it is the glitch itself that enables us to see thegesture: the hidden human figure at work
keyword - hidden
it is the glitch itself that enables us to see thegesture: the hidden human figure at work
keyword - hidden
aesthetic
humanizing the often inhumane, technical, non-human digital
the errors reveal thesupporting acts that have rendered this screen content visible
theres depth and importance in the 'glitch' "The glitch is often dismissed as an error, a faulty overlaying, but, liberation can be found within the fissures between gender, technology and the body that it creates. The glitch offers the opportunity for us to perform and transform ourselves in an infinite variety of identities."
scholars who depend on Google for access
again, we're at the mercy of tech companies for vital things
Google Books Project was heavily criticized for its potentialcopyright violations
so many tech companies act under the moto of break things, but that is so destructive and reckless to the people who are undeniably harmed and forgetting in the breaking process
discern not only the invisibility of labor itself, but we also demarcate thecontradictions between those who operate the system and those to whomthe system belongs
the labor isn't often discussed or credited in the final product; its not even thought of
materiality and physicality
material/immaterial
subordinate
similar to the exposure of colonialism on colonies ad structural racism on POC or patriarchy with women
Just seeing new things can trans-form historians’ arguments more immediately
the power of seeing what else is out there
to search and minutes to read
true, but at a slight loss for in-depth critical, close reading and analysis
radically reduced the cost of discovering information
cost reduction is a huge element regarding whether or not 'something' becomes adopted and saturated
But peripheral vision was prohibitively expensive
I think this is still the argument being made across academia - that peripheral vision, intersectionality, transnational, expansive, cross/multi-disciplinary research is expensive, difficult, not worthwhile with little benefit or relevancy; I also think many academics still try to remain extremely narrowsightd and
We looked for in-formation in books we knew would have it, or in newspapers we knew would have it,or in archives we knew would have it
interesting point; we asked questions we knew we had a higher likelihood of answering/finding out/discovering; some questions were unfathomable to answer.
side-glancing and borderlessterm-searching radically change the questions we are likely to ask and the stories weare able to tell
I guess you could argue that yes, we have access to more and wonder about more and ask more because we can and we have the means to ask and search
borders are not what they used to be
yup!
measure the transformation
Yea, compared to having to own or have access to physical (heavy) dictionaires, searching online is a huge revolutionary change.
Algorithms fetch for us
...but these are black-box algorithms, meaning their code, design, and operating/sorting mechanism are unknown. Theres no way to know how the algorithms work and how they propagate search results/information
our ability toread accurately the sources we find, and evaluate their significance, cannot magicallyaccelerate apace
media literacy is still a huge issue globally
journals aremore and more expensive to store
theres a physical component to cloud storage that isn't often discussed. and yes, they're very expensive.
JSTOR begs of databases many of the same questions thatMichel Foucault once directed toward the concept of the archive. Accordingto Foucault, an archive is less a collection of texts than a system governingstatements. 4 Texts possess meanings, yes, but systems produce and delimitknowledge.
Interesting. I guess databases organize information so that some is privileged over others...by how the search engine propagates information, organizes it, and how it's tagged.
Programming Historian, offer step-by-step lessons with sample data and content for learning different digital methods, free open source software, and workflows
nice resource to remember!
Exploring the constructions and connections of place and space are important
Yes!
enable saving of social media hashtags and streams
But what about those who do not wish to be 'saved' and would rather remain anonymous and ephemeral?
#museumsrespondtoferguson
This makes me think of the Getty challenge during COVID which provoked individuals to creat their own renditions of famous works of art. They have all been collected under the Getty Museum Challenge (or a similar name). It was a great, simple way to expand the museum's walls and stay connected and in conversation.
Preserve the Baltimore Uprising to document the events of protest by those living and experiencing it in Baltimore following the death of Freddie Gray in 2015
..without projects like this, a lot of history gets lost.
Public historians are also actively trying to change understandings of American history and the shared racist, colonial, and exclusionary legacies that are made visible through current events.
Yep, and, again, things that have been deliberate erased or excluded.
Digital public history practitioners collaborate with groups outside of the academy and other formal cultural institutions to document their experiences and work together in telling their histories.
Since DH and other 'new media' scholarly fields are a bit less traditional, they seem to be more open to collaboration with those inside and outside of academia...and see the value and enriching diversity in doing so.
with dozens of contributing scholars, promotes and disseminates “scholarship on global black thought, history, and culture
Knowledge is a collective, collaborative process.
free and accessible version
I wish there was a greater emphasis and appreciation for free and accessible research in academia.
This exhibition brings together multiple kinds of sources
What a great multi-medium way to offer knowledge
online exhibition that accompanied a traveling show
I love this idea!!!!
g: links to digitized primary sources; visualizations of historical data in maps, graphs, or charts; and narrative threads
This also enables a different type of comprehension for those that need more than just text. Visualizing things requires a different type of brain muscle, that for some is never used. Including mapping and visuals offers another way to interpret, connect, and comprehend.
non-linear
This disrupts the idea that everything throughout history has happened in a linear way...it hasn't.
These efforts encourage instructors to teach and discuss difficult historical, cultural, and political topics with their students
It also can offer a new way of experiencing and connecting with topics that may feel far removed. Many students are much more comfortable navigating online tools anyways.
serious educational games requires an intense amount of technical and research resources to build and sustain as web browsers evolve and the use of mobile devices continues to increase
Yes, it's worth noting that this is a difficult task and there isn't always equal access and literacy with these new tools.
Students using the website quickly learned
Gamefying history isn't without its criticism, but gamefying experiences and history certainly can help students learn.
building inclusive and synthetic teaching materials
Yes, not all history has not been represented or conveyed properly. Its important that we recognize this and start to rectify it.
Open Educational Resources (OERs)
I work with OER resources. I highly recommend the cyber citizenship initiative for media literacy resources.
These early contributions influenced how curators shaped their interpretative priorities and helped them build their physical and digital collections.
Its important that curators recognize the value in these online contributions and see them as a way to expand their walls, what's being exhibited, and how they collab/communicate with communities and the public.
Motivated by the potential to expose and document voices from underserved and under-heard communities, individuals and organizations gravitated to the Web to harness the power of computers to collect, analyze, and present digitized data.
This makes me think of the Back feminist archive and the Black Trans archive...2 archives that weren't conceptualized until Black folks had the access and opportunity to do so.
Genealogists, collectors, and enthusiasts benefited from these collections, and the Web provided a means for them to share their passion and connect with others.
Digital tools/computers offer up entirely new affordances to different people, in different ways. They also allow for new ways to collaborate.
Using computers to assist in both historical analysis and the sharing of historical narratives is not new.
I think this is a key point - that these 'methods' we often define as new and emerging, are usually being re-purposed, re-used, and a re-emerging. The methods and technologies often evolve over time and dont just appear as entirely 'new' things.
inclusive histories with broad audiences
Those that do have access to digital tools are able to share and connect with safety for the communities that need anonymity. People are also able to create content outside of the exclusive, elitist requirements/prerequesties/conformity of the 'mainstream.'
share marginalized or silenced voices
I agree, but it is important to note that many 'marginalized' voices still do not have equal access to digital tools, including ownership, access, and literacy (regarding use) of these tools. The digital divide is still an issue faced by many communities. This sentence is taking a strong techno-optimistic (tech savior) stand point that can be very dangerous. Technology alone cannot 'fix' marginalization. While it can help rectify some acts of marginalization, it can also create (and has created) deeper divides and disparities.
analyzing patterns in data and offers means to visualize those patterns
To me, analysis and visualization are two important part of digital history and digital humanities work. Moving beyond interpreting history using digital technologies, narrating and converting a story (and the data) is an important part of digital history/humanities work. As stated in the sentence above, technology is an integral component.