3 Matching Annotations
  1. Jan 2017
    1. However, as all of us have discovered, even though the basic technology of hypertext may be with us for centuries to come, perhaps even as long as the technology of the book, its hardware and software seem to be fragile and short-lived; whole new generations of equipment and programs arrive before we can finish reading the instructions of the old. Even as I write, Brown University's highly sophisticated Intermedia system, on which we have been writing our hypertext fictions, is being phased out because it is too expensive to maintain and incompatible with Apple's new operating-system software, System 7.0. A good portion of our last semester was spent transporting our documents from Intermedia to Storyspace (which Brown is now adopting) and adjusting to the new environment.

      The author goes to marvel at simplicity of hypertext, then points out how long its course may run. He analyzes how the operating systems of hypertext are going to be outdated soon and that a cycle of updating and redesigning systems is necessary to keep it alive. Reading prior was done through pen and paper, which has not ever changed. Yet the way reading hypertext is done is not a constant vehicle that requires little maintenance. Online systems are well oiled supercars which can break down and become junk after enough time.

    1. Logic can become enormously difficult, and it would undoubtedly be well to produce more assurance in its use. The machines for higher analysis have usually been equation solvers. Ideas are beginning to appear for equation transformers, which will rearrange the relationship expressed by an equation in accordance with strict and rather advanced logic. Progress is inhibited by the exceedingly crude way in which mathematicians express their relationships.

      The author is pointing out how the idea of logic can be a hindrance when analyzing and sharing data. referencing that of mathematicians who are deemed inadequate simply due to the way they express themselves. All very true but very different to take into consideration when reading this work.

    1. “As for the book, or let us rather say, for by that time books ‘will have lived,’ as for the novel, or the storyograph, the author will become his own publisher. To avoid imitations and counterfeits he will be obliged, first of all, to go to the Patent–Office, there to deposit his voice, and register its lowest and highest notes, giving all the counter-hearings necessary for the recognition of any imitation of his deposit. The Government will realize great profits by these patents.

      This selection lays out the status of the book itself and how it will be paid for. The author makes great strides in the assumption of a tax per use similar to a tax on public goods used by all. Uzanne also goes on to point out how they must be patented in some shape or form. He treats a patent like that of a bank in which you make deposits on a personal item (your voice) of which is protected. The topic of voice and its range is one in which they are able to point out how emotion can now be derived from books, something which previously had to be imagined by a reader. All of the references to counterfeiting can be thought of as concern for the weaker legal system during the late 1800's, something of which has improved so vastly that counterfeiting of books is no longer even a concern. In all, this annotation has allowed a more practical standpoint to be taken in this passage, and allows for the development of a much more quantitative analysis.