xperience does nat make one an expert, and perhaps even by explaining what it means to place someone in the role of "na-tive informant." It must be stated that professors cannot inter-vene if they also see students as "native informants." Often, students have corne to my office complaining about the Jack of inclusion in another professor' s class. For example, a course on social and political thought in the United States includes no work by women. When students complain to the teacher about this Jack of inclusion, they are told to make suggestions of material that can be used. This often places an unfair burden on a student. It also makes it seem that it is only important to address a bias if there is someone complaining. Increasingly, students are making complaints because they want a democrat-ic unbiased liberal arts education. Multiculturalism compels educators to recognize the nar-row boundaries that have shaped the way knowledge is shared in the classroom. It forces us all to recognize our complicity in accepting and perpetuating biases of any kind. Students are eager to break through barriers to knowing. They are willing to surrender to the wonder of re-learning and learning ways of knowing that go against the grain. When we, as educators, allow our pedagogy to be radically changed by our recognition of a multicultural world, we can give students the education they desire and deserve. We can teach in ways that transform consciousness, creating a climate of free expression that is the essence of a truly liberatory liberal arts education. 4 Paulo Freire This is a playful dialogue with myself, Gloria Watkins, talking with bell hooks, my writing voice. I wanted to speak about Paulo and his work in this way for it afforded me an intimacy-a familiarity-I do nat find it possible to achieve in the essay. And here I have found a way to share the sweetness, the soli-darity I talk a bo ut. Watkins: Reading your books Ain 't I a Woman: Black Women a nd Feminism, Feminist The!Yfy: From Margin to Center, and Talk-ing Bach, it is clear that your development as a critica! thinker has been greatly influenced by the work of Paulo Freire. Can you speak abou~ why his work has touched your life so deeply? hooks: Years before I met Paulo Freire, I had learned so much from hi s work, learned new ways o f thinking a bo ut social reality that were liberatory. Often when university stu-45
The central idea of the passage is the need for educators to embrace multiculturalism and recognize their own biases in order to provide students with a truly liberatory liberal arts education. The passage argues that educators should not rely on students to point out biases but should actively work to create an inclusive and unbiased learning environment.