75 Matching Annotations
  1. Mar 2024
    1. marketable histories

      Well isn't this an interesting idea. Of course, there has to be some social or monetary profit associated. You have always got to have a good story because creating 'marketable' content for the masses is what really matters.

    1. Search engines have come to play acentral role in corralling and controlling the ever-growing sea ofinformation that is available to us, and yet they are trusted more readilythan they ought to be.

      This is so true. It is so easy to become reliant on something and then come to trust it simply because it feels familiar.

    2. Figure 1.1. Memac Ogilvy & Mather Dubai advertising campaign for the United Nations.

      This is so cool! I love these types of creative commentaries to raise awareness and get people to assess their own assumptions.

    3. Itsuggests that what is most popular is simply what rises to the top of thesearch pile.

      I cannot say that I am totally surprised. It is truly shocking the conversations I have overheard while at UNBC. Sometimes students are speaking "jokingly" but the subjects are not funny. Other times I have been sitting in the cafeteria and overheard loud homophobic and transphobic conversations. I have heard too many stories of guys going too far, or even just making offensive or threatening comments about women. And so often I see women just going along with what is said. This many be for any number of reasons, but internalized misogyny is one of them. I hope that my generation is getting better about ideas of equality, equity, acceptance, and general human decency, but there are still so many people who seem incapable of imagining an experience outside their own privileged bubble of narrow-minded existence.

    4. incredibly powerful nature of searchengine results

      Yeah. If these are the types of auto-complete suggestions that search engines are recommending, then how else are search engines filtering or influencing results?

    5. Women cannot: drive, be bishops, be trusted, speak in church• Women should not: have rights, vote, work, box• Women should: stay at home, be slaves, be in the kitchen, not speakin church• Women need to: be put in their places, know their place, becontrolled, be disciplined

      "women should not... wear that which pertaineth to a man" was my auto-complete suggestion.

    6. “When we came across these searches, wewere shocked by how negative they were and decided we had to dosomething with them.” Kareem Shuhaibar,

      It is very upsetting to see the same problematic suggestions for auto-completion coming up on all my browsers. I asked my friends to check the auto-complete on different browsers. Three of the five tested had problematic auto-fill suggestions why one had non-problematic suggestions and another had no suggestions.

    7. 1A Society, Searchin

      Wow, I just typed in a couple variations of "why are black women so" and "why are women so" in my browser and the auto complete suggestions NOT good. Very disturbing.

    1. The question is also linked towho is made visiblein these kinds of systems, especially where, as feministtheorists have shown, visibility itself can be a genderedconcept and practice, as demonstrated in the historicalinvisibility of women in the public sphere, for example (seeBenhabib 1992).

      Very interesting. I am taking a gender and environment class right now and we have talked a lot about the representation of the gender spectrum in different spheres. Activity online can be complicated. On one hand, being online means that you can present yourself as you wish to be seen, but given that the information you put online can end up in the wrong hands also puts some individuals at greater risk in the real world. Digital expression or community can give opportunities for the visibility of certain communities but because of the nature of online communication and community, can create distance between lived experience and online identity.

    2. Here culture isseen as data,

      Yikes. This seems very dangerous. I do not like this at all. Culture is something dynamic, evolving, and personal to people belonging to a specific culture, and I believe sacred, or at least parts of culture are.

    3. How does computation create newdisciplinary boundaries and gate-keeping functions?

      I would think that digital work would create more permeable boundaries and greater accessibility for all.

    4. take them apart and critique them – making criticalsoftware to test our ideas and challenge our assumptions.

      This type of work is important for identifying and dismantling systemic issues that continue to oppress certain people or ideas.

    5. been minimized or ignored in conventional narrativesof the Western humanistic tradition’ (Grusin 2014: 89).

      Agreed! I think there are so many exciting opportunities for decolonizing the way we tell our histories and for people who have been suppressed to their own stories in there own ways.

    6. set of practices and ways of thinking rather thana comprehensive blueprint.

      With something so complex, learning how to go about understanding and engaging in it is more important than having a specific set of instructions that do not accommodate the many variables. It is like the saying, "If you catch a man a fish he will eat for a night, but if you teach him how to fish, he will eat for a life time."

    1. n fact, many women decided not to marry rather thanhaving to endure a loveless marriage.

      Just as the speaker does in "No, Thank You, John."

    2. “individual rights

      That individual being a man.

    3. This idea of marrying forromance rather than marrying and possibly finding romance after first developed in the lateeighteenth century through the Enlightenment, and largely replaced arranged marriages by thetime the Victorian era began.

      This is a significant shift despite still maintaining strict standards for marriage.

    4. A woman provided herhusband with “emotional support”

      In Christina Rossetti's "No, Thank You, John," the speaker tells John that he can find pity and comfort in some other woman, but she is not the one. The speaker seems to feel that John is pressuring her into accepting by using his own hurt feelings to tug on a woman's social role as "emotional support."

    1. In fact, neighborhood residents are now backing an effort in the city’s legislature to create their own city and secede from Atlanta, a majority Black city. If this were to happen, it would be financially devastating for Atlanta since the city would lose an estimated 38 percent of its tax revenue.

      That would be a power move.

    2. Formerly redlined zones in the Northeast and Midwest are among the most segregated areas in the country. In those regions, a higher proportion of Black Americans live in redlined zones compared with those zones’ surrounding areas — and a higher proportion than can be found in other regions of the country.

      Digital mapping seems like a really useful tool for learning about current and historic systemic racism. It would allow you to visualize the shadow of history on the experiences of the present.

    1. These challenges are addressed at least in part through the use of metadata schema which document the characteristics of data (including who collected the data, where, when, why, and how, to the extent that such information is available).

      I guess meta data would become incredibly important the larger the volume of data. Being able to sort sort data that already has identifying markers would speed up the the process significantly. You just have to hope that the data was properly labeled when it was uploaded!

    1. Story Maps can provide a voice for groups that have been under-represented in our history books, and help bring their rich cultural heritage to life.

      The freedom and creativity also allow people to share their stories away from the standardized storytelling methods of colonizers.

    2. In “Behind Barbed Wire”, the Library of Congress pays tribute to the resilience of Japanese-Americans forcibly relocated to internment camps during World War II. The story features camp newspapers that covered all aspects of life in the camps.

      This is really interesting to me because I grew up in a community to which many Japanese families were forced to move during the second world war. Many families have remained in the community. I have of course learned more about the Canadian history of Japanese internment camps but knew very little about the history of internment camps in the US.

    3. The University of New Brunswick Libraries have created an elegant series of Story Maps called “New Brunswick Loyalist Journeys”. An introductory essay is followed by “carto-biographies” of 10 “York County Loyalists” who fled the fledgling United States after the declaration of independence. Each biography links to footnotes, bibliographies, and illustrations—also presented in the form of Story Maps.

      I love the inclusion of images and drawings in this project! This was actually really fun to scroll through. Definitely not as convenient to jump around and find information, but also a fun way of integrating writing and graphics in an engaging space.

    4. And Story Maps can help disseminate those insights to large audiences.

      It is interesting how things like 'story maps' are the sort of things I did in elementary school. It seems that for a long time, the academic journey slowly weened students off of creativity. Creativity was unprofessional and childish. I am so happy to see that creative communication and research has become more mainstream. I am sure that this type of research and work has always been around, but as a student, I have generally been conditioned towards more and more formal and uniform expression of ideas and information such as essays and reports.

    5. The democratization of knowledge through the application of digital technologies to the advancement of discourse in the humanities, broadly defined (and not restricted to the academy!).

      This is my favourite definition! Of course access to technology and the internet is still a barrier to many, we are moving towards equity. Once someone has those two things though, anything is possible. The internet is an abstract world that overlays and interacts with the physical world. The internet and digital tools allow people to learn about culture, history, science, art, and politics. It connects people and allows people to tell their own stories with their own voice. Digital humanities by this definition allows for people beyond the academic sphere to engage with the the world of data and records and stories in a meaningful and valued manner.

    6. The use of computational techniques in the humanities that would allow research that is otherwise impossible.

      It does seem that digital tools are really useful for dealing with either very large or abstract ideas. Using technology to make sense of complex data or to visualize and interact with idea is such a cool use of digital tools.

    7. The creative application of digital technology to humanities questions and data.

      From what I have learned in this course, the use of technology in the study of humanities topics is incredibly creative and diverse.

    1. “The planting dataset with the spiral is a good example ofa timeline that is functional and visually appealing”

      More circular or spiral timelines do make sense for displaying data that is connected to events that repeat in cycles. I do wonder how effective at seeing change over time clear the shape would be though, as, with the spiral, so much information could potentially overlap and become difficult to follow.

    2. Unfortunately, we soon found out that these colorfuldesigns would introduce additional variables into the experiment,such as a color palette, or the orientation of the text, that couldinfluence our results

      There is so much to think about. Trying to isolate a specific trait in research seems to be a good way of finding out how many influences there are on the human experience of the simplest things.

    1. In the Red Cross timeline, for example, the color-coded labels are the far view -- they tell you some bit of info even if you spend three seconds with the timeline. On the other hand, the embedded notes and links to the actual documents are the near view -- they tell you much more if you are invested and want to dig in.

      I like this a lot. Being able to layer information allows you to provide details without overwhelming the viewer. Layering information can also help people to navigate and find the information they need by narrowing the search down, instead of having to sift through a large, unwieldy written document.

    2. But to represent the idea of governments introducing more regulation and proceeding with caution, we went with a gradient from green to yellow. Along the way I learned about two color-related tools: ColorBrewer, which generates easy-to-distinguish colors for maps (or timelines for that matter), and Color Oracle, which changes your screen to mimic how a color-blind person would view it. The timeline itself is a simple HTML table, with a little gradient image on top I made in Photoshop. Apparently you can do the same thing in CSS, but it's not supported in all versions of IE. Shucks.

      I appreciate all of the tool options. I am curious to find out what I might be able to use in my own project. I love that there are tools that help to design for accessibility.

    3. We wanted to present the history of these fines, emphasizing how often -- and how much -- the Red Cross has had to pay for unsafe blood handling. We also wanted a way to make the documents themselves public, so anyone could dive into the details.

      Having a clear outline of the issue in a logical order can illustrate and emphasize the point being made. In this particular instance, the use of a chronological overview of events provides insight into the change (or lack of change) over time.

    1. fully narrativeforms of historiography

      Narratives can take many forms and often vary between cultures. There is no one perfect way to do something.

    2. difficult to induce Western historians to think of it asanything more than a rudimentary form of historiography

      Of course. Heaven forbid a simple, organized, and accessible presentation of information be worthy of use by the high and mighty of the West.

    3. Another reason for the gap in our historical and theoretical understanding oftimelines is the relatively low status that we generally grant to chronology as akind of study.

      It's true. Anytime I hear "timeline," I think of elementary school or early high school. It does not generally seem like it is given as much weight on its own. Usually, a timeline would accompany a larger article.

    4. timemaps

      I love this name! Visualizing history with all of its complexity is challenging. Mapping suggests that this would allow information to be categorized according to scale and relationality.

    5. This is no small matter: graphic representation is among our mostimportant tools for organizing information.¹ Yet, little has been written abouthistorical charts and diagrams.

      Having information presented in this way is so important for accessibility. It breaks down barriers to accessing information and simplifies research. Not everyone wants to search through databases or read academic papers, but even children can find and understand graphs, photos, timelines, maps, etc.

  2. Feb 2024
    1. Oralstorytellers have always paid attention to local listeners—their physicallocation, speech patterns, political situation, and so on.

      I have thought about the importance of adjusting for an audience in storytelling when discussing oral traditions in class and how there has been less and less of that since Western colonial ideas of stories have come to dominate. It's really interesting to think that digital storytelling forms are bringing back a more interactive storytelling style.

    2. In fact, itwould be as foolish to consider contemporary storytelling without dwell-ing on gaming as to describe storytelling without movies, the spoken word,or print.

      I found that a lot of people in my creative writing class last year wanted to write for video games. I had no idea narrative was such a big thing as I have never played video games myself.

    1. But a good story wins its audience to efforts on its behalf evenwithout the formal device of hypertext or games, through careful use ofmystery. This is the root of interactivity, and of co-creation.

      Stories tend to be more engaging when the audience can participate in the narrative in some way.

    2. The linear nature of stories is crucial to many definitions of story.

      We have to be careful not to let Western colonial ideas of what a story is overtake our perceptions of what a story should look like.

    3. As a teacher and presenter, I have seen every single audi-ence energized by the question. Their faces light up with memory of storiesand storytellers; their heads tilt in forceful, almost physical recollection.Goofy smiles and critically engaged frowns appear and disappear in suc-cession. Asking the question “What is a story?” is a more positive and pro-ductive exercise than asking the opposite, as answers come more quickly,tend to expressive positive emotions, and are often usefully diverse.

      I love this! We all love hearing and telling stories. I ran the children's summer reading program at my library one summer and it was a lot of fun. So many kids just starting their reading journeys. It is really beautiful to see them discover the magic of books as I had.

      The stories and storytellers in our lives are so important. I have stories from the radio, stories my mom read to me, stories my grandma has told me about her life, and stories from friends and strangers. Stories are not just special for their own sake but for the sake of who tells them and where they are told. Everyone has stories.

    4. Radio spawned the “theater of the mind

      I have listened to CBC radio out of personal interest (not just because my parents had it on at dinner) since I was five. I loved listening to radio documentary programs like DNTO or broadcast storytelling such as Vinyl Cafe with Stuart McLean, news, science, music and culture programming, or radio dramas. Radio was and is a wonderful way to be entertained and informed.

    5. Other workshop participants see the gap between storytelling andthe digital world as based upon a preference for analog media, namely,books, movies, TV, and music

      Stories are not defined by what they are told with. Oral stories and written stories are very different, and yet both are stories and both have value. Stories immerse their audience in an experience and it shouldn't matter if that is through spoken word, images, writing, physical or digital. Digital storytelling can be more accessible for some people or there may be a digital tool that makes a story accessible. Even being able to change the font on an ebook to help dyslexic readers is hugely helpful.

    6. Digital stories are currently created using nearly every digital devicein an ever-growing toolbox. They are experienced by a large population.Their creators are sometimes professionals, and also amateurs. They canbe deeply personal or posthumanly otherwise, fiction and nonfiction,brief or epic, wrought from a single medium or sprawling across dozens.We are living in a time of immense creativity, with new opportunities forcreators appearing nearly every day.

      It is so cool that so many different people have the opportunity to share their stories creatively (whether fiction or non-fiction). There is so much value in people being able to tell their own stories or access stories that represent parts of their experience that are not present in mainstream media.

    1. Contemporary language models are sustained not only by a global network of human labor, but by physical infrastructure. The computer warehouses where language models are trained are large: a modern data center can be millions of square feet (the size of several football stadiums) and require a lot of water to prevent the machines from overheating. For instance, a data center outside of Des Moines, Iowa, identified as the “birthplace” of GPT-4, used 11.5 million gallons of water for cooling in 2022, drawn from rivers that also provide the city’s drinking water. These challenges have led to decisions to build data centers in regions with cooler climates with more water to draw from; some companies have experimented with putting data centers underwater. (Data centers are used for a lot more than language models, of course; the entire internet lives on these machines.)

      Ok, this is terrible environmentally. We have found yet another way to drain away our natural resources. This is infuriating. Instead of putting so much and effort into a non-essential, harmful technology, how about we try to solve the problems that are impacting basic quality of life for millions rather than contributing to the problems.

    2. The data workers whose labor is essential to modern AI systems include prisoners in Finland and employees of data annotation agencies in Kenya, Uganda, and India.

      What exactly are these workers doing to maintain these systems?

    3. The kinds of “dispreferred” texts to which data labelers are exposed, in practice, have tended to describe horrific scenarios, following a well-entrenched pattern of offloading the most traumatic parts of maintaining automated systems AI maintenance to workers who are often precariously employed and given insufficient psychological support.

      This really confused me. What is this trying to say? Why describe horrific scenarios?

    4. While many authors, programmers, and other people who publish writing online are aghast to find that their work has been stolen and used as language model training fodder, some are enthusiastic about being included in AI training data. These debates have raised questions about what constitutes labor and what fair compensation might look like for (unwitting) intellectual contributions to the development of what are ultimately commercial systems being licensed for profit. How does the labor involved in maintaining a personal blog as a hobby compare with that of reporters and authors who are commissioned and paid to publish their work? With that of volunteer Wikipedia editors? How does the “labor” of posting online compare with the labor performed by workers conversing with prototypical chatbots and labeling text?

      This scary. As someone who wants go into journalism and writing, the idea that ideas and writing can be used without my consent by this type of technology is alarming. It is one thing to analyze that which is already written and collect data, but I do not like that programs are being trained to synthesize and replicate writing to create its own material.

    1. not actually that complicated.

      Umm...

    2. The placement of dishes in meal-space isn’t random anymore. In fact, there are underlying, hidden mathematical patterns that mean every food is placed in some logic relative to every other food.

      Ok, this is pretty cool.

    3. Notice that we didn’t look for any meals in which caesar and caprese salads occur together. They never need to occur together for us to deem the dishes similar. They simply need to be found among the same other dishes.

      Ok. This makes sense. It identifies patterns and recreates patterns rather than copying the exact contents of something.

    1. Recent debates may also tend to overstate the technical challenges of interdisci-plinarity. Distant readers admittedly enjoy discussing new unsupervised algorithmsthat are hard to interpret.5 But many useful methods are supervised, comparativelystraightforward, and have been in social-science courses for decades. A grad studentcould do a lot of damage to received ideas with a thousand novels, manually gath-ered metadata, and logistic regression.

      Any time that people are afraid of something new or dismiss it for its problems they risk missing out on an opportunity to use a tool or allowing the tool to be used poorly. As soon as someone tries to scare you away from exploring something, that should be a signal to immediately learn everything you can I would think.

    2. nstead ofsimply counting words or volumes, distant readers increasingly treat writing as a#eld of relations to be modeled, using equations that connect linguistic variablesto social ones.4 Once we grasp how this story #ts into the larger intellectual historyof our time, it no longer makes much sense to frame it as a debate within literarystudies

      This is good. If this technology can help place data within the context of a much larger grouping of related data I think could be very beneficial for understanding large-scale themes and overarching relationships between disciplines.

    1. For instance, the word “Indians” nearly fell out of all addresses after Teddy Roosevelt while the word “God” has been a part of every presidential speech since Franklin Roosevelt.  Also,  a word like “women” was a word rarely used in the president’s annual address. Franklin Roosevelt, Harry Truman, and John F. Kennedy used the word to address both men and women. However, Jimmie Carter and Ronald Regan began speaking directly to women about gendered issues. This visualization is an example of distant reading.

      This is fascinating. I am very interested to learn about the use of words over time, changing connotations, and the contexts in which they were used. This is such a cool way of looking at how difference people and issues and people have been recognized by government over the years. Names are so important and I wonder if some words have seen an increase in use as marginalized groups reclaim previously derogatory terms for their own.

    2. Managing it effectively can mean the difference between finding what you are after and getting lost in a jumble of data. Distant reading is one process where we might use text mining software to analyze several textual documents.

      It is still so easy to get lost in a jumble of information. I have only just discovered Ctrl + f this academic year. I do not know how I managed before I found that shortcut. It can allowed me to quickly scan long, dry academic articles when researching for papers to see if the information is relevant to my topic. This has also saved me when I know I've read something I want to quote but cannot remember which of my 27 tabs it was in.

    1. For her part, Ms. Dupont would like to see more Indigenous people formally trained as archivists and working in the field, as well as more support from the profession for community-based organizations where credentialed specialists might not be available to manage records and archives. Until these wide-scale changes can be implemented, she worries that good intentions and a shortage of resources might end in a loss of vital cultural material. “People are a little bit frozen now,” says Ms. Dupont. “There’s a fear of doing the wrong thing so a lot of my colleagues are saying digitize the thing before it crumbles.”

      Representation is so important in all professions. I may want to do the right thing, but I know I do not have the same cultural familiarity and life experiences as someone from a different background. Preserving everything we can so that the source is still available when the right people want to access and interpret it seems like a valuable use of digital archiving.

    1. eupshot is the worst of both worlds: Some information sticks around when itshouldn’t, while other information vanishes when it should remain.

      It seems to me that only the wrong kind of people choose to manipulate this. Are there internet 'vigilante' groups on the internet that seek to prevent harmful tampering? Is there a way to monitor anything non-specific in such a large and abstract space?

    2. Inspired by cases like these, some colleagues and I joined those investigating theextent of link rot in 2014 and again this past spring.

      I had no idea this was such a problem or that people would take advantage of it in such a way. I really shouldn't be surprised I guess. It is very concerning and infuriating. Whether or not someone central controls the internet, people will always take advantage of power or a lack of it. Just as some people are 'more equal than others,' 'some free speech is freer than others.'

    3. . Ideally, there would be multiple identical copies stored in multiplelibraries, so the failure of one storehouse wouldn’t extinguish the knowledge within.

      This is definitely beneficial. This makes it so much harder to destroy information accidentally or intentionally. I think of all of the books burned in Nazi Germany and I am sure during other periods of social and political upheaval. Having access to digital information from multiple sources could help to combat propaganda and misinformation. The problem is that the masses do not always have the tools or knowledge to sift through the volume and complexity of information available. I wonder if work could or is being done in this area.

    1. The idea behind the Rossetti Archive, and a related idea in the William BlakeArchive, was to develop a sort of ever growing hypertext aggregation of related digitalcopies of sources anchored around an individual (McGann 1996)

      I have used the William Blake Archive in other classes. It is most useful to have a consolidated collection of an artist's works, particularly for a student who would otherwise have no access to such a treasure trove of artifacts and information. Digital archives are so wonderfully accessible. It is just a matter of knowing they are there.

    2. The only way Reside could interpret what he saw on the screen was to learn a bitmore about the software that was used to write it and the software he was using torender it. Ultimately, this is a rather fascinating result; works written in this particularword-processing application have within them records of their creation and editing.

      This is very interesting. I would love to see the editing history of other works. Imagine all of the changes made to great literary and musical pieces. You would get to see not only the finished product but the process of the artist as well. Even being an accident, I think this is such an intriguing discovery. I wonder if anyone purposefully tracks edits for this purpose, or if, like me, they only use the document history if they have accidentally deleted something.

    3. With that said, researchers have usedhigh quality full color scans, like those Folger provides, to study the placement of dirt onthe margins of the page. The dirt on the pages, which comes from people handling thebooks, attests to the use of the books over time (Rudy 2010). That is, there are materialtraces of use of the books left on them that can be studied. Most interestingly, it canactually only be study when high quality scans of the book are created.

      This truly does sound like detective work or a close reading of a poem. The smallest details are more important and interesting than you might think.

    4. Every physical objectcontains a nearly infinite amount of information in its artifactual qualities. For example,beyond the legibility of words on an object, characteristics of handwriting, fingerprints,watermarks, the chemical composition of inks or of paper or vellum can all beinterrogated to provide valuable information. All of that information is anchored inthe artifactual qualities of the source.

      I find this so fascinating about physical sources. There is so much to be learned from the material, the written information, the art or pigments. It would be so easy for a single person entering information into a digital system to dismiss the small details that another might be able to find the significance of if they were to interact with the original object. I find that comments written on assignments can be hard to decipher and it can take two or three sets of eyes to figure out a word. This could be even more difficult when dealing with worn artifacts or documents.

    5. All digitized objects are surrogates for and representations of the originals (Jones2014). That is fine. Historians have a long tradition of working from surrogates. Inmany cases, the only access historians have to extant historical materials is throughcopies of reprintings, and copies of copies created through the manuscript tradition

      It seems to me that there is a lot of room for error. Is there a requirement of any kind to acknowledge the margin of possible error when people are researching using these records as there is in scientific research?

    6. For example, because of copyright restrictions many institutions in the United Statesare focusing efforts on digitizing materials from before 1923. Or an archive might havethe rights cleared to digitize one particular collection, or the writings of one personinstead of another.

      This makes sense, but I had not thought of it before. I can imagine it would be very difficult to determine what information or artifacts should be prioritized in this process when so many interests and values are involved. Having representation from different communities would be so important in this process. Parts of history could easily be brushed under the mat and cultural stories lost if only people of a certain identity are making decisions around what information is important to preserve.

    7. Archives come in all shapes and sizes: massive national institutions, small localhistorical societies, and manuscript collections at research libraries to name a few

      It is incredible just how much information is stored away. Before digitalized collections, it would have been incredibly difficult and time-consuming to access and compare records in different institutions. I often wonder how academics and researchers could ensure a thorough understanding of a topic when there could well be information they did not even know existed. I find it hard enough to know where to start even with the internet.

  3. Jan 2024
    1. The archive is our record of the past, not the actual thing itself.

      I think this is an important reminder. When 'evidence' is taken out of context, it can really distort what we see as 'reality.' I believe metadata would be an important tool for contextualizing information to improve the accuracy of our understanding.

    1. One thing that I like about the DSL, and I feel it’s not for everybody. We’re kind of idiosyncratic. I never want to suggest we’ve figured this stuff out. I would never suggest that. At the same time, for us, getting grants has not been the only or even the, is pretty far down our list of priorities. Getting work done, that’s our priority. I don’t know if that makes sense.

      What I get from this is that secure funding really allows scholars to prioritize the work and not get so caught up in politics because they are fighting for their livelihood as well.

    2. And I think it’s worth clarifying for people, a lot of positions in all research centers at academic intuitions are soft money, which means that they’re grant funded. When the grants run out, the position goes away.

      This is where communication and public education would really benefit research institutions and researchers. Having the public, as well as people in power, aware of the significance and impacts of research work could help influence the right people and organizations to increase reliable funding opportunities.

    3. And it’s sort of crossing this boundary between this academic world and the public world. That’s really impactful, but it does run into this problem of why would you do it if you’re an academic? Because your job isn’t really predicated on the public knowing what you’re doing. This is the other thing about this problem. Nelson: Well, that’s a bigger question about what we should be doing. Because we’re bleeding majors. We’re having less and less impact upon our communities and our society, and being more engaged with the public, that’s intrinsically not a bad thing, it seems to me, and it’s a potential one strategy for increased relevance in a moment where kind of the relevance of all humanities is sometimes not taken as self-evident. Chambliss: Right, and I think that being engaged with the public is a perfectly reasonable goal. I think one of the things that you hear in conversation around DH is, and you alluded to this sort of neo-liberal, this is a stocky horse to commercialize and marginalize humanities as a critical inquiry into how society operates and the material-driven framework associated with digital humanities, because there are things that you have to make. And I ran into this in a small way in my own institution, only in a sense that I was once asked are you going to keep doing this? And my response was, “Yes, I’m going to keep doing it, and I’m always going to do it about African American community.” Because I was really framing things as a post-colonial DH project where I am trying to recover, explore, explain, document the Black experience in this community, and I’m trying to do that in a way that allows the Black community to have some ownership of it, which was a way for me to justify the work.   But like a lot of people in DH, I didn’t get tenure on anything that was involving DH. It was more traditional stuff

      As someone who chose my degree for the purpose of being a bridge between the academic and public spheres, I think we should be allowed the opportunities to cross traditional discipline boundaries. It is so important for all groups to engage with each other. This can be challenging when people can not all meet on the same level or is the same way. We should be encouraging those communication bridges.

    4. I always tell students, the tool’s not important. It’s really the thinking that’s employed here in the context.

      It is important to remember that technology is not a mindless tool. The digital world has a life of its own. It is not just about being able to use technology and digital spaces, but the how and why of employing those tools.

    1. Each chapter closeswith a short selection of materials reprinted from scholarly blogs and wikis, reflect-ing both the importance of such networked spaces to digital humanities scholarsand the ways in which such “middle-state” publishing both serves as a vital chan-nel for scholarly communication and feeds into more formal publishing projects. 5

      This is interesting. Using digital humanities as a 'middle-state' for publishing seems actually very useful as a sounding board for scholars. Honest criticism and peer insights to further develop and proof ideas could increase the depth and breadth of scholarly publications in other areas.

    2. fully public

      How can scholarship in the area of digital humanities be monitored to ensure authenticity and quality? What risks and potential impacts are there of using such a public space?