but~ ' ilia djfrence betweel!.9,nema and photorrcphy is that the viewpoint Cail be"'mo 1 e, can get awa .f static ocus and share the speed of movmg o Je
Virilio is speaking about distance, a crucial element. Virilio speaks to this distance both physically and perceptually. While both cinema and photography present a perspective, the targets are now hundreds if not thousands of miles away from where they are spotted on a video screen and button is pressed and perceptually they are equally distant.