https://opinionator.blogs.nytimes.com/2010/08/22/the-third-replicator/

https://opinionator.blogs.nytimes.com/2010/08/22/the-third-replicator/

http://www.e-flux.com/journal/83/141287/overcoming-internet-disillusionment-on-the-principles-of-meme-design/

http://www.e-flux.com/journal/83/141287/overcoming-internet-disillusionment-on-the-principles-of-meme-design/

http://www.nosotros-art.com/revista/opinion/la-mirada-en-la-era-de-las-salchichas-visuales

http://rhizome.org/editorial/2016/may/12/on-the-gaze-in-the-era-of-visual-salamis/

“[...] we are lured into a perpetual state of retromania, because, as the late Mark Fisher pointed out, it is the present that has gone missing (MakeAmerica Dank Again). Pseudo-events have no chronology, no development, no beginning or middle, let alone an end. WeÕre beyond the terminal process, beyond the postmodern patchwork. Everything accelerates”.

http://www.e-flux.com/journal/83/141287/overcoming-internet-disillusionment-on-theprinciples- of-meme-design/

“[...] we are lured into a perpetual state of retromania, because, as the late Mark Fisher pointed out, it is the present that has gone missing (MakeAmerica Dank Again). Pseudo-events have no chronology, no development, no beginning or middle, let alone an end. WeÕre beyond the terminal process, beyond the postmodern patchwork. Everything accelerates”.

http://www.e-flux.com/journal/83/141287/overcoming-internet-disillusionment-on-theprinciples- of-meme-design/

Bauman, Z. (2017) Retrotopy. Cambridge: Polity Press.

https://download.dgmedia.info/? book=1229302661&c=es&format=pdf

Bauman, Z. (2017) Retrotopy. Cambridge: Polity Press.

https://download.dgmedia.info/? book=1229302661&c=es&format=pdf

http://www.re-visiones.net/ojs/index.php?journal=REVISIONES& page=article&op=view&path%5B%5D=165&path%5B%5D=194

http://www.re-visiones.net/ojs/index.php?journal=REVISIONES& page=article&op=view&path%5B%5D=165&path%5B%5D=194

http://manovich.net/index.php/projects/generation-flash.

http://manovich.net/index.php/projects/generation-flash.

http://joyofgif.tumblr.com/post/23221545148/daniel-rubinstein

http://joyofgif.tumblr.com/post/23221545148/daniel-rubinstein

https://www.marinfuneralhomepr.com/

Riegl, A. El culto moderno a los monumentos (2008) La balsa de la Medusa, Madrid, España. p.31</p>

Riegl, A. The Modern Cult of Monuments: Its Essence and Its Development (1928). En Stanley Price, N. et al., Historical and Philosophical Issues, The Getty Conservation Institute, Los Angeles.

link to .pdf

link to .pdf

“El valor de antigüedad prescinde en principio totalmente de la manifestación individual localizada como tal y valora únicamente la impresión anímica subjetiva que causa todo monumento sin excepción alguna, es decir, sin tener en cuenta sus características objetivas específicas, o más exactamente, teniendo en cuenta solamente aquellas características que indican la asimilación del monumento en la generalidad, las huellas de la vejez, en lugar de las que revelan su individualidad originaria y objetivamente cerrada.”

—Riegl, A. El culto moderno a los monumentos (2008, edición original 1903) Pág 40.#Turismo de ruinas

"Indeed, much of the focus on bodies stems from the process of forgetting the body (or trying to forget about forgetting the body!)."

Alexander Galloway, Protocol, p.194 [Citattion taken from Faith Wilding and Critical Art Ensemble, “Notes on the Political Condition of Cyberfeminism.”

"I feel like there’s nothing inside of me but blackness—no veins, no organs, just a shell physically, but open and full of universes from my toes to my hair follicles. There are rhymes coming out of me, because there ain’t no stomach, there ain’t no heart, no intestines to get in the way of that shit."

Greg Tate, Flyboy 2 : the Greg Tate reader p.73

In this sense: how we can relate the artifactual mind of "history's violence" (i.e. the Artificial) as immaterial? Are we able to produce a history of violent ideas in absence of its technical execution?

“The horizon opens a field, a continuum of degrees, between the illusion of a transparent reading and what looks as if it will never be within reach because it maintains all these ‘reaches’.”

Gilles Châtelet, Les Enjeux du Mobile: mathématique, physique, philosophie (Paris: Éditions du Seuil, 1993), translated into English as Figuring Space: philosophy, mathematics, and physics (Dordrecht: Kluwer, 2000).

Demonios within the 'resolution.'

"We suggest, therefore, that one important difference between those who lived and those who died was an enhanced genetic-based ability to retain salt. [...] Because the high mortality during slavery was caused largely by salt- and water depletive diseases, we have suggested that one genetic difference between the two populations may relate to sodium metabolism. We hypothesize that an enhanced genetic-based ability to conserve salt is more prevalent among western hemisphere blacks than among African blacks and may, in part, explain the higher blood pressure levels in the former group."

Biohistory of Slavery and Blood Pressure: Differences in Blacks Today, A Hypothesis Thomas W. Wilson and Clarence E. Grim

http://hyper.ahajournals.org/content/hypertensionaha/17/1_Suppl/I122.full.pdf

Amber dancing in dipped bones tonges in holy, wrought teeth bodies caskets are never ready

https://www.youtube.com/watch?v=pR0SHivjVnc

Windows

Chapter V

I'm Going to Describe a Ritual by Beatriz Santiago Muñoz

Chapter IV: Quasi-Cinema

Chapter III

The Domain of the Landowner, the Cimarron's Forest

from 'I'm Going to Describe a Ritual' Beatriz Santiago Muñoz

www.scrolldiving.pro