14 Matching Annotations
  1. Apr 2021
    1. ‘Let go!’ said Riderhood. ‘Stop! What are you trying at? You can’t drown Me. Ain’t I told you that the man as has come through drowning can never be drowned? I can’t be drowned.’ ‘I can be!’ returned Bradley, in a desperate, clenched voice. ‘I am resolved to be. I’ll hold you living, and I’ll hold you dead. Come down!’ Riderhood went over into the smooth pit, backward, and Bradley Headstone upon him. When the two were found, lying under the ooze and scum behind one of the rotting gates, Riderhood’s hold had relaxed, probably in falling, and his eyes were staring upward. But, he was girdled still with Bradley’s iron ring, and the rivets of the iron ring held tight.

      The beginning of this dialogue had me on the edge of my seat. I knew that this time the blackmail between these two couldn't last long, given that the book is almost coming to an end. But I certainly was not expecting for the both of them to end up dead by drowning together. I think Dickens was very poetic in the demise of these two men.

  2. Mar 2021
    1. Mr Kibble had staggered up, with his lower jaw dropped, catching Potterson by the shoulder, and pointing to the half-door. He now cried out: ‘Potterson! Look! Look there!’ Potterson started up, started back, and exclaimed: ‘Heaven defend us, what’s that!’ Bella’s husband stepped back to Bella, took her in his arms (for she was terrified by the unintelligible terror of the two men), and shut the door of the little room. A hurry of voices succeeded, in which Mr Inspector’s voice was busiest; it gradually slackened and sank; and Mr Inspector reappeared. ‘Sharp’s the word, sir!’ he said, looking in with a knowing wink. ‘We’ll get your lady out at once.’ Immediately, Bella and her husband were under the stars, making their way back, alone, to the vehicle they had kept in waiting.

      Finally!! The moment we have all been waiting for. I honestly thought the excerpt of people discovering John's true identity would be full of more detail and dialogue. This seemed to be a very smooth reveal of his true self, however, I will not be surprised to find out something really bad happens after this.

    2. ‘It is impossible, Mr Wrayburn. How can I think of you as being on equal terms with me? If my mind could put you on equal terms with me, you could not be yourself. How could I remember, then, the night when I first saw you, and when I went out of the room because you looked at me so attentively? Or, the night that passed into the morning when you broke to me that my father was dead? Or, the nights when you used to come to see me at my next home? Or, your having known how uninstructed I was, and having caused me to be taught better? Or, my having so looked up to you and wondered at you, and at first thought you so good to be at all mindful of me?’

      I can't help but think about if this were written in today's society. This concept of Eugene not wanting to marry Lizzie because of their unequal social terms. Readers would have done some serious backlash on this topic.

    3. ‘Then idiots talk,’ said Eugene, leaning back, folding his arms, smoking with his eyes shut, and speaking slightly through his nose, ‘of Energy. If there is a word in the dictionary under any letter from A to Z that I abominate, it is energy. It is such a conventional superstition, such parrot gabble! What the deuce! Am I to rush out into the street, collar the first man of a wealthy appearance that I meet, shake him, and say, “Go to law upon the spot, you dog, and retain me, or I’ll be the death of you”? Yet that would be energy.’

      Dickens does a great ob at truly showing Eugene's frustration in this passage. He gets so worked up merely over a six letter word, and I found it quite comical. This dialogue reminds me of my grandfather, who also extremely dislikes this term "energy", as well as "vibe" which are both very commonly used in society today. I feel like this small amount of dialogue speaks a lot on Eugene's character, and reading it made it feel as though I were watching this as a movie.

    4. He touched the first button with a very cautious hand, and a step backward. But, the sleeper remaining in profound unconsciousness, he touched the other buttons with a more assured hand, and perhaps the more lightly on that account. Softly and slowly, he opened the coat and drew it back. The draggling ends of a bright-red neckerchief were then disclosed, and he had even been at the pains of dipping parts of it in some liquid, to give it the appearance of having become stained by wear. With a much-perplexed face, Riderhood looked from it to the sleeper, and from the sleeper to it, and finally crept back to his chair, and there, with his hand to his chin, sat long in a brown study, looking at both.

      The title of book 4 gave me the interpretation that everything would turn out well for the protagonist characters. Then I read the title of this chapter and second guessed myself. The trap at play here is revealed within this passage. It is incredibly obvious to the reader that Headstone is setting a trap to frame Riderhood in some fashion that is unknown as of now. He did indeed change his scarf to yet again make himself look exactly like Riderhood. He knows that something is up, and I am hoping to find out what will come of this situation in the following chapter.

    5. By this time the astonishment was all on the other side. It did not, however, so continue. For, when Venus passed to Wegg’s discovery, and from that to their having both seen Mr Boffin dig up the Dutch bottle, that gentleman changed colour, changed his attitude, became extremely restless, and ended (when Venus ended) by being in a state of manifest anxiety, trepidation, and confusion. ‘Now, sir,’ said Venus, finishing off; ‘you best know what was in that Dutch bottle, and why you dug it up, and took it away. I don’t pretend to know anything more about it than I saw. All I know is this: I am proud of my calling after all (though it has been attended by one dreadful drawback which has told upon my heart, and almost equally upon my skeleton), and I mean to live by my calling. Putting the same meaning into other words, I do not mean to turn a single dishonest penny by this affair. As the best amends I can make you for having ever gone into it, I make known to you, as a warning, what Wegg has found out. My opinion is, that Wegg is not to be silenced at a modest price, and I build that opinion on his beginning to dispose of your property the moment he knew his power. Whether it’s worth your while to silence him at any price, you will decide for yourself, and take your measures accordingly. As far as I am concerned, I have no price. If I am ever called upon for the truth, I tell it, but I want to do no more than I have now done and ended.’ ‘Thank’ee, Venus!’ said Mr Boffin, with a hearty grip of his hand; ‘thank’ee, Venus, thank’ee, Venus!’ And then walked up and down the little shop in great agitation.

      After rereading this passage again, it is hard for me to tell if Mr. Venus is being honest in his intentions with the will of Mr. Boffin. I have this feeling that he has an ulterior motive, and is going to end up screwing himself over. But I also somewhat believe that he is trying to help our Mr. Boffin. I guess only time will tell.

    6. On this head, Silas Wegg had much to say. Silas had to say That, he would beg to remind his comrade, brother, and partner, of the impressive passages they had read that evening; of the evident parallel in Mr Boffin’s mind between them and the late owner of the Bower, and the present circumstances of the Bower; of the bottle; and of the box. That, the fortunes of his brother and comrade, and of himself were evidently made, inasmuch as they had but to put their price upon this document, and get that price from the minion of fortune and the worm of the hour: who now appeared to be less of a minion and more of a worm than had been previously supposed. That, he considered it plain that such price was stateable in a single expressive word, and that the word was, ‘Halves!’ That, the question then arose when ‘Halves!’ should be called. That, here he had a plan of action to recommend, with a conditional clause. That, the plan of action was that they should lie by with patience; that, they should allow the Mounds to be gradually levelled and cleared away, while retaining to themselves their present opportunity of watching the process—which would be, he conceived, to put the trouble and cost of daily digging and delving upon somebody else, while they might nightly turn such complete disturbance of the dust to the account of their own private investigations—and that, when the Mounds were gone, and they had worked those chances for their own joint benefit solely, they should then, and not before, explode on the minion and worm. But here came the conditional clause, and to this he entreated the special attention of his comrade, brother, and partner. It was not to be borne that the minion a

      In this passage, I felt the tension between these two men rising at a very quick rate. Dickens does a good job at creating a bickering atmosphere between Wegg and Venus. It is almost as if a clock struck "blackmail time" during this long conversation. Their final conclusion that they come to seems the most fair for the two of them, given the utmost complications.

    7. I got at him,’ pursued Fledgeby, feeling for his whisker, ‘by degrees. If your Lammles or your Lightwoods had got at him anyhow, they would have asked him the question whether he hadn’t something to do with that gal’s disappearance. I knew a better way of going to work. Having got behind the hedge, and put him in the light, I took a shot at him and brought him down plump. Oh! It don’t count for much, being a Jew, in a match against me!’ Another dry twist in place of a smile, made his face crooked here. ‘As to Christians,’ proceeded Fledgeby, ‘look out, fellow-Christians, particularly you that lodge in Queer Street! I have got the run of Queer Street now, and you shall see some games there. To work a lot of power over you and you not know it, knowing as you think yourselves, would be almost worth laying out money upon. But when it comes to squeezing a profit out of you into the bargain, it’s something like!’

      If I didn't truly despise Fledgeby before this, then I definitely do now. When reading this part of the chapter, I could picture him in my mind rubbing his dirty hands together while laughing like one of those evil laughs you see villains do in the movies. It surprises me how easily he feels about taking advantage of the Boffin's financial situation, as well as the several other people whose mortgages he has waiting at his hand.

    8. ‘Charley,’ returned his sister, detaining his hand as he withdrew it, ‘I think you had better stay. I think Mr Headstone had better not say what he thinks of saying.’ ‘Why, how do you know what it is?’ returned the boy. ‘Perhaps I don’t, but—’ ‘Perhaps you don’t? No, Liz, I should think not. If you knew what it was, you would give me a very different answer. There; let go; be sensible. I wonder you don’t remember that Mr Headstone is looking on.’

      After reading the parts that follow this scene, I had to come back to comment on this. It frustrates me that Charley didn't listen to his sister. I wish that she could have trusted her gut instinct without Charley telling her what to do. This would have saved Mr. Headstone's face from embarrassment, even though Lizzie politely rejected him. I am glad that it hurt his ego a tad, though.

    9. ‘When I claim it,’ said the man, in a tone which seemed to leave some such words as ‘you dog,’ very distinctly understood, ‘you shall share it.’ Looking stedfastly at Riderhood, he once more said in a low voice, this time with a grim sort of admiration of him as a perfect piece of evil, ‘What a liar you are!’ and, nodding his head twice or thrice over the compliment, passed out of the shop. But, to Pleasant he said good-night kindly.

      This stranger has created an enormous amount of suspense for the reader with these remarks he leaves. The tension between him and Riderhood in this entire excerpt is at an all time high in these last few statements of their conversation. What could he possibly mean by "sharing" the reward with Riderhood? It seems to me from his evil tones that this cannot be good news for Riderhood.

    10. Yes, Pa, that is the state of the case. If ever there was a mercenary plotter whose thoughts and designs were always in her mean occupation, I am the amiable creature. But I don’t care. I hate and detest being poor, and I won’t be poor if I can marry money. Now you are deliciously fluffy, Pa, and in a state to astonish the waiter and pay the bill.’

      Here, Bella is flat out saying that now that she has experienced a life in which money is abundantly present, she does not want to imagine a life without that security. And blatantly speaking, she does not care what her Pa thinks of that, or anyone else for that matter. She explains that she would like to marry for the money; I think this was symbolic to the title of the chapter, "In Which an Innocent Elopement Occurs". The elopement isn't necessarily a physical elopement in terms of marriage, but rather a psychological elopement of Bella's new mindset to her own realizations. It is ironic because it is titled as an "innocent" event, but this situation would be thought of as the opposite. At least by the majority of people.

  3. Feb 2021
    1. Mr and Mrs Boffin sat after breakfast, in the Bower, a prey to prosperity. Mr Boffin’s face denoted Care and Complication. Many disordered papers were before him, and he looked at them about as hopefully as an innocent civilian might look at a crowd of troops whom he was required at five minutes’ notice to manoeuvre and review. He had been engaged in some attempts to make notes of these papers; but being troubled (as men of his stamp often are) with an exceedingly distrustful and corrective thumb, that busy member had so often interposed to smear his notes, that they were little more legible than the various impressions of itself; which blurred his nose and forehead. It is curious to consider, in such a case as Mr Boffin’s, what a cheap article ink is, and how far it may be made to go. As a grain of musk will scent a drawer for many years, and still lose nothing appreciable of its original weight, so a halfpenny-worth of ink would blot Mr Boffin to the roots of his hair and the calves of his legs, without inscribing a line on the paper before him, or appearing to diminish in the inkstand.

      I enjoyed the vivid language and descriptions in this paragraph. I feel like it goes to show that the Boffins had a more simple/modest, and happier life before the money came into their lives. The wealth has definitely increased their amounts of stress, and made them more stressed than they were beforehand. Mr. Boffin would much rather relax after his breakfast with his wife, but instead his outside circumstances have him reading over business papers that he does not show very much interest in paying attention to.

    2. ‘It has not been a fortunate name for me,’ said Bella, colouring—‘or at least it was not, until it led to my being here—but that is not the point in my thoughts. As we had given the name to the poor child, and as the poor child took so lovingly to me, I think I should feel jealous of calling another child by it. I think I should feel as if the name had become endeared to me, and I had no right to use it so.’

      This paragraph really stood out to me because I have the same views on this topic of names. Personally, when I have a bad experience or relationship with a person by a particular name, that name will always remind me of the bad times I had. For instance, I cannot date someone who has the same name as my most recent ex because of how badly it ended. However, I could be friends with a coworker who has that name. I understand where Bella is coming from when she speaks on this topic.

  4. Jan 2021
    1. ‘No. Has a dead man any use for money? Is it possible for a dead man to have money? What world does a dead man belong to? ‘Tother world. What world does money belong to? This world. How can money be a corpse’s? Can a corpse own it, want it, spend it, claim it, miss it? Don’t try to go confounding the rights and wrongs of things in that way. But it’s worthy of the sneaking spirit that robs a live man.’

      I think that the rhetorical questions Gaffer is stating here might have a lot to do with the overall themes included in OMF. His stern answer at the beginning of this dialogue gives me the assumption that he is a man of virtue and wants to put on a good front while his daughter is present.