each cost about ten dollars per month, in comparison to customers paying about a dollar per individual song on iTunes

      C&C the costs of paying for a subscription to a streaming service vs buying individual songs on iTunes

    4. Music streaming services offer millions of songs from thousands of artists for a recurring fee each month, allowing users to access music at a much cheaper rate than previously possible

      MI

    1. There are different marketing strategies and tools that facilitate, monitor, and planthe marketing content of independent musicians without the need for a third party. These tools,which include social media platforms, have made it easier than ever to spread their contentaround and take matters into their own hands. It’s given artists hope and opportunity so that notbeing able to be signed with a label no longer means the end of their career. Independent artistscan find their own opportunities for social media marketing

      MI

    2. Because othersites like Youtube and TikTok don’t compensate enough for starting artists, artists can promotetheir Patreon link to receive a more stabilized income

      counters previously claim about how it is hard to make a living with the low revenue by introducing a different website that is better for gaining revenue

    3. but the artist would have to seekand market their music on different platforms rather than relying on YouTube for monetary gain.This is due to the low amount of revenue per stream of $0.00154 on YouTube

      a downside is that many platforms do not produce a significant amount of revenue per stream

    4. Artists have beenable to connect with their viewers through the Community, Live, and Ticketing features

      SE - YouTube can be used as a way for artists to connect with their audience

    5. hat attractedindependent musicians to TikTok was its simplicity and faster profile growth, considering thatthere are more people using TikTok. What makes it so unique is that independent musicians canupload a video with original audio for their audience to use. Independent artists may utilize theviral trend of dueting a cover song or their own song in order to receive direct interactions withthe audience

      EX of how new social media platforms (TikTok) can be utilized as a means of advertising for musicians

    6. Since the rise of TikTok’spopularity as a competitor, “Reels” and “IGTV” have continuously been pushed so more peoplewould spend more time on Instagram.

      CHRON - lists how social media has developed and how promotion has along with it (Myspace, Facebook, Instagram, TikTok)

    7. With how prominent social media hasbecome, marketers and advertisers have turned their attention towards reaching audiencesthrough different social media platforms. Setting up a social media strategy will helpindependent artists set a goal to carry out when using social media platforms.

      MI - with a good strategy, independent artist can use social media to their advantage to make a name for themselves in the industry

    8. Chance The Rapper, a hip-hop artist, released free music up until he started to gain moreattention after his first solo mixtape 10 Day, which led him to be featured by Complex magazinein their “10 New Chicago Rappers To Watch Out For" article in 2012 (“Chance The Rapper”)

      SE - counters previous examples of struggling artists to those who haves gained success independently C&C

    9. By using monitoring tools, an independent artist is able to see what’strending about them and what people think about them without anybody having to use hashtagsor mention tags

      one strategy used by independent artists

    10. Voids was no longer able toperform live and had to turn to social media to promote his new music.

      EX - uses specific person to illustrate struggles of promoting music

    11. Even though social media platforms are accessible andmake it easier to find online connections, sometimes the connections online are short-lived. It’sdifficult to make sustainable connections when online communication is limited. Without a label,independent artists are not taken as seriously because they don’t have a group of reliableconnections ready to market.

      SUM - describes the difficulties faced by independent artists who are up against larger labels, even with a social media presence

    12. In the 1990s, MP3 started to take off, and it began to affect many musicians' music sales.

      CHRON - lists how music marketing has progressed through the years (physical media, radio, MTV music videos, MP3)

    13. However, this alsomeant that more artists felt the need to join record labels because of the established connectionsthe label had for marketing

      SE - record labels are overall harmful to artists which is why many turn to social media

    14. Independent artists learned what kind of music trends arose during theyear, which was a great way for them to adjust or modernize their music according to the market

      SUM - MTV music videos let independent artists discover trends to help keep their music relevant

    15. Radio would determine what people wanted to hear and this would directly link tohigher sales (Goslich et al.). Getting music on the radio was the main marketing goal. Forexample, The Weeknd’s song “Blinding Lights” was played for about 19 weeks on the top spoton radio (“The Weeknd Makes Radio”)

      CIT - cites other sources for how radio benefited marketing for artists

    16. Radio was the next natural progression of media. Radio gave musicians a widespreadreach, considering that independent artists didn’t always need to hold a live performance to meet

      C&C radio and more outdated forms of media

    17. Much of the music promotion from using printmedia would rely on word-of-mouth, and print media would include scheduled informationabout an event (Aitken, “The Internet”). However, a downside of print media was the physicallimitation. A person would need to purchase a copy of a magazine or newspaper to get newsrelated to musicians (Aitken, “The Internet”)

      CIT - cites other source on how marketing for musicians began (scheduled info, physical media)