12 Matching Annotations
  1. Oct 2018
    1. potatoes bubble vigorously, the aroma of the roast knocks at the door,

      This reminds me of Saturday night dinners with my family. Me, my younger, and my older brother would go with our parents 10 minutes away to our grandparent's house. Driving up the winding, disorienting, steep hills, we would shove one another out of the car, running into the warmth of the summer, occasionally being hit by brisk shards of wind. The sky would be a drunken fuschia-tangerine, and a blast of radioactive heat would ignite out skin as we ran into the kitchen to see our grandparents. My Grandma, Opal, would be cooking in her apron; multiple bubbling pots with crusted foam on the electric stovetop and an oven, red-handed culprit of the heat, as she fanned herself with a crossword book. The sweet, meaty smell would fill our nostrils as we raided the fridge in search of milk, strawberry syrup, and what types of ice cream were in the freezer. Naturally, we weren't allowed passage to the rest of the house without being covered in kisses. We would then go over to my Grandpa, 'Paca'. He was always in his reclining, brown leather chair that was lined with silver, small circular metal buttons, hands across his belly as he sat contentedly. We would crawl into his lap. He would look down beyond his mustache and spectacles as we rattled away at his shirt pocket, squealing at the sound of, "tsk tsk tsk!". "Can we have a one-zie, Paca?!" He would laugh, only air escaping from his nose, and smile underneath his silver facial hair, "Oh you like those, huh?". "Yes, Paca." He would then remove them from his light blue shirt pocket and hand us the plastic container of "One-zies", allowing us to dispense a sweet, orange oval of taste. Usually, we would take 3 or 4. "Thank you Paca."

      After, we would sit and have various dinners as a family, but one my Grandma would sometimes cook was Pot Roast with potatoes carrots, and onion. This is what the section reminded me of. This was my experience/a memory I had from this section.

    2. murder it: the knife sinks into living flesh,

      Part 2/3. This area and a dozen lines down are very violent images. I think this gave me the strongest reaction while reading because "murder it" and "child of the olive" are essentially deaths. The tomato becomes a sacrifice almost. Then, we are contrasted with "happily, it is wed". Is it happily? It was just murdered, and now it is happily wed? I don't really understand this juxtaposition aside from perhaps the flavors compliment one another or that perhaps the tomato was okay with being murdered? But is murder really something that someone consents to? I liked that this section challenged my thinking and brought it to a weird place.

    3. In December, unabated, the tomato invades the kitchen, it enters at lunchtime, takes its ease on countertops, among glasses, butter dishes, blue saltcellars.

      This is part 1/3 that I've selected. I like this section since it seems to contrast the beginning and the end. Both the beginning and the end deal with summertime, and in this section it references December, which is the opposite. It talks about how the tomato is not really anything more than a common ingredient within the house, and it is used in salads, and is scattered about. I feel this idea of the tomato occupying space is something I can relate to and imagine from personal experience. Also, tomatoes are in a lot of foods, so I relate to the idea of "invading". The tomato seems passive to me here, and it is more active in the "summer" sections.

    4. The street

      My initial reaction was that it had a lot of descriptive words that appealed to the senses in addition to adding a layer with time. Also, it had some very violent imagery. Some of the things in the poem I feel have geographic or cultural significance and - since I have no experience with them - I feel like I'm missing a layer of the poem.

  2. Sep 2018
    1. They forgot who was dying, who was already dead

      Is this to say that the son was already dead (without hope of recovery) since he was so deep into substance addiction? I wonder if the parents were the ones dying, and the son already dead, or if the parents were already dead and the son was dying? Maybe it was neither? Unsure, but I would guess that the parents were dying while the son was dead.

    2. My parents crossed fingers   so he’d never come back, lit novena candles so he would.

      Why did the parents keep trying to help their son if he did not want to help himself and was actively fighting against their efforts?