52 Matching Annotations
  1. Nov 2015
  2. learn-us-east-1-prod-fleet02-xythos.content.blackboardcdn.com learn-us-east-1-prod-fleet02-xythos.content.blackboardcdn.com
    1. dwell

      Double meaning of dwell

    2. It was a freak of fancy in my friend (for what else shall I call it?) to be enamoredof the Night for her own sake; and into this bizarrerie, as into all his others, Iquietly fell; giving myself up to his wild whims with a perfect abandon.

      Contributes to the narrative that the city is a bizarre place of unusual circumstances and experiences.

    3. Rue Montmartre

      I've noticed that city writers are more likely to include the street where an occurrence takes place. Maybe there's something about city living the grounds experiences in location.

    4. It will found, in fact, that the ingenious are always fanciful, and thetruly imaginative never otherwise than analytic

      Urban planners exemplify this - both inventive and analytical.

    1. The wild effects of the light enchained me to an examination of individual faces; andalthough the rapidity with which the world of light flitted before the window, prevented me fromcasting more than a glance upon each visage

      Stole the anonymity of the ones being observed.

    2. modest young girls returning from long and late labor to a cheerlesshome, and shrinking more tearfully than indignantly from the glances of ruffians,

      Relates to Collie's analysis of de Certeau - the dangers of the city for a woman.

    3. as if feeling insolitude on account of the very denseness of the company around.

      Is this an example of or a coutnerexample to the idea of anonymity?

  3. gimmeshelter2015.files.wordpress.com gimmeshelter2015.files.wordpress.com
    1. dwell

      Funny how he accidentally stumbles on our conversation about the two definitions of the word "to dwell."

    2. j_:.,_~ (You had to an . . . . ._h_h .. e ...... r-e t()'01fsCti1ie destrucuon. humanistic tnump . -...... --------------:---------__ ... __ _

      Emphasizes the dehumanizing aspect to the modernist movement.

    3. cally as ~.b_Qlic expressi9n~_()f ... rnQd~r.o.ity: Central Par

      Its interesting to think about Olmstead and Vaux' perspective as modernity. I don't think they would have agreed with the modernist movement in urban planning, especially as it moves away from the individual and focuses on the masses.

    1. here is, however, one important exception to the rule that 1t rakes a ~ide functional mixture of users to populate and enliv~n a neighborhood park through the day.

      Central Park fulfills this role, I think.

    2. Does anything about this physical arrangement of the neighbor-hood affect the park physically? Yes. This mixture of uses of buildings directly produces for the park a mixture of users who enter and leave the park at different times. They use the park at different times from one another because their daily schedules differ. The park thus possesses an intricate sequence of uses and users

      This is really interesting, I hadn't considered this before. An example of this could be the way in which socio-economic differences in neighborhoods affects visitation.

    3. a lovely place of shade

      It's interesting how the idea of shade has been repeated in our readings about parks: Olmstead and Vaux described their ideal Promenade as being shady.

    1. e officials they controlled allowed all public roads not needed for their own access to their estates to fall into disrepair to discourage public use.

      Another example of how city planning is used to shape how people use a spae.

    2. hese were the men who, during the "Middle Ages of American in-dustry," the half century of unbridled industrial expansion following the Civil War, had harnessed America's vast mineral resources and tapped its long-stored capital to create needed industrial growth but who, to turn that growth into personal wealth, had stationed themselves at the "narrow~" of production, the key points of production and distribution, and exacted tnbute from the nation.

      Interesting how it's still like this today - the rich business tycoons run New York and the legislature.

    3. o de~per.ate we~e New York's masses that they made the trip anyway -m steadily mcreasmg numbers.

      This is interesting given what we know about the cost of public transportation back then.

  4. Oct 2015
  5. apartmentstories2016.files.wordpress.com apartmentstories2016.files.wordpress.com
    1. Mortals dwell in that they save the earth

      We've discussed how building is related to dwelling, so it's interesting to see how dwelling also relates to saving the earth. We often see building as the opposite of saving the earth, so I'm curious to understand how they can both be forms of dwelling.

    2. Earth is the serving bearer, blossoming and fruiting, spreading out in rock and water, rising up into plant and animal. When we say earth, we are already thinking of the other three along with it, but we give no thought to the simple oneness of the four.

      This is where we get the concept of the fourfold really explained.

    3. Dwelling and building are related as end and means.

      This reminds me of Whyte's exploration of the relationship between the physical paces and the act of living in a space.

    1. anonymous

      Recalls our conversation about anonymity in the city; challenges this idea by saying that not all are anonymous.

    2. Maps, on the other hand, function strategically to colonise space, rendering geographical knowledge as an abstract, ahistorical place that erases the spatial practices that are the condition of its possibility.

      This combines the ideas we've discussed with mapping and the ideas about space vs. place. She says that place is made through mapping, by taking the space and defining it.

    3. thus the street geometrically defined by urban planning is transformed into a space by walkers.

      I think that Collie uses "space" the way that we have been defining "place" in our conversations about the differences between the two words.

    4. writing of the city.

      This is an interesting idea, that walking can be like writing the city. Kind of like how you have to know a space to map it.

    5. re-use culture and “reappropriate the space organised by techniques of sociocultural production”

      Reminds me of Whyte's ideas about the ways in which the interaction between the city and the people changes. How people use the city spaces and how they don't, and how urban planning must acknowledge and respond to that.

    1. ~practices of space refer to a specific form of operations ("ways of operating"), to "another spatiality"6 (an "anthropological," poetic and mythic experience of space),

      This relates to Tuan's ideas about space and place, and our definition of space as something intangible or empty, while place is specific.

    2. ro be hfted to the summit of the World Trade Cent . o t f h . ' er ts to be l'f . u o t e City s grasp

      "The city's grasp" reminds me of the personification of New York. We wouldn't usually say that a place has grasped a person, or that anyone is trapped or held by a space. That's something that's unique to New York.

    3. World Trade Center

      This is a particularly vivid example of how New York changes constantly.

  6. Sep 2015
    1. From the security and stability of place we are awareof the openness, freedom, and threat of space, and vice versa

      The threat of space seems especially important in the city, where private versus public space is constantly changing and a difficult concept to understand fully.

  7. gimmeshelter2015.files.wordpress.com gimmeshelter2015.files.wordpress.com
    1. It is that shape, color, or arrangement which facilitates the making of vividly identified, powerfully structured, highly useful mental images of the environmen

      This recalls the earlier idea that the city is made up of different sights, sounds, smells, etc

    2. Like any good framework, such a structure gives the individual a pos-sibility of choice md a starting-point for the acquisition of fur-ther information.

      This touches on the organization of the city as a grid

    3. This book will assert that legibility is crucial in the city setting, will analyze it in some detail, and will try to show how this concept might be used today in rebuilding our cities

      The author's thesis statement

    4. a thing perceived only in the course of long spans of time

      This relates to Didion's ideas about the city being not just a physical space but a construction of time.

    1. Hell, maybe your kin will survive the apocalypse and sing mighty ballads of your tragic battles by a roaring bonfire.

      He calls New York a monster earlier on ("Cthulhu" and "Galactus"), and now compares surviving New York to surviving the apocalypse.

    2. I love New York. My love is strong. My love is psycho.

      Brings in a new level of the love/hate relationship: treating the city like an ex.

    3. Stop whining

      He later says "Don't whine, but always complain," which echoes this line.

    4. one of those “Why I Left New York” essays on the off chance that New York would notice.

      One could say that Didion's piece is an example of one of these essays.

    5. 5AM

      The Didion piece also references 5am as a time when people who party are still awake; it seems like they both use it as an odd hour when odd things happen.

    1. common man.'

      How is he defining the common man?

    2. The growing importance of women's friendships between 1780 and 1835,

      Is this why advice from women to women like in "The Coming Bachelor Girl" was popular during this time?

    3. their concerns for youthful readers were clearly grounded in reality.

      "The Coming Bachelor Girl" could be one of these advice-givers that speaks to the youthful audience.

    4. contagion

      We can compare this with Alcott's ideas about the contagion of the theatre, and in turn, the city.

    5. But nineteenth-century advice writers added a significant new dimension to this powerful image.

      Alcott is an example of this.

    1. a bad cold and a high fever.

      Reminds me of Alcott's thoughts on the theatre and contagion.

    2. golden rhythm

      What does she mean by golden rhythm?

    3. a six-month leave of absence

      This line recalls how she once said she would only stay in New York for six months.

    4. it had counted after all,

      A callback to her repeated idea that things didn't matter.

    5. that first spring

      She focuses a lot on the time of year and the weather when contextualizing her stories.

    6. I stopped believing in new faces

      She's referencing her earlier story where her friend doesn't believe in parties with new faces, and at this point in the story she has started to believe him.

    7. my twenty-eighth,

      She keeps a consistent reference to her age throughout the story, and always references it like one usually references the year.

    8. and none of it would count

      Repeated from the last paragraph.

    9. and none of it would matter

      This phrase and idea is echoed later on.

    10. the heroine is no longer as optimistic as she once was.

      This can be compared to our conversation about the jaded bitterness and love/hate relationship that native New Yorkers feel towards the city.