70 Matching Annotations
  1. Dec 2016
    1. This allowed for chil- dren's literature to be used not just for particular instructional outcomes but to help children devel- op and enhance the capacity to locate themselves in their socio-political places and spaces and to engage in social action

      Children should be able to have something that they can relate to that will help them solve their problems. The literature that they are reading can help them with social situations and work their way out of some of the problems that they may find themselves in.

    2. Literature has the potential to make a differ- ence in the lives of African American males

      I think that this is a very good point, but it can make a difference in anyones life, not just African American males.

    3. he use of contemporary realistic fiction, in which dilemmas in society are pivotal, have the potential to "open wide" the mouths of these African American male readers

      This is a very hard race and gender to find literature about. We need more authors to write realistic fiction so people have something to relate to when they are reading literature.

    4. I know that a mind "turned off' to literature is a mind often ignored in traditional classrooms, and therefore a mind that will have fewer venues for expressio

      A lot of people are against reading and literature. It gives them a bad attitude about school and a horrible mindset going into it, not immersing themselves into school and allowing themselves to experiencing it the way that they need to.

    5. This suggested to me a need for more con- temporary themes in reading material for some readers. It moved me to explore the pedagogica

      I think that it is important to be able to have more contemporary themes in reading. Students need to be able to relate to something when they are reading.

    1. s, it also turned some students even more intensely toward their own privileged experiences

      Hopefully it gives the students a different point of view on what they have and make them appreciate what they have more than they normally would.

    2. any students reflected upon how priv ileged they were and started to appreciate what they had

      Once students are made aware of what they have versus what people who aren't as lucky as them have they truly understand what they have and are grateful.

    3. Many of the students were amazed at how different this school was from the one they had attended. As one student said, "Small Victories presents an overwhelming picture of a place I never knew existed.

      Like I said before, many students that are privileged have no clue what it like to be poor and not have everything that they want or need. It is shocking to them that people live without daily necessities.

    4. Thus, many are not aware of how their own thinking and attitudes are rooted in their white, middle class cul ture.

      A lot of people in privileged areas have no idea how lucky they are to have the things that they do, especially young students.

    5. help my students better understand the inequalities among schools and students and the cultural diversity in American schools.

      This is so important, especially in CT. We have one of the biggest gaps in America. I think that it is really important that the students are aware how lucky they are if the live in a more wealthy area and that students can work hard and grow and get better and make their lives better if they live in an urban setting.

    1. For centuries people have been telling folktales, sometimes the same ones with characters changing their names but not their personalities from culture

      This is good for children because if they get attached to a specific character it is good for them to see them again in another folktale or fable.

    2. lowers, claimed that animals reprove and correct much more effectively than the teachings of membe

      It is crazy how children relate to animals a lot more than humans. It helps them realize that humans ma not be the only ones that are affected. It is a creative and different way to express emotions and the way that humans act that grab children's attention.

    3. Fables are simple, short and with a moral purpose and they can attract young children who usually love animal storie

      You want the fable to be easy to grasp for children so they are able to understand it. Children are not going to understand long stories that are complicated and drag out.

    4. e moral and social points of vi

      Morals and social points of view make for a great fable. It takes the idea of the moral of social point of view and puts it into perspective of what it might look like in reality. This will make the moral or social point of view easier to grasp.

    1. Keep in mind opportunities for publishing stu- dent effor

      This is a great way to motivate students to do great work. If they know that their work is going to be published it will give them incentive to work harder and do well.

    2. these kid's books for?" and "What are the kids in the other classes gonna thin

      Students will probably question you, but you just need to have the appropriate answers to respond back to the students.

    3. A further benefit is that students functioning below grade level comprehend the story easily and are relieved from spending intellectual energy cracking the code of a more complex selection

      This is something that would be great in the special education department. You can use picture books to help the students who may have a learning disability that causes them to read and decode below grade level.

    4. y. Sophisticated picture books- not those designed as easy readers-provide rich- ness in language not found in the controlled vocabulary of basal read

      This is something that you probably wouldn't think about. Picture books are something that you would normally associate with children's literature, not something in a secondary education classroom.

    5. Picture books are not a replacement for other types of literature or learning materials. Ra

      I think that picture books are a great second option to learning materials. It is something different and new that students are not expecting in the classroom.

  2. Nov 2016
    1. he children were anxious to respond.

      I think that it is important for children to respond to the poems that they are reading. It gives them something the reflect on and possibly compare their writing to.

    2. n Day 1 our minilesson was simply to recognize that all poetry does not rhyme. We considered this an important first minilesson because we wanted to make sure that the children would be free to write their own poetry without the constraint of rhyme. On Day 2 our reading and writing mini lessons addressed repetition.

      Teaching children that their poems don't need to rhyme or have repetition is something definitely should be touched on and not overlooked. This will spark kid's imagination in itself and will teach them that there are no restrictions when they are writing poetry.

    3. ince the teacher selects poems based on the needs and interests of students, the classroom anthology is different each year.

      This is awesome. It allows students to have access to multiple reading sources each year and the readings are selected to benefit the students in the class personally.

    4. typical day in our reading workshop (Hansen, 1987) and writing work shop begins with our first graders writing in their journals as soon as they arrive. The teacher gives a written response to each child's entry. The child reads his or her entry and teacher's response.

      I love this idea. It gives teachers an idea of what is going on in their student's lives and creates a personal relationship with both of them. Not only is this feedback, but it creates conversation between the students and the teacher.

    5. oetry is often neglected in classroom literacy experiences (Denman, 1988).

      This makes sense. Often in schools students are not taught poetry until they are in high school in a literature specific class. I personally do not remember being taught poetry. Maybe it was briefly touched upon in elementary or middle school, but we never spent a lot of time on it.

    1. and its objective is to produce learners who not only can read but who also choose to read

      I think that this is awesome. From a young age we want to promote reading to children. If this instructional method show kids that reading can be fun, we want to use it to prove that reading isn't always a hassle and can be something that we want to do for fun.

    2. On the average, children who are taught phonics get off to a better start in learn ing to read than children who are not taught phonic

      I agree with this statement. My sister was not taught phonics and she and a decent amount of her grade had to attend summer school because they could not read.

    3. What is needed is an approach that combines the two in a complementary manner?a method that presents the two as mutually supportive and taught in a manner that makes the interrelationships clear to chil dren

      Introducing phonics and fun literature to students can be a very effective way for them to want to learn how to read. Phonics is a very important fundamental for students and introducing it through literature may help students practice this skill in a fun way.

    1. n addition to the overt and subtle messages about gender norms communicated by parents, siblings, and teachers (Martin, 1998, 2009; Wohlwend, 2012a), messages about how to appropriately express one’s gender are communicated through the material resources that populate childhood: television shows and movies (Gauntlett, 2008; Gill, 2007; Wohlwend, 2012b); color-coded clothes and toys, with their gender-specific designs and intended uses (Goss, 1999; Pollen, 2011); technologies (Calvert, 1999; Cassell & Ryokai, 2001) and storybooks (Gooden & Gooden, 2001; Peterson & Lach, 1990)

      When you walk around a store everything is labelled into gender specific items. These same stereotypes are brought into the classroom and they need to be diversified. It will be okay if a boy comes into your classroom wearing a dress, or a girl walks in with a buzzed head. Try and bring diverse selections of books and pictures into your classroom so that all students will feel welcomed.

    2. Elementary-aged children are quite capable of interrogating societal norms

      A lot of children are aware of their surroundings even at a young age. They pick up on the things that their peers, teachers, parents and everyone around them say or do. They are aware of what might be going on in the world around them and will follow what those around them are doing. Thus they are picking up on the social norms of society.

    3. Yet a growing body of research makes it clear that children begin to internalize dominant beliefs about gender as early as preschool

      This is such a true statement. I currently work in a preschool and it is very hard to break the typical gender stereotypes that the children already have in their mind. From a young age the children believe that only the girls should play with the dolls or dress up in the kitchen and they boys should be the ones playing with the action figures or matchbox cars. We have kid who are afraid to play in certain centers because of what their peers may think of them. At 3 or 4 kids should not have to worry about what others will think of them and what toys they should and shouldn't be playing with. As educators we need to break this stereotype so children feel comfortable doing or playing with whatever they want.

    4. Despite overwhelming evidence that dominant assumptions about gender, linked to this “normal” view, constrain people’s intellectual, emotional, vocational, and social lives, only the most limited efforts have been undertaken to challenge these narratives with students in formal educational contexts

      A person's gender should not affect how they learn. We all have the ability to learn whether we are girls or boys or transgender or questioning our sex. We all have the right to learn no matter what.

    5. implicit in larger symptoms of cultural dysfunction, as in ongoing efforts to silence, bully, intimidate, and threaten women who speak up against sexism in video games and other popular media,

      So many women get criticized for standing up for themselves and what we deserve. We have the right to be treated equally and with respect and to have people stop objectifying us.

    6. The first emergency that drives this dissertation is the need to create livable educational spaces for queer bodies.

      This statement is so important. You need to be able to create a welcoming environment for all students in your classroom that allows them to learn and feel accepted. Students who may be LBGTQ need to feel safe and accepted inside of the classroom, because outside of the classroom you do not know what may happen to them.

    1. In July 2013, CELL presented SAP with a list of 150 multicultural titles, which were recommended by educators from across the country and by more than thirty award committees. All the books were annotated and excerpts were provided. The 700+ PowerPoint slides of the project can be found here. SAP then sent the project to Stanford University’s Understanding Language Program for validation of text complexity. The Council of Chief State School Officers has yet to make the addition to the CCSS website.

      This is awful. Students who have a different background should have access that brings their culture into the classroom.

    2. When the CCSS were open for public comment in 2010, I (Gangi) made that criticism on the CCSS website. My concerns went unacknowledged.

      This does not surprise me unfortunately. It is sad that people do not care about children of color and how they are not represented accurately or at all in the classroom.

    3. When the Common Core State Standards (CCSS) were introduced in 2009—2010 , the literacy needs of half the children in the United States were neglected. Of 171 texts recommended for elementary children in Appendix B of the CCSS, there are only 18 by authors of color, and few books reflect the lives of children of color and the poor.

      This is insane to me. These children deserve to be reading books by authors who have the same color skin or the same background as them. If students of color are reading books over and over again by people who arent like them, it is discouraging. It makes them feel like they are not able to do the same thing as other people.

    1. think the app holds special promise for writing in the early childhood classroom.

      I think that this app is great, but it can also be used in higher grade classrooms at the elementary level. I am really interested to see how i might be able to you this app in my classroom when I become a teacher.

    2. You may however want to connect the writing to learning objective taught during a mini-lesson.

      I agree that free writing is really important for students to have, but I also agree that it can be focused. You can have your students write about whatever they want, but make sure they include whatever your lesson was about.

    3. Many of the characters have animations

      Having the students picture what the story may look like is a great literacy strategy. It is good for the students who have a more difficult time picture what the story may look like.

    4. I am always on the hunt for new digital text and tools to support writing in the early childhood education classrooms.

      I think that it is awesome that technology is being introduced more frequently into classrooms. It is something that is becoming more predominant everywhere including classrooms.

    1. VaShawn: Good, so I can tell about Mikey; you know, details. After the day's minilesson, I invite volunteers to share what they will draw and write about in their journals. Several children usually are eager to contribute. I add these new ideas to the class topics chart, which displays a cu mulative record of possible writing top ics. Listening to the sharing of ideas and consulting the charts are especially helpful to students who experience dif ficulty selecting a topic. Illustration for rehearsal Even though most of the children at this point have identified new topics they probably will write about, or have decided to continue writing pieces be gun previously, I have found that they are not yet ready to "dive in" and write. They need to explore their ideas further, to get a feel for where they may go with their topics. Talking about their topics with peers provides good rehearsal, but children can easily get off task. In my experience, one effective way to provide meaningful rehearsal before writing is to have a 10-minute illustra tion time before the real writing period begins. I use a kitchen timer set for 10 minutes, and the children know that they should be ready to begin their writ ing by the time the bell rings. They may start writing sooner if they are ready. The children often talk about their drawings while they draw, sometimes with peers, or to themselves. In either case, it is productive because many times the talk leads to inclusion of de tails in their drawings about which they will later write. All of the children use a special type of paper for their journal entries: The upper half of the sheet has a large block of space for an illustration. Each child's drawings and writing are eventually collected in individual deco rated journal folders. Time to write When the timer bell sounds, the chil dren begin to write their entries on the lines provided below the spaces where they drew their illustrations. As the chil dren settle into their composing, I turn on a CD of classical background music. Then I circulate among the children to Figure 3 Conference notes for Mary Date Child's topic Instruction given during the conference Comments 8/25 my friends 9/2 my fnends again 9/9 playing house using end punctuation (period) (Note: I record the topic of the direct instruction that I give based on a particular element in the child's writing.) spelling and beginning sentence with capital letter watch for run-on sentences (Note: I often use a key word or phrase to indi cate to myself what I want to be sure to watch for during the next conference with the child, At other times, I note milestones in the child's writing, as in the entry of 9/9, below.) still run-on First time she chose to add a sentence! answer questions and to provide addi tional support to children who find writ ing difficult. All children are expected to write during this time, but I also al low quiet on-task talk between class members as needed. This helps to de velop the notion that the class is a com munity of writers. At the beginning of the year, the time for writing may be about 15 minutes. Later, as the children develop their writ ing fluency, the time may extend to 45 minutes. Students also reread and adjust their writing more as the year progresses and as minilessons about revising and editing are taught and applied. The workshop structure becomes more flex ible as children become more proficient writers. Some children may extend work on one piece over several days; others may write multiple pieces in a single day. Sharing Sharing follows the writing time. About one fifth of the class shares a piece each day. That enables me to con fer one-on-one with each child each week. Du

      I think that sharing is a great way for students to get feedback on their writing from someone other than the teacher. It will also help boost their confidence and improv their public speaking skills.

    2. onference notes for Mary

      I love the idea of conferences with students. It really gives them an idea of where they are and how they are doing on a given topic. It is nice for students to be able to see how they are doing throughout the entire process and given a chance to improve their work instead of just getting a final grade at the end.

    3. I believe several children could profit from a given mini lesson, it is time to teach it to the class. I repeat the content of most minilessons several times throughout the year, so if a child does not pick up on what is taught initially, there will be other op portunities to learn. Further, childr

      I think this is great. I have noticed from my filed experience that kids do not remember strategies unless they are practicing them. If you are reteaching these minilessons a few times over the school year, it could help them retain the information.

    4. encourage children to practice their phonemic segmentation skills as they pronounce words slowly to hear the phonemes in the words and to a

      I agree with how we need to encourage students to start early on pronunciation skills. This will help students with their reading skills and it will teach the kids to be proactive readers and spellers.

    5. Figure 1 Daily schedule for first-grade journal-writing workshop

      This schedule was very beneficial. I really like how there were a few different options of lessons that we can choose to complete. I also really like how these lessons all differed in times too. I also enjoyed how to broke down what you as the teacher are suppose to be doing and what the students are suppose to be doing.

    1. dividual reading conferences. During the last 10 minutes of each RW, the teacher meets with two students for individual reading conferences. Students make appointments on a sign-up board at least one d

      I like this because it allows the teacher to be able to see where the students are in their reading and makes sure that they are understanding and comprehending what the text is saying.

    2. his im plies that students be given opportunities to make choices about how they will spend their reading time.

      In my EDU 200 class, the students were given options of where they wanted to read and what book they wanted to read. They were given the option, so SSR was more appealing for them. Once a week they were also given the option to do online reading games on the computer instead of physically reading a book. This really helped them want to participate in SSR time.

    3. second classroom concern centers on making sure that students use their time wisely during the reading period.

      A lot of students do not know how to sit and read properly without goofing off and fooling around. Promote an environment that will allow the students to be able to sit and read independently and quietly. You just have to make sure that the students are staying on task while reading and getting an effective amount of work done.

    4. ) a lack of time spent reading, and 2) the use of worksheets to manage the classroom. W

      Teachers need to have a balance of reading time and worksheet time. I know that a lot of the time worksheets are now being frowned upon and said to just be busy work, but there is definitely a time where it is appropriate for students to be completing worksheets, but you also need to make sure that students get a good amount on independent reading time.

    5. ne wonders if the way classrooms are orga nized and run has something to do with the neutral emotional tone we observed in many of them.

      I think that the organization and the way that a classroom is set up will set the background for the mood of the classroom. We dont want the classroom to be too overwhelming, but we want it to be inviting and promote learning.

    1. Wanting to focus the students on one central question that would resonate with them, I asked, “Do you think African Americans should integrate or separate?

      This makes sense. One big essential question will promote thinking, but allow the students to go off in various different directions that will relate to their lives.

    2. This is problematic because educators who are seeking to identify ways to engage African American males in reading-related tasks have little guidance in doing so. For example, a high school administrator recently e-mailed me on behalf of a 9th grade teacher. They were both “looking for a piece of literature that may teach [respect and civility] without doing so in an explicit fashion.

      We want to be able to teach these males effectively and have them relate to things that are going on around them, but we may not be able to relate to. This literature needs to be appropriate for these students to read, but something that they are able to relate to.

    3. Students in such neighborhoods are often too consumed with concerns about mortality and safety to think seriously about either schooling or their uncertain futures

      Some of these students that may live in low socioeconomic areas have more to worry about than completing their homework. These basic social needs need to be met before their academic needs are taken into consideration.

    4. These adolescents must also deal with negative stereotypes in and out of school

      You have to take into account that these students are facing the same issues that are going on with grown adults outside of the classroom. Their color of their skin, their socioeconomic status are just a few things that they have to worry about on a day to day basis. These may be issues that they are faced to deal with outside of school that are out of your control. These stereotypes may feed into their behavior in the classroom.

    5. These students are often subject to disproportionate and sometimes unfounded grade retentions and suspensions because teachers and administrators misinterpret these behaviors and find them offensive

      You have to be able to know your students and understand their behaviors. You have to be able to decipher what is a behavior out of spite and what is something that you genuinely have to be concerned about and report it. In this day and age people get offended very easily, but we need to be able to be advocates for our students and realize that not all behavior is bad and that detentions and suspension may not be the right answer for the students wrong behavior.

    1. The issues raised during discussions ofcarefully selected pieces of children’s literature within the context of contemporary society can invitechildren to make connections to their lives and communities.

      I think that is school be this way. Students should be aware of whats going on in the world around them and be able to respond and connect to it. I also think that by doing this you can do current events or something like that to tie in a social studies element.

    2. For instance, a university course in children’s literature, let alone a course in

      This is very surprising to me. It is crazy how in different states teachers are not held to the same standard that other states are. I feel that this class is helping to be be able to properly teach children's literature and how to bring it into the classroom in the right manner. If teachers are not taking a class like this one, then students are not going to be adequately taught.

    3. elementary teachersfrequently are forced to adopt instructional practices and commercialprograms that focus on decoding and comprehension strategies

      It is sad now that teachers have to teach to the standard or the standardized test. Teacher evaluations are something have are now based off of how well your students do on the standardized test, not how well the excel in the regular school day/school year. The school forces teachers to teach to the test and that these certain tools or resources need to be brought into the classroom to promote success on the tests.

    4. 8/19/09 12:20 PMReading Online - Articles: Informing Our PracticePage 1 of 15http://www.readingonline.org/articles/serafini/Informing Our Practice: Modernist, Transactional, and CriticalPerspectives on Children’s Literature and Reading InstructionFrank SerafiniFor a printer-ready version of this article, click here. Use your browser’s “back” button to return to the Reading Online site.According to research reports, the amount of children’s literaturepublished and its use in elementary classrooms have expandedexponentially during the past two decades

      This statement makes a lot of sense. Schools have developed in the past 20-40 year. We are doing so many more advanced things in school now that our parents did when they went to school. Literature and the curriculum that goes along with it have developed so much.

    1. Foundational Skills

      I like how the standards are broken down into three sections in reading: foundational skill, informational text and literature. It makes it easier to get more information in and to be able to provide more information for them to know,.

    2. Reading Standards for Literature K–5

      I think the standards are set up nicely and really easy to read. It guides you by grade and by standard and lays out exactly what you need to know in each grade.

    3. 6 | iNTrOduCTiONCommon Core State StandardS for enGLISH LanGUaGeartS & LIteraCy In HIStory/SoCIaL StUdIeS, SCIenCe, and teCHnICaL SUbjeCtS1.The Standards define what all students are expected to know and be able to do, not how teachers should teach

      This is an important part because so many people think that the CCSS are forcing our teachers to teach the way that they do, but they arent. The CCSS are just telling us what they students need to know by the time they are finished with each grade and school in general.

    4. The Common Core State Standards for English Language Arts & Literacy in History/Social Studies, Science, and Technical Subjects (“the Standards”) are the culmination of an extended, broad-based effort to fulfill the charge issued by the states to create the next generation of K–12 standards in order to help ensure that all students are college and career ready in literacy no later than the end of high school.

      These standards are so important. A lot of people feel that they are unnecessary or too hard, but these standards are preparing our students for their future in either college or their career.

    1. Through dialogue, open-ended questions, and consensus building, youth from all backgrounds are invited to exercise theirrights as engaged citizens to help create community responses to inequality.

      We need to get these students thinking about who they are and how they can defy the odds. They need to be made aware about the labels and standards that they are held to.

    2. When POSA is “over” no one reallywants to leave.

      This reminds me of a program here in New Haven. The children are more willing to learn from these programs as opposed to learning at school. They want to be at these programs to better themselves.

    3. oo many youth have been locked into a single story and, thus, a monolithic boxwith descriptors, such as “at risk,” “troubled,” and “delinquent.”

      I agree that too many kids are being labeled "at risk" or "troubled". It is important that they do not see themselves as this label, as it will just make them believe their label. We have to show them that they are not their label and can be successful.

    4. performingliteracy” in particular (Fishman, Lunsford, McGregor, & Otuteye,2005), can be a mediatingtool for youth to navigate the “lively labyrinths” of urban public schools

      I think that it is good and necessary that all of the following areas are used for Africans to be exposed to literature. It is important that literature is used in various other settings other than at schol.