- Oct 2015
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openspace.sfmoma.org openspace.sfmoma.org
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Here is an original copy of the first web page ever.
That is just cool.
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www.dichtung-digital.org www.dichtung-digital.org
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In 1952, in Manchester, computing pioneer Christopher Strachey created a love letter generator (Wardrip-Fruin).
This reminded me of Orwell's "Versificator" in 1984. He writes, "The words of these songs were composed without any human intervention whatever on an instrument known as a versificator. But the woman sang so tunefully as to turn the dreadful rubbish into an almost pleasant sound."
Orwell doesn't seem to hold out much hope for machine generated literature, but I wonder how far off that is from something like Camel Tale that randomly remixes 30 years of Metallica lyrics: http://thefwordsrt.appspot.com/cameltail.html
And yet, the randomness of Camel Tale is surprisingly compelling.
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Google’s Ngram viewer
Oh man, I could spend hours with this toy from Google, mashing up sociology and literature. I had forgotten about this! https://books.google.com/ngrams
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dtc-wsuv.org dtc-wsuv.org
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"literary works created with the use of a computer for the electronic medium such that they cannot be experienced in any meaningful way without the mediation of an electronic device"
I wonder if this includes something like the opera "Death and the Powers" (http://opera.media.mit.edu/projects/deathandthepowers/).
I first read the book of the opera in Poetry Magazine where the experience was anything but e-lit. Still, the performance includes robot actors, which seems like e-performance or e-theater. Is it worth making a distinction between e-lit and e-theater? Is there such a thing as e-theater?
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eliterature.org eliterature.org
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growing audience that reads
As someone who works in publishing, I'd be curious to hear more details about the market for e-lit.
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