from underneath the broccoli,
refers to a tree
from underneath the broccoli,
refers to a tree
his torn-out, bloodied feathers drift down;
the language used here is very harsh and violent
A rooster gloats
This line and a few of the following lines show how much the rooster affects in the town.
Deep from protruding chests in green-gold medals dressed, planned to command and terrorize the rest,
Shows how the roosters act
gun-metal blue dark
I love the descriptive language she uses
Each night he must be carried through artificial tunnels and dream recurrent dreams.
It seems as though his dreams are never fulfilled. He never seems to reach his ultimate desired place.
Then he returns to the pale subways of cement he calls his home.
He seems alienated here
falls back
He falls back in fear of the unknown
although occasional, visits to the surface,
This kind of alludes to the Man-Moth existing between two worlds
Be careful with that match!
seems concerned because of how dirty the station is and how easily it can ignite
Do they live in the station?
inquiring about this family at the gas station
greasy sons
describing the sons as "dirty" like the station
glistening armadillo
The armadillo image and rabbit image seemed to show survival
Last night another big one fell. It splattered like an egg of fire against the cliff behind the house. The flame ran down.
These few lines showed so much destruction. Man-made destruction since it came from the "illegal fire balloons".
frail, illegal fire balloons appear.
I love the imagery that Bishop uses throughout this piece!
The Universe, cleft to the core, Lay open to my probing sense
These lines made me think that she was very curious and was in search for something.
stood
I really loved the rhyme scheme she used in this piece. As a reader, it flowed so effortlessly.
I think I should have loved you presently,
This line is used as a title in another piece by Edna St. Vincent Millay. I think it's interesting that she also placed it here.
It's little I care what path I take,
I felt this piece was explaining the desire that she had to go places. She did not really care where she was going, but she did not want to stay stagnant.
Where certainly none will follow after.
This line alluded to the fact that where she stayed was somewhere that no one would want to be. This kind of gave this sense of loneliness or solitude.
Now that I have your face by heart, I look.
I loved the repetition of some form of this line! I think it was a great way to structure this piece and move the reader from one stanza to another.
Lagooned in gold,
This poem used so much description which made it so beautiful even though a lot of it sounded kind of sad or aggressive.
The motionless storm-clouds mass their sullen threats, Like an advancing mob in sword-points penned,
Some of these lines were quite opposite from what I expected when I read the title of this piece. These two lines made the sunset sound almost aggressive.
My dogs will push their noses into your hand,
Lowell does a really great job using imagery in her pieces. As I read this poem, these scenes that she is reminiscing on I could envision in my mind. She is able to use language in a way that allows the reader to feel as though they are seeing exactly what she describes.
What will it be like for you then?
I felt this line demonstrated the intimacy of this piece because it seems as though she is directly talking to someone. I felt as thought she is continually reassuring this person that life will continue as normal when she passes.
But you will not be lonely, For these things are a part of me.
Throughout this piece she is reassuring her loved ones that they will be okay when she dies. She says that these external things have become a part of her and will always be there after she passes.
You stand poised In the blue and buoyant air,
I felt as though Lowell is admiring someone she really loves here. As she stands on the sands where she is anchored to the earth, her beloved rises to a more exalted state. This image is much like the one in Botticelli's painting of Venus' birth.
Was Botticelli’s vision Fairer than mine;
I read this piece before looking at the painting by Botticelli and was able to envision what this painting must have looked like. Once I saw the actual painting, I was really surprised the similarities between what I read and what I saw in the painting. That insight really proved to me how well Lowell is able to use imagery in her pieces.
colour of water falling through sunlight;
I really enjoyed this piece because of the imagery that Lowell uses. She incorporates nature so effortlessly and is able to give this poem a lighter attitude despite the war surrounding her. I felt the first few lines gave this poem a magical ambiance as she describes this particular afternoon.
Some day there will be no war,
The events of history around September 1918 were filled with war and turmoil throughout the world. The first half of this poem describes how Lowell sees an afternoon in a world without war. She describes it as very joyful and peaceful. The second part describes how she can only "gather it" now due to the war occurring at the time.
Encounter
I thought this was a beautifully written piece! I loved how Sarton used natural elements and intertwined this love story into them. I also noticed a few switches in emotions. A line that stood out to me was, "The delicate delight of that first kiss" (14). The use of simple language really embodied the nervous, but excited emotions of this important life event.
Where the Grasses
I thought this piece was really sad. Sarton is explaining the natural land that was in a sense destroyed by the farmers. The first two lines are repeated in the last two lines which I felt was Sarton emphasizing how the land originally was. A line that really stood out to me was, "The young shoots of a different kind of planting" (236). Instead of the native grasses growing, the farmers are growing crops on the land.
But is creation itself like the growth of a tree.
I really love the metaphor Sarton uses to compare how happiness grows and how a tree grows. We cannot see the roots or the rings growing in a tree, yet we can see the overall outward changes. Sarton explains how happiness grows invisibly in a person, but what is seen is the outward expression. I had never really thought about happiness in this way. It also made me think about how other emotions grow within individuals.
Dear March - Come in -
This piece reminds me of a dialogue between the narrator and March. Dickinson uses personification when referring to March. The tone of this piece is very different from many of the other pieces we have read by her. It is much more light-hearted and even humorous. Her use of language and imagery also caused me to envision this conversation happening in person.
It makes the parting tranquil
Dickinson talks about how her death will be peaceful due to the world continuing to function when she is gone. This piece is one that really depicts how "death-obsessed" she truly was.
As it has usual done;
In this line Dickinson discusses how life will continue even if she were to die. She seems comforted knowing this.
forget
Dickinson is trying to learn how to forget throughout this poem. However, she is not able to find an answer after searching for ways and places to learn how to forget. Most people want to remember things, but I assume there are specific things in Dickinson's past that she is trying to forget.
And I, and Silence, some strange Race
I think here she is referring to how her insanity has separated her from other human beings. She has become a part of "some strange Race" as insanity takes over.
Funeral
I think Dickinson is referring to the death of her rationality. This piece follows her journey from sanity to insanity.
Men eat of it and die.
I felt this line highlighted how dangerous fame/power can be. Many who become famous or gain a sense of power become completely consumed by it. There is this death of their old self as fame/power births a new person in a sense.
Fame is a fickle food
This line reminded me of fame today. It's constantly changing as trends, society, and people change.
The throbbing stars return, why should not he? Why ever float upon the restless sea? Open thy heart, love, let me fly to thee!
I felt the tone of this poem seemed sad and lonely. These last few lines seem as though the speaker is missing something or in search of something.
I watch the crimson maple-boughs; I know by heart each burning leaf,
The "crimson" here is referring to the bloodshed on the battlefield. The "burning leaf" is referring to the lives that are lost.
THE fire of freedom burns, Her flame shall reach the heaven;
These lines really reminded me of the Statue of Liberty how her torch reaches towards the sky and how she is a representation of freedom. This ties in with women being empowered to do things that were not socially acceptable at the time.
Yet thou, dear shepherd, still art shepherding thy flock.
I understood this poem to be referring to a strong leader (the Shepard) that is influencing and guiding a large following and doing so even after death.
I saw the child beside the pane Still gazing on the clouded sky; Her solitude was mine again, And mine her agony.
The somber tone throughout the piece comes together at the end in this stanza. This piece had a very dark and morbid feel through the language that is used. I especially felt this in the lines, "She watched him till the arms of death / Laid her upon the earth's calm breast."
I WAKENED to the singing of a bird,
This piece really shows Annie Fields' love for nature. Not only this piece, but in many others I saw this consistent connection with nature.
The pine and birch and maple throng And join with waving head.
Here she is using personification with the trees. She uses a lot of personification with nature in this piece.
The friends stopped again -- poor, short-winded bodies -- on the crest of the low hill and turned to look at the wide landscape, bewildered by the marvelous beauty and the sudden flood of golden sunset light that poured out of the western sky. They could not remember that they had ever observed the wide view before; it was like a revelation or an outlook towards the celestial country, the sight of their own green farms and the countryside that bounded them.
These lines really display Sarah One Jewett's use of imagery which immediately painted a picture in my mind. I believe her use of imagery really shows the connection she had with nature.
"Another winter we can move down and take the bedroom ourselves -- 'twill be warmer for us," suggested Hannah; but Betsey shook her head doubtfully. The thought of their old father's grave, unwatched and undefended in the outermost dark field, filled their hearts with a strange tenderness. They had been his dutiful, patient slaves, and it seemed like disloyalty to have abandoned the poor shape; to be sitting there disregarding the thousand requirements and services of the past. More than all, they were facing a free future; they were their own mistresses at last, though past sixty years of age. Hannah was still a child at heart. She chased away a dread suspicion, when Betsey forbade the wood, lest this elder sister, who favored their father's looks, might take his place as stern ruler of the household.
These lines show some internal conflict of Hannah and Betsey. They are finally free from their father's requirements, but the years of being "patient slaves" still remains. They feel uneasy about their father's grave in the dark without anyone to watch it, while they sit in the warm light.
Neither of the brothers ever married, and both died years ago. Dick is buried by Jenny Garrow's side.
These last two lines were really dark and sad. The dishonesty of Jenny years ago led to both of the brothers dying unmarried. This story was very morbid and shows how dishonesty can affect lives for years.
"For Heaven's sake, William Tyler, where did you come from?"
The reappearance of Will after he was thought to be dead was startling. I don't think he thought his disappearance would have led to such turmoil for other characters.
And she said, "Jenny died of the fever a week ago yesterday." And of course I cried dreadfully.
Jenny's death is kind of karma for her actions earlier in the story. Although this is morbid and dark, we see that the dishonesty of this character only led to her unfortunate death.
"O, don't tell; but I'm thinking all the time of poor Dick Tyler, Margy. I always liked him best, and the reason I went with Will was half to plague him, and half to see if he really did care for me, or would be off after some other girl. Do you know - that night Phebe Haiton was married, I watched the Tylers just as you did, and I hoped Dick would get there first; and when Will came in at the door, I was right in the window by it, and he saw me, and asked me if I would go with him to the wedding I said "Yes," for I didn't want him to know I was watching them; and besides, I thought that Dick wouldn't come and ask me then, so I went with Will, and I've never been happy since that awful time, and poor Dick in prison till he dies! O Margery!" And she cried more and more. "If I could only see Richard Tyler, and tell him how sorry I am -- for it was all me, you know!"
These lines were really heartbreaking as Jenny realizes that she is the reason for Dick's life sentence and Will's supposed murder. She expresses that she always liked Dick and only went with Will as a "test" to see if Dick was faithful and devoted to her. However, her actions just caused suffering for everyone.
We had still more than three miles to drive over a lonely part of the road, where there was scarcely a house, and where the woods had been cut off more or less, so there was nothing to be seen but the uneven ground, which was not fit for even a pasture yet. But it was not without a beauty of its own; for the little hills and hollows were covered thick with brakes and ferns and bushes, and in the swamps the cat-tails and all the rushes were growing in stiff and stately ranks, so green and tall; while the birds flew up, or skimmed across them as we went by. It was like a town of birds, there were so many. It is strange how one is always coming upon families and neighborhoods of wild creatures in the unsettled country places; it is so much like one's going on longer journeys about the world, and finding town after town with its own interests, each so sufficient for itself.
The way she describes the environment in these lines shows the appreciation of the small things. Most people driving through this setting would only notice the desolate land, but she describes the little populations of wildlife that make their living here.
I remember there was a thin mist over the sea, and the air was almost chilly; but, as the sun came up, it changed the color of every thing to the most exquisite pink, -- the smooth, slow waves, and the mist that blew over them as if it were a cloud that had fallen down out of the sky. The world just then was like the hollow of a great pink sea-shell; and we could only hear the noise of it, the dull sound of the waves among the outer ledges.
The use of imagery here paints such a lovely image in the reader's mind and helps the reader to connect to the piece.
I knew him better soon after that. I used to go out with him for lobsters, or to catch cunners, and it was strange that he never had any cronies, and would hardly speak to the other children. He was very shy; but he had put all his heart into his work, -- a man's hard work, which he had taken from choice. His father was kind to him; but he had a sorry home, and no mother, -- the brave, fearless, steady little soul!
I thought these lines were really sad in a sense as we see how Georgie shut himself out from the world as a way to cope with the death of his mother. However, he put his sadness into the passion of fishing.