Some of its other hits were. “Young Sheldon,” still going strong on CBS, is available on Netflix.
Netflix isn't special anymore; on par with network level
Some of its other hits were. “Young Sheldon,” still going strong on CBS, is available on Netflix.
Netflix isn't special anymore; on par with network level
As strong as HBO’s slate of Emmy nominees for outstanding drama may have appeared, “House of the Dragon” is a prequel, “The White Lotus” is an anthology series, “The Last of Us” is based on a video game and “Succession” has ended its run.
nothing new or spectacular or disruptive is coming out of HBO/Discovery now anytime soon
a hollow handle suggesting, at best, “more” or “most” — but certainly not quality
damn read to filth right there
no longer exists in its previous form
HBO is already over
Rare, however, is a content provider that can prosper just by selling content. Movie theaters have long made money at the concession stand, selling M&M’s and Raisinets
deductive reasoning
the disrupters
biskind's metaphor has what effect on his audience?
oday, beleaguered programming executives are hampered by cost-cutting and cowed by market upheavals
establishing context to the single faceted viewpoint of the audience. explaining why shows arent as good nowadays he knows
In commercially successful art we find a sense of belonging.
loneliness epidemic?
Essentially, what do researchers owe their human subjects when they collect DNA for studies – and all the more so when the participants are from some of the world's most marginalized communities?
henrietta lacks
In the moment, canceling plans in the name of boundaries, wanting to be more efficient or take better care of yourself might feel great.
rosary para la virgen en diciembre
mutual contract of responsibility
john locke's social contract