2 Matching Annotations
  1. Oct 2023
    1. materialize at different extents in different ways um that sort of reduction of value something i've been thinking about you know in in particular in encumbrance um 00:52:33 and and uh but i think it's also you know at play to a certain extent in discouragement because you know as thomas was sort of saying given certain events 00:52:46 um the dissolution of the trust also sort of dissolves the you know the moment's claim to this piece of cultural production there's not really a 00:52:59 thing there anymore once it's no longer active um so uh yeah so that that kind of uh way even though it's it's sort of this measuring tool 00:53:11 and it and it is attending to these questions of corporate redistribution um i'm also trying to think about you know the property relations that are at play within the

      This idea of trust and "the Moma's claim to this piece of cultural production" reminds me of the Andrea Fraser reading where she questions the kinds of individuals behind these institutions and whether or not they should be the ones having a say or choosing the kinds of art/culture that will be exhibited.

    2. domestic drama we're also curious about this word you keep using

      I am interested in the role that the 3rd performer, Martita Abril, plays in this performance of See Saw. Simone Forti mentions that the Seesaw works as a balancing tool for two people, so I wonder what the 3rd person's role is here. I also read elsewhere that this piece was considered a "happening" which I might challenge or like to explore further.