23 Matching Annotations
  1. Apr 2021
    1. Determined to be noticed, they invert traditional monumen-tal forms such as obelisks and stelae or tease with an act of disappearance

      This reminds me of Maya Lin's Vietnam Veterans Memorial

    2. The entire house is built as a fragment of a colossal column, implying the imaginary presence of a gigantic temple that has since collapsed in ruin

      Would love to learn more about this house - I've never seen anything like this

    3. One of the most exhilarating and iconic airport designs ever produced, its layered metaphors conjure an elegant raptor just before flight, and a weightless sense of soaring.

      The design of the airport seeks to replicate the feeling of flying, which is what the building facilitates - I wonder what it would be like to design an airport that goes against its purpose (eg creates a sense of groundedness instead)?

  2. Mar 2021
    1. “The slab is perhaps the most ubiquitous and yet under-appreciated of all structural elements.

      I never think about slabs so I definitely want to come back to this passage

    2. Eventually, columns began to become more objectlike, and arches

      I feel like columns are one of the most versatile architectural features - "objectlike" feels like a very apt description

    3. a work can either emphasize or deemphasize their significance through what it chooses to call attention to.

      Architecture can emphasize and illuminate or cover up aspects of a site

    4. with mirrors and windows placed in unexpected places and nearly invisible to adults.

      I would love to see these elements; I think design can be really fun in situations like this

    5. The architect must be able to empathize with those potential users of a work, to try to see through the eyes of others

      I think this relates to the issues that arise because of architecture's lack of diversity - when almost all architects (and their teachers etc) are white men, they inevitably tend to fail to recognize the needs of users different from them. Diversity in architecture should result in better spaces for everyone

    6. Some codes even determine the color, style, and exterior materials that are permitted when building in a specific location

      This concept always interested me - are there places where it is it helpful to have codes about aesthetics, or is it always just a creative damper? Ex. I have family who live in a suburb with strict rules about this and I see the point, but it also seems kind of depressing not to even be able to paint your house a fun color

  3. doc-08-2c-apps-viewer.googleusercontent.com doc-08-2c-apps-viewer.googleusercontent.com
    1. Here, the architect is no longer the maker, per se, but the choreographer of processes that result in architectural form.

      This is an interesting point - I don't know if I agree/maybe I don't understand it fully. Do you really occupy a different role just because you made a sketch in CAD rather than by hand?

    2. Hadid’s famous paintings study the effects that luminosity, kinetic motion, the integration of contextual networks and forces, and parallax vision can all have on the design’s developmen

      would love to learn more about these paintings/this process

    3. While some contemporary computer graphic programs attempt to duplicate the flexibility of tracing paper,

      I wonder which programs try to replicate this - personally have used Rhino but I don't think it works like tracing paper

    4. Ultimately, the collection of conceptual sketches throughout the design process forms the diary of a project,

      Importance of iterations, continual work on 1 project over time rather than reinventing constantly

    5. The original concept sketch

      I love this house - how it's transparent on the bottom and more solid on top - it feels like a reversal of usual design/physics of making something stand up

    6. In order to have a productive value, an architectural concept should eventually result in an observation that can be shared with a larger audience. And, while intrinsically an abstraction, a concept also differs from an idea in that it has an obligation to suggest an image or a thing, since it must inevitably lead to a constructive proposition.

      Really interesting - I've never seen concept defined in this way

    7. architect. Therefore, whenever one analyzes a work, one is essentially coauthoring that work.

      This is really interesting to me - I definitely want to keep this idea in mind as we go through presentations in class.

    8. Analysis is the process of exploration and discovery with which an architect not only develops a familiarity with the assumptions, expecta-tions, and conditions that are given, but subsequently establishes the critical framework of the problem, the conceptual lens through which all design decisions are subsequently made

      This description of how a project starts with analysis of given conditions makes me wonder about the process of designing something more conceptual, or designing for fun - how is it different to design a building as a hypothetical? Should you focus only on form and ideas, or create given conditions for yourself as you go?

  4. Feb 2021
    1. Analysis is the process of exploration and discovery with which an architect not only develops a familiarity with the assumptions, expecta-tions, and conditions that are given, but subsequently establishes the critical framework of the problem, the conceptual lens through which all design decisions are subsequently made

      This description of how a project starts with analysis of given conditions makes me wonder about the process of designing something more conceptual, or designing for fun - how is it different to design a building as a hypothetical? Should you focus only on form and ideas, or create given conditions for yourself as you go?