27 Matching Annotations
  1. Dec 2020
    1. For I am all the subjects that you have,Which first was mine own king:

      This line shows the colonization-like actions of Prospero in relation to Caliban, supported by Prospero's next line "thou most lying slave." He refuses to admit that he was wrong in taking over the island and enslaving Caliban.

    2. and then I loved theeAnd show'd thee all the qualities o' the isle,

      This line really highlights the colonizing nature of Prospero to both Caliban and the island. After attempting to be helpful and kind, Prospero captures and controls him. At the same time however, it is impossible for me to think of Caliban as innocent as he tries to rape Miranda, even though I understand that Shakespeare wrote it that way to dehumanize Caliban. It reminds me of Othello, because even though he was punished and manipulated because he was black, he still murdered his wife. Looking through different lenses helps to remove the action from what we think is the author's intention.

    3. Do you love me, master? no?

      To me Ariel seems to have some sort of Stockholm syndrome, as Prospero set him free but he is still captive to Prospero, and at the beginning of the play Ariel seemed mad at Prospero for keeping him longer than he promised, but throughout the play becomes more and more obedient and loving, as we see in this line. He is not only doing his tasks, he also wants Prospero to love him and care for him.

  2. Nov 2020
    1. I boarded the king's ship; now on the beak,Now in the waist, the deck, in every cabin,

      Ariel reminds me a lot of Puck in Midsummer. He narrates what he is doing and what the characters are doing, and uses magic. He is also serving a master (like Puck serving Oberon) but seems to have a lot less freedom within their relationship. This could show a different side of magic than we see in Midsummer, one with less agency and more aggressive control on the part of the magician.

    1. No, truly not; although, until last night,I have this twelvemonth been her bedfellow.

      This line shows a lot of Beatrice's character as she is very outspoken even while her father is threatening to kill her sister. Similar to Emilia she defends another woman, but unlike Emilia she does it immediately before the lie gets out of hand and she is punished. However the main reason Leonato believes her is because a man, the Friar, speaks up.

    2. First, who think you the most desertless man to beconstable?

      Dogberry is a very interesting character as he plays both the Rustic and the Fool. He messes up words all the time but at the same time he has power through the law and uses it correctly to fix misunderstanding and manipulations at the end of the play.

    3. Of what, lady? of speaking honourably?

      I feel like we focused a lot on how Beatrice goes against gender norms in many ways, especially how she speaks, but in this scene we get to see Margaret also speaking in a very "unladylike" manner that would probably not be tolerated if men were in the room. This also seems to highlight the purity and conformity to norms that Hero represents.

    4. and partly to save your life,for I was told you were in a consumption.

      I feel like this conversation, and especially this line, really show that Beatrice and Benedick do fit well for each other and love each other. The part of me that is reading this with a Shakespeare view of the world sees this as completeting the goal of "fixing" the two lovers who didn't want marriage, the current day me really enjoys how well they fit together and does think they love each other. This is one of the first plays to make me actually care about a couple.

  3. Oct 2020
    1. None, but your beauty: would that fault were mine!

      This entire exchange between Helena and Hermia, while not full of innuendos, still show the intimate relationship they had together growing up. What could be seen as Helen being jealous also shows that she still thinks Hermia is beautiful and perfect.

    2. The king doth keep his revels here to-night:Take heed the queen come not within his sight;For Oberon is passing fell and wrath,Because that she as her attendant hathA lovely boy, stolen from an Indian king;

      Here we see Puck playing the role of the Fool and the chorus. He is giving the audience exposition and explanations on what is happening and what to focus on going forward. Same as the fool, he rhymes and is very mischievous and can mock or make fun of other characters.

    1. Pluck out his eyes.

      I feel like this moment shows a point of no return for Cornwall and Goneril. Before this they were doing much more harmless things that seemed motivated by money and a dislike for their father. However plucking out someone's eyes showed a turn for me in their true motivations and how deep their greed and need for power runs.

    2. Then, I prithee, be merry; thy wit shall ne'er goslip-shod.

      The Fool uses the word wit multiple times, to me alluding to the fact that the King continuously almost gets his wits back and realizes what he is doing, but keeps falling short. The Fool seems to be trying to get him on track and start focusing but he cannot seems to get him back to his normal self.

    3. This cold night will turn us all to fools and madmen.

      The Fool is a very interesting character to me, as he seems to the be one of the only character in any Shakespeare play I have read who is completely honest and blunt. I think he adds a lot of not only humor but commentary on the characters. For example in this scene he keeps explaining why Lear is a fool for giving away his money.

    4. Nothing will come of nothing: speak again.

      Very early in the play we see the need to control women, especially by their father. This continues throughout the play, however in this one we see a flip in the power dynamic with the daughters gaining control over their dad and using him for their gain. We also see the women have power with their husbands, and it seems to me like they are more equal in the relationship.

    1. I will chop her into messes: cuckold me!

      This line really emphasizes the fact that a man being cuckolded is the worst thing a woman can do to him, as it shows that a husband can not keep his wife from disobeying him. Othello embodies the anger and violence held against wives in this time.

    2. I will not charm my tongue; I am bound to speak:My mistress here lies murder'd in her bed,--

      Both Desdemona and Emilia are very "good" wives- obedient and quiet. However this is a huge power flip moment in the play for Emilia. This entire scene she is not only actively going against her husband, she is also yelling at Othello, a man and a man of power, about how terrible she is. Like we discussed in class, I was definitely rooting for her in this moment. Not only is she flipping the power dynamic, this is the first time in the play someone is actually communicating and trying to tell the truth.

  4. Sep 2020
    1. I am one, sir, that comes to tell you your daughterand the Moor are now making the beast with two backs.

      This seems to me like Iago fearing the "otherness" of Othello. If Othello can marry a white woman and have power over her, that is a threat to the other men who have less power. By bringing Desdemona's father into the equation, Iago is trying to take power away from Othello.

    2. O heaven! How got she out? O treason of the blood!

      The way the other characters view Othello is very strange to me, as people seem to hold very opposite opinions on him at the same time. He is an amazing leader in the military who is respected, but at the same time the fact that Desdemona is married to him is the same level as her throwing away her life with her family.

    1. By Jove, I am not covetous for gold,Nor care I who doth feed upon my cost;It yearns me not if men my garments wear;Such outward things dwell not in my desires:

      Henry V is really trying to put himself in the same space as the soldiers by saying that he does not care about gold or clothing or fancy things, all he cares about is honor and his "brothers". This seems disingenuous to me, as many other times in the play we see him bargaining for gold, or starting a war just for his ego so he can say he is ruler of France.

    2. La main? elle est appelee de hand.

      The very first scene with Katharine is completely focused on her body as she learns english words for different body parts. This gives us the information that her character is going to be boiled down to objectifying her body, by Henry V but also by the French King and Burgundy as they basically trade her to Henry V.

    3. As young as I am, I have observed these threeswashers.

      This soliloquy by the Boy, and the Boy in general, seems to represent the common man in England. He is not part of royalty, he is not a true soldier, nor is he a criminal or a traitor. His perspective is unique from everyone else's, and we get to see how war affects people aside from royalty.

    4. We are no tyrant, but a Christian king;Unto whose grace our passion is as subject

      This quote is meant to show the growth of Henry V throughout his life. Since Shakespeare wrote plays about the King's father, which showed Henry V as a very immature and impulsive person, this line shows the audience how mature and "fair"of a leader (except for the bloody wars) he has become.

    1. Look, whom she best endow'd, she gave thee more;Which bounteous gift thou shouldst in bounty cherish:     She carv'd thee for her seal, and meant thereby,     Thou shouldst print more, not let that copy die.

      Giving away beauty means not being selfish, and the last two lines are saying, again, that the person's beauty will live through his writing.

    2. That use is not forbidden usury,Which happies those that pay the willing loan;That's for thy self to breed another thee,Or ten times happier, be it ten for one;

      Uses a lot of repetition of word within these sentences such as " use/usury" "that/that" and ten 4 times throughout the sonnet. Use and usury could be the greed that he writes about a lot, and emphasizing the number ten- calling the person a "10".

  5. Aug 2020
    1. Where wasteful Time debateth with decayTo change your day of youth to sullied night,

      "Wasteful", very similar to greed, takes away beauty and youth until the one he loves is "sullied" and "decayed".

    2. Make sweet some vial; treasure thou some placeWith beauty's treasure ere it be self-kill'd.

      This sounds like he is saying that beauty needs to be stored some place before it inevitably diminishes from the world and the person.

    3. Beauty o'er-snowed and bareness every where:

      Shows his common theme of greed, with beauty being too much, leading to bareness (aging and winter) due to greed.