SEPT Recruitment of Heads

Executioners Continue interviewprocess same as otheradhocs, with ALs/coredrafting interviewquestions and heavilyinvolved in processRecruitment can start anytime after the recce trip -Full team preferablyformed by February latest

Similar to HODrecruitment, with ALsheavily involved ininterview process toexpress roleresponsibilities mostclearly

Interview to inform:

The new OE structure; distinguishing roles of Heads, Core Team, and Executioners, should be clearly publicisedfrom the beginning so applicants can sign up based on their preferred level of involvement.

OE recruitment should run independently from other adhocs, as it operates on a different scale and timeline.

2Rationale:Manpower needed to ideate fundraising plans, liaising with externalvendors & possible sponsors. Item sponsors are very beneficial tothe project to reduce cost

Clear distinction: CPT handles planning, generalmembers recruited later for execution

P&L sheet

Suggested Workflows:

afia." For Puebla, the "Relaci6n" (a report sent tothe crown) listed 8oo Spanish males, 500 black slaves, 100 mulattoes, and Ioo mesti-zos

n addition to being symbols of both servitude and prin central New Spain were relatively integrated into Spasociety. In Mexico City and Puebla, many lived in proximSpanish population and tended to be acculturated, especiahad been raised in the Americas and worked in SpanisSpaniards referred to these blacks and mulattoes as eitheoles) or ladinos, the latter term having been used in SpaMuslims and Jews who mastered the Castilian languageHispanicized to the point that they could not be disting"authentic Spa

g here. First, at least initially, the conlimpieza retained its metropolitan religious connotations for Spain Mexico; its deployment against blacks and native people wastheir status as "New Christians." Second, although colonial Spanincreasingly marked both native and African ancestries as impurgenerally saw mixture with either group in negative terms, it wablood that was more frequently and systematically construed ason a lineage.1o

. What they were essentially accused of plotting to create wasown version (or inversion) of the sistema de castas, the colonial hierarsystem of classification that was based on proportions of Spanish, natand black blood. That system privileged whiteness and was accomby a whole sexual economy centered on the inaccessibility ofSpanish women to all but Spanish men.7 The main difference was thathe new order, blackness would function as the font of redemptifulfill its mission in the bodies and wombs of wh

According to one of the most detailed accounts of the events thatthe 1612 hangings, written in Nahuatl by Chimalpahin in his MCity annals, the conspirators sought to rebel against the viceregaernment, decimate the Spanish population, and establish a blackdom in New Spain-a monarquia africana.3 The purported plan wfollows. After killing their Spanish masters, the conspirators were goto crown one of their own as king and a mulata morisca, or light-skimulatto woman, as their queen.4 Having previously assigned themnobility titles and royal administrative posts, the rebels would estheir own government and force the indigenous people to providewith tribute. They would also kill all Spanish males except somebers of the religious orders, whose main responsibility would be tblack children to become priests and government officials. To mimpossible for Spaniards to reproduce, however, the friars' sexualwould be remo

of a growing number of African slaves into central New Swhich was generating all sorts of social tensions, including a heigpreoccupation with policing sexuality, but also by the deployment ofSpanish concept of limpieza de sangre (purity of blood) against cpopulations and an increasing association of blacks with disloyaltycrown and the Cathol

orning of May 2, 1612, a Wednesday, thirty-five blacksand mulattoes (twenty-eight men and seven women) wereescorted by New Spain's authorities through the streets ofMexico City. They were being paraded on horseback, shamed before theresidents of the viceregal capital, before all were summarily hanged infront of a large crowd in the central plaza facing the church and palace.The bodies of some of the victims remained suspended in the airthrough the next day, which happened to be the celebration of the HolyCross, the fiesta de Santa Cruz. The horrible spectacle did not end withthe hangings. After consulting with a group of doctors about the fate ofthe bodies, Mexico City's royal tribunal, the Audiencia, ordered twenty-nine to be decapitated and the heads left to rot on top of the nine gallows(eight of which had been made for the occasion). The other six were quar-tered, and the parts were placed on pikes on the city's main streets androads. Serving as potent symbols of royal power and of the marginal placeoccupied by people of African ancestry within the Spanish colonial order,the body parts were left on display until their stench became both unbear-able and insalubrious for the residents of the capital.

ceramics produced in the city were a testament to the diverse populationsand various different cultural influences present in the colony. Potters inPuebla created a style of their own that combined indigenous, European,and Asian designs. The resultant aesthetic was uniquely Mexican andbecame a point of pride in the eighteenth century. By considering thesociopolitical reality of the city in which the potters worked we see thatwhen the potters rendered foreign motifs into locally recognizable forms(such as the substitution of the quetzal for the phoenix) it was not alwaysbecause they were interpreting East Asian forms based on what they knew,but also because they were creating ceramics that were meant to appeal toconsumers as a local product and not as a replacement for Chineseporcelain.

uebla was initially established as areligious and cultural center for the colony, being built in a previouslyunsettled area so that it could be a purely Spanish city, free of influencesfrom the native populations.

but the diagnostic testfor his situation does not offer an uplifting prognosis.

The particular virtuosity of the threeformal flaws is that they variously demonstrate the narrative, psychological,and theological productivity “Pearl” finds in fallibility.

hermetically sealed circle

There seems little chance that the poet would overlook this forcefor ideological impact in Pearl. When a writer so patently insists onrelating form to substance, not only devising both a pattern of lexicalcontinuity and a form of stanzaic structure that work in concert toembody thematic design, but even on occasion exploiting the characteristics of word form to maintain the lexical pattern, then he is clearlylikely to have word form itself figure in the thematic design too.