those eighteen glammering gold chains around the throat of pity,
Alliteration is used here and this gives a bigger picture of how the man was viewed.
those eighteen glammering gold chains around the throat of pity,
Alliteration is used here and this gives a bigger picture of how the man was viewed.
to crush a fool’s face like newsprint; headlines
A simile is used here which shows that Mr. T is angry and some people may look at him as scary or intimidating.
Sometimes drugged & duffled (by white men) into a cockpit
This here shows me that there was some racism and white men feeling like they can do whatever to colored people.
in a hedgerow afro, an ox-grunt kicking dust behind the teeth; those eighteen glammering
The author is continuing to show imagery here. The author is showing how this man is viewed as people see him.
A man made of scrap muscle & the steam
This gives me a visual image of what the man looked like and shows to me that this man was probably quite big.
And just what was mother doing out back with the field mice? Why,
The author here is mentioning what the daughter thinks about her mother. The child thinks the mother should be inside always but she was just outside collecting her things. The child here has a hard time understanding how hard her mother works.
Sometimes there were things to watch- the pinched armor of a vanished cricket, a floating maple leaf.
She is using these images to contrast her own vivid blood. As she would stare off into the distance she would think of her burdens in life.
a doll slumped behind the door.
Another example of alliteration. This is also an example of imagery of the mother who is obviously very tired and she goes limp.
steaming on the line,
This here is a alliteration. The author does a nice job showing the readers what the mother had to go through in her everyday life. This sets the mood for the poem.
building a palace.
This symbolizes the mother wanting her own space so she refers to the palace.
when she closed her eyes she’d see only her own vivid blood.
This is a piece of imagery here. By her closing her eyes she feels at piece and she has nothing to worry about.
So she lugged a chair behind the garage to sit out the children’s naps.
This shows here that the mother was very tired and needed a much needed break.
If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs,
The narrator here wants to it to seem very frightening.
As under a green sea, I saw him drowning.
This is a metaphor here meaning that he saw him drowning by the gas that he was inhaling.
like a devil’s sick of sin;
Another example of a simile which entails the pain he must have been feeling.
If in some smothering dreams, you too could pace Behind the wagon that we flung him in,
This is an imagery here of the dying soldier that laid in the wagon.
And flound’ring like a man in fire or lime.
This is another example of a simile. This is a word that you hear about as fish but is also described here as the gas the victim intakes.
Bent double, like old beggars under sacks,
This simile shows us how exhausting this must have been and gives us an image of old men walking down a rough path.
He raises both hands to touch the cloth, asks, Which is this? This is persimmons, Father.
The author shows us here that even though the father was blind he still wanted to attempt to paint a persimmon.
Once, in the cellar, I found two wrapped in newspaper, forgotten and not yet ripe. I took them and set both on my bedroom windowsill, where each morning a cardinal sang, The sun, the sun.
The author does a wonderful job of explaining what all the boy had found.
Mrs. Walker brought a persimmon to class and cut it up so everyone could taste a Chinese apple. Knowing it wasn’t ripe or sweet,
I find this interesting here. She wanted to see if everyone noticed that it wasn't ripe? This reminds me of earlier in the story how the boy didn't know the difference between the two. He only knows what a persimmon is.
fight and fright, wren and yarn. Fight was what I did when I was frightened, Fright was what I felt when I was fighting. Wrens are small, plain birds, yarn is what one knits with. Wrens are soft as yarn.
Here they are comparing words to one another.
Ripe ones are soft and brown-spotted. Sniff the bottoms. The sweet one will be fragrant.
This gives an image of what persimmons look like and how to pick the right one.
between persimmon and precision.
What is the difference between the two?
"Poor Bobby," Mrs. Das said. "Come here a second. Let Mommy fixyour hair.
Now she is acting like she cares but never had until then.
"Mr. Kapasi," Mrs. Das shrieked, noticing him standing to one side."Do something, for God’s sake, do something!
Neither of Bobby's actual parent's would do anything to help him.
"It means that I’m tired of feeling so terrible all the time. Eight years,Mr. Kapasi, I’ve been in pain eight years. I was hoping you could help mefeel bette~; say the fight thing. Suggest some kind of remedy."
It seems hear that she is now arguing with Mr. Kapasi.
"We met when we were very. young," she said. She reached into herstraw bag in search of something, then pulled ont a packet of puffed rice."Want some?’’
She offered Mr. Kaspasi things that she wouldn't offer her own children.
Even when they had made love shekept the panels of her blouse hooked together, the string of her petticoatknotted around her waist.
This shows that they weren't fully in love but now Mr. Kapasi is trying to picture what Mrs. Das would look like naked.
When he finished writing his address Mr. Kapasi handed her thepaper, but as soon as he did so he worried that he had either misspelledhis name, or accidentally reversed the numbers of his postal code. Hedreaded the possibility of a lost letter, the photograph never reachinghim, hovering somewhere in Orissa, close but ultimately unattainable.He thought of asking for the slip of paper again, just to make sure he hadWritten his address ac
He wanted to keep in touch with Mrs. Das so badly and was afraid of messing something up. I wonder what's going to come out of this.
"What’s your address, Mr. Kapasi?" she inquired, fishingfor something inside her straw bag
This line is interesting to me. I wonder what the intent of this is.
He began to check his reflection in the rearview mirror as he drove,feeling grateful that he had chosen the gray suit that morning and notthe brown one, which tended to sag a little in the knees. From time totime he glanced through the mirror at Mrs. Das.
It also seems now that Mr. Kapasi is interested in Mrs. Das as well.
r’s office, or said that his job was a big responsibility.For this reason it flattered Mr. Kapasi that Mrs. Das was so intriguedby his job. Unlike.t’ds wife, she had reminded him of its intellectual chablenges. She had algaused the word "romantic." She did not behave in aromantic ~vay toward her husband, and yet she had used the word todescribe him.
Mrs. Das was interested in Mr.Kapasi and that's why she used the word "romantic".
"I don’t know. Something." She shrugged, knitting her brows togetherfor an instant. "Would you like a piece of gum, Mr. Kapasi?" she askedbrightb: She reached into her straw bag and handed him a small squarewrapped in green-and-white-striped paper. As soon as Mr. Kapasi put thegum in his m~uth a thick sweet liquid burst onto his tongue.
Clearly Mr. and Mrs. Das are not happy in their marriage. Now Mrs. Das wants to learn more about Mr. Kapasi's job and offered him things that she wouldn't even give her own kids.
Mr. and Mrs. Das behaved like an older brother and sister, notparents. It seemed that they were in charge of the children only for theday
This shows that maybe they aren't mature enough to be parents.
The little girt stuck out a hand. "Mine too. Mommy, do mine too.""Leave me alone," Mrs. Das said, blowing on her nail and turning herbody slightly. "You’re making me mess up."
This just shows once again that she doesn't want to be bothered by her daughter. She is putting herself before her children.
, but Mrs.Das said nothing to stop her. She sat a bit slonched at one end of theback seat, not offering her puffed rice to anyone.
She doesn't seem to care about her daughter.
Mr. Kapasi found it strange that Mr. Das should refer to his wifeby her first name when speaking to the little girl.
I wonder why this is? This could be a cultural thing.
onny and Bobby, who appeared very close inage and had teeth covered in a network of flashing silver wires. The fam-ily looked Indian bnt dressed as foreigners did
This statement is giving me an image of what the two boys looked liked.
They were on their way to see the Sun Temple at Konarak. It was adry, bright Saturday, the mid-July heat tempered by a steady oceanbreeze, ideal weather for sightseeing. Ordinarily Mr. Kapasi would nothave stopped so soon along the way, but less than five minutes after he’dpicked up the family that morning in front of Hotel Sandy Villa, the lit
The story seems to begin with some conflict which is going to set the mood for the rest of the story. Mr. and Mrs. Das seem to have different agreements. I have a feeling they are going to be in disagreement a lot during this story.
Among the men there would be grumbling, of course, andmaybe worse, because their days would seem longer and theirloads heavier, but Lieutenant Jimmy Cross reminded himselfthat his obligation was not to be loved but to lead. He woulddispense with love; it was not now a factor. And if anyonequarreled or complained, he would simply tighten his lips andarrange his shoulders in the correct command posture
He has now learned he doesn't want to love but wants to be a fearless leader.
Instead he went back to his maps. He was now determinedto perform his duties firmly and without negligence. It wouldn'thelp Lavender, he knew that, but from this point on he wouldcomport himself as an officer.
He now seems like he wants to be a strong leader.
He was realistic about it. There was that new hardness in hisstomach. He loved her but he hated her
He seems to be mad at himself for putting so much time and effort into Martha.
She signed the letters Love, but it wasn't love, and allthe fine lines and technicalities did not matter. Virginity was nolonger an issue. He hated her. Yes, he did. He hated her. Love,too, but it was a hard, hating kind of love
This seems to be a major shift in the story. He completely changes from thinking about Martha constantly to not thinking about her at all.
was a steady rain falling, which made it difficult, but he usedheat tabs and Sterno to build a small fire, screening it with hisbody, holding the photographs over the tight blue flame withthe tips of his fingers
That was huge for Lieutenant to want to burn the letters Martha had wrote. He came to the assumption that it was time to move on.
They crawled into tunnels and walked pointand advanced under fire. Each morning, despite the unknowns,they made their legs move. They endured
This shows that they learned to keep on going and not give up no matter what they endured.
They carried all the emotional baggage of men who mightdie
This is something that they were used to and seem to be apart of their daily life.
l. They wereafraid of dying but they were even more afraid to show it
They seemed scared to express their feelings.
It seemed unchristian. He wished hecould find some great sadness, or even anger, but the emotionwasn't there and he couldn't make it happen. Mostly he feltpleased to be alive. He liked the smell of the New Testamentunder his cheek, the leather and ink and paper and glue,whatever the chemicals were. He liked hearing the sounds ofnight. Even his fatigue, it felt fine, the stiff muscles and theprickly awareness of his own body, a floating feeling. Heenjoyed not being dead. Lying there, Kiowa admiredLieutenant Jimmy Cross's capacity for grief. He wanted toshare the man's pain, he wanted to care as Jimmy Cross cared.
We get a good sense here how Lieutenant felt.
Say what you want, the man does care.
Lieutenant seems to be having a hard time grieving the death of Lavender which is what Kiowa was trying to say he really does care.
a poet and a virgin and uninvolved, and becausehe realized she did not love him and never would
Cross is starting to get upset after he is learning that Martha doesn't feel the same way. He seems to be loosing what all he had dreamed of.
something he would have to carry like a stone inhis stomach for the rest of the war
It seems like he was blaming himself for Ted Lavenders death.
Some things they carried in common.
The author here is letting us know what each person carried and helps the reader to better understand what burden each person had to carry.
Lee Strunk made a funny ghost sound, a kind of moaning,yet very happy, and right then, when Strunk made that highhappy moaning sound, when he went Ahhooooo, right thenTed Lavender was shot in the head on his way back frompeeing. He lay with his mouth open. The teeth were broken.There was a swollen black bruise under his left eye
This is another mention of Ted Lavender being killed.
He was just a kid at war, in love. He was twenty-four years old. He couldn't help it
He saw himself as a young boy who wanted to love and do what he wanted to do.
even dancing, she dancedalone—and it was the aloneness that filled him with love
He seemed to like to see her dancing alone to know that she wasn't with anyone else and that made him love her even more.
virgin and not a virgin
Why does this keep coming up? Why is it important to him?
Dense, crushing love. Kneeling, watching the hole, hetried to concentrate on Lee Strunk and the war, all the dangers,but his love was too much for him, he felt paralyzed, he wantedto sleep inside her lungs and breath
Cross should have probably been doing other things but the thought of Martha caused him so much distraction.
lf. Imagination was a kille
This seems important because it seems like the only thing Cross can think about is Martha and he can't get her out of his head.
n, but then he would slip awayinto daydreams, just pretending, walking barefoot along theJersey shore, with Martha, carrying nothing.
He was walking with Martha carrying nothing which is probably because he felt free when he was with her and all those extra things didn't matter.
On the march, through thehot days of early April, he carried the pebble in his mouth,turning it with his tongue, tasting sea salt and moisture. Hismind wandered. He had difficulty keeping his attention on thewar.
He had difficulty focusing on anything else because he was so focused on Martha.
They carried him out to a dry paddy, established security, andsat smoking the dead man's dope until the chopper came.
This was mentioned earlier in the story as well but in this paragraph it gives a better explanation of what happened to Ted Lavender.
As a medic, Rat Kiley carried a canvas satchel filled withmorphine and plasma and malaria tablets and surgical tape andcomic books and all the things a medic must carry, includingM&M's for especially bad wounds, for a total weight of nearly20 pounds.
Everyone in this story seems to be carrying a lot on them. This shows to readers how physically exhausting it must have been to carry a lot of materials on their body.
The things they carried were largely determined bynecessity.
This relates back to the title.
Martha,
Who is Martha? I have a feeling she will play a big role in the story.
And he was giving it back, as everything must be given back, so that, passing through death, it can live forever. I saw my mother's face again, and felt, for the first time, how the stones of the road she had walked on must have bruised her feet. I saw the moonlit road where my father's brother died. And it brought something else back to me, and carried me past it, I saw my little girl again and felt Isabel's tears again, and I felt my own tears begin to rise. And I was yet aware that this was only a moment, that the world waited outside, as hungry as a tiger, and that trouble stretched above us, longer than the sky.
The narrator began to realize why Sonny liked music.
Then they all gathered around Sonny and Sonny played. Every now and again one of them seemed to say, amen. Sonny's fingers filled the air with life, his life. But that life contained so many others.
This is where Sonny felt happy.
Now these are Sonny's blues
The blues that Sonny used to feel like himself and to release any emotions that he may have had.
"Creole, this is my brother. I told you about him."
I wonder if Creole who he speaks of is the narrator?
And other times-well, I needed a fix, I needed to find a place to lean, I needed to clear a space to listen-and I couldn't find it, and I-went crazy, I did terrible things to me, I was terrible for me.
By him saying he needed a clear space to listen this is where he turned to drugs.
"that's what I'm telling you! Everybody tries not to. You're just hung up on the way some people try-it's not your way!"
He is saying that people try not to suffer but sometimes there is no way out of it.
He turned back to the window. "No, there's no way not to suffer. But you try all kinds of ways to keep from drowning in it, to keep on top of it, and to make it seem-well, like you. Like you did something, all right, and now you're suffering for it. You know?" I said nothing. "Well you know," he said, impatiently, "why do people suffer? Maybe it's better to do something to give it a reason, any reason
Sonny shares that there's no way not to suffer which may have caused his drug use.
"Maybe." He played with the notebook. And something told me that I should curb my tongue, that Sonny was doing his best to talk, that I should listen. "But of course you only know the ones that've gone to pieces. Some don't-or at least they haven't yet and that's just about all any of us can say." He paused. "And then there are some who just live, really, in hell, and they know it and they see what's happening and they go right on. I don't know." He sighed, dropped the notebook, folded his arms.
Sonny really wanted to get into the music business awhile ago but then ended up getting into trouble.
her voice reminded me for a minute of what heroin feels like sometimes-when it's in your veins.
He is saying here that heroin makes him feel in control just like the woman's voice which he is saying he has to have sometimes.
The idea of searching Sonny's room made me still. I scarcely dared to admit to myself what I'd be searching for. I didn't know what I'd do if I found it. Or if I didn't
He could have been searching for drugs.
You going to need me, baby, one of these cold, rainy days
He was remembering what his mom said to always be there for his brother but Sonny got mad and wouldn't allow him to do so.
The silence of the next few days must have been louder than the sound of all the music ever played since time began. One morning, before she went to work, Isabel was in his room for something and she suddenly realized that all of his records were gone. And she knew for certain that he was gone. And he was. He went as far as the navy would carry him. He finally sent me a postcard from some place in Greece and that was the first I knew that Sonny was still alive. I didn't see him any more until we were both back in New York and the war had long been over
Sonny decided to run off and go be in the Navy. Everyone thought he had run away and didn't know if he was safe or not.
to this day-was what sacrifices they were making to give Sonny a decent home and how little he appreciated it
They were all upset because they were giving Sonny a place to live but he wouldn't attend school and wanted to focus on music other then going to school.
And as a matter of fact, it did cheer him up for a minute.
It seems obvious that Sonny wants to be a musician.
And you only got another year. It ain't so bad. And I'll come back and I swear I'll help you do whatever you want to do. Just try to put up with it till I come back. Will you please do that? For me?"
He wanted to help his brother.
He rubbed the muscle of one arm. "It's time I was getting out of here.
He seems like he wants to get out because he wants to start on drugs again and doesn't want his brother to know.
He turned back to me and half leaned, half sat, on the kitchen table. "Everything takes time," he said, "and-well, yes, sure, I can make a living at it. But what I don't seem to be able to make you understand is that it's the only thing I want to do.
Now the narrator needs to learn to support Sonny with what he is wanting to do.
He's just one of the greatest jazz musicians alive,
This is now starting to relate back to the title.
Well, the word had never before sounded as heavy, as real, as it sounded that afternoon in Sonny's mouth. I just looked at him and I was probably frowning a real frown by this time. I simply couldn't see why on earth he'd want to spend his time hanging around nightclubs, clowning around on bandstands, while people pushed each other around a dance floor.
It seems like he had envisioned something else for Sonny to do with his life.
Two days later I was married, and then I was gone. And I had a lot of things on my mind and I pretty well forgot my promise to Mama until I got shipped home on a special furlough for her funeral
He promised his mom that he would be there for Sonny no matter what.
You got to hold on to your brother," she said, "and don't let him fall, no matter what it looks like is happening to him and no matter how evil you gets with him. You going to be evil with him many a time. But don't you forget what I told you, you hear?"
She wants him to hold onto his brother for as long as he can and to protect him for anything happening to him.
"I ain't telling you all this," she said, "to make you scared or bitter or to make you hate nobody. I'm telling you this because you got a brother. And the world ain't changed.
She wants him to protect his brother from anything happening to him.
Oh, yes. Your Daddy never did really get right again
That's a lot of trauma to have to deal with and especially seeing the accident for himself.
because I never let him mention it before you children.
This was a scary event that happened and she wanted to protect her kids from that knowledge.
"Mama," I said, "ain't nothing going to happen to you or Sonny. Sonny's all right. He's a good boy and he's got good sense.
Here he is hoping that Sonny will continue to come clean from addiction and not go back.
And when light fills the room, the child is filled with darkness. He knows that every time this happens he's moved just a little closer to that darkness outside. The darkness outside is what the old folks have been talking about. It's what they've come from. It's what they endure. The child knows that they won't talk any more because if he knows too much about what's happened to them, he'll know too much too soon, about what's going to happen to him
This is another mention about darkness which the theme across the text has portrayed.
He hopes that the hand which strokes his forehead will never stop-will never die. He hopes that there will never come a time when the old folks won't be sitting around the living room, talking about where they've come from, and what they've seen, and what's happened to them and their kinfolk.
He wants everyone to come together at all times to talk about what might be going on he hopes that this never dies.
It was because he loved Sonny so much and was frightened for him, that he was always fighting with him.
Their father wanted what was best for Sonny just like the narrator wants what's best for him.
I wasn't doing it out of malice. I was trying to find out something about my brother. I was dying to hear him tell me he was safe.
The narrator wanted to make sure that Sonny was clean of drugs and didn't want him to become addicted again.
Sonny has never been talkative. So I don't know why I was sure he'd be dying to talk to me when supper was over the first night
Sonny was probably talkative because he hadn't seen his brother in awhile and also because he had been in prison with nobody to talk to.
So we drove along, between the green of the park and the stony, lifeless elegance of hotels and apartment buildings, toward the vivid, killing streets of our childhood.
I find it really neat that they are able to drive through their old home town together again and be able to look back on memories.
This life, whatever it was, had made him older and thinner and it had deepened the distant stillness in which he had always moved. He looked very unlike my baby brother. Yet, when he smiled, when we shook hands, the baby brother I'd never known looked out from the depths of his private life, like an animal waiting to be coaxed into the light
It seems like Sonny wants to do better for himself and it seems like he changed some while he was in prison.
Dear brother, You don't know how much I needed to hear from you. I wanted to write you many a time but I dug how much I must have hurt you and so I didn't write. But now I feel like a man who's been trying to climb up out of some deep, real deep and funky hole and just saw the sun up there, outside. I got to get outside
This letter makes it seem like that Sonny was really thankful that he got to hear from his brother. Which he hadn't heard from him in awhile.
That's right," he said to the air, "how would he know what I mean?" He turned toward me again, patient and calm, and yet I somehow felt him shaking, shaking as though he were going to fall apart. I felt that ice in my guts again, the dread I'd felt all afternoon; and again I watched the barmaid, moving about the bar, washing glasses, and singing. "Listen. They'll let him out and then it'll just start all over again. That's what I mean.
Sonny's friend and the narrator really go back and forth here. The friend thinks if they let him out then it's just going to go back to where he started.
They'll send him away some place and they'll try to cure him." He shook his head. "Maybe he'll even think he's kicked the habit. Then they'll let him loose"-he gestured, throwing his cigarette into the gutter. "That's all." "What do you mean, that's all?
He is most likely talking about a drug rehab place for him to get better.
I never give Sonny nothing," the boy said finally, "but a long time ago I come to school high and Sonny asked me how it felt." He paused, I couldn't bear to watch him, I watched the barmaid, and I listened to the music which seemed to be causing the pavement to shake. "I told him it felt great." The music stopped, the barmaid paused and watched the juke box until the music began again. "It did.
Sonny probably started doing drugs after meeting this friend. Since Sonny asked him how it felt and he said great he probably wanted to try it.
Funny thing," he said, and from his tone we might have been discussing the quickest way to get to Brooklyn, "when I saw the papers this morning, the first thing I asked myself was if I had anything to do with it. I felt sort of responsible.
I find it interesting that he felt sort of responsible.
Look. I haven't seen Sonny for over a year, I'm not sure I'm going to do anything. Anyway, what the hell can I do?
You can tell that he cares about Sonny and wants to help him but he doesn't know what to do.
"What're you going to do?" he asked me. "I mean, about Sonny?
It seems like the narrator and Sonny's friend don't get a long at all.
"You mean about Sonny? Yes, I already know about it. How come they didn't get you?"
The narrator seems upset that they got Sonny for drug use but didn't get his friend for doing the same thing.
He'd never been mine, having been too young for me, and, anyway, I'd never liked him. And now, even though he was a grown-up man, he still hung around that block, still spent hours on the street corners, was always high and raggy.
He probably didn't like him because he was also into drugs just like Sonny had gotten into.
The courtyard was almost deserted by the time I got downstairs. I saw this boy standing in the shadow of a doorway, looking just like Sonny. I almost called his name.
At this point he can't stop thinking about Sonny so he has the image of Sonny in his head.
I started collecting my stuff. I thought I'd better get home and talk to Isabel
This is the first time the narrator spoke of Isabel. It's probably his wife.
My clothes were wet-I may have looked as though I'd been sitting in a steam bath, all dressed up, all afternoon. I sat alone in the classroom a long time. I listened to the boys outside, downstairs, shouting and cursing and laughing.
This is probably from stress and worry. He couldn't stop thinking about Sonny.
I was sure that the first time Sonny had ever had horse, he couldn't have been much older than these boys were now.
You can tell that the narrator really loves his brother Sonny and wants what's best for him.
And he'd always been a good boy, he hadn't ever turned hard or evil or disrespectful, the way kids can, so quick, so quick, especially in Harlem.
He might have been a good kid once before but he could have possibly gotten into the wrong crowd.
I hadn't wanted to know. I had had suspicions, but I didn't name them, I kept putting them away.
This was probably because he wanted to assume Sonny wasn't getting into trouble but he really was.
A great block of ice got settled in my belly and kept melting there slowly all day long, while I taught my classes algebra.
It's interesting that he uses he has a block of ice in his stomach. This is probably from being nervous or scared for Sonny.
and in my own face, trapped in the darkness which roared
Learning about that his brother was arrested portrayed a lot of darkness. The more he read it and looked at it he couldn't believe it.
So we drove along, between the green of the park and the stony, lifeless elegance of hotels and apartment buildings, toward the vivid, killing streets of our childhood. These streets hadn't changed, though housing projects jutted up out of them now like rocks in the middle of a boiling sea
I find it really neat that they are able to drive through their old home town together again and be able to look back on memories.
This life, whatever it was, had made him older and thinner and it had deepened the distant stillness in which he had always moved. He looked very unlike my baby brother. Yet, when he smiled, when we shook hands, the baby brother I'd never known looked out from the depths of his private life, like an animal waiting to be coaxed into the light
It seems like Sonny wants to do better for himself and it seems like he changed some while he was in prison.
Dear brother, You don't know how much I needed to hear from you. I wanted to write you many a time but I dug how much I must have hurt you and so I didn't write. But now I feel like a man who's been trying to climb up out of some deep, real deep and funky hole and just saw the sun up there, outside. I got to get outside
This letter makes it seem like that Sonny was really thankful that he got to hear from his brother. Which he hadn't heard from him in awhile.
All at once something inside gave and threatened to come pouring out of me. I didn't hate him any more. I felt that in another moment I'd start crying like a child
Sonny's friend also seemed like he wanted to help Sonny which made the narrator not hate him as much.
"That's right," he said to the air, "how would he know what I mean?" He turned toward me again, patient and calm, and yet I somehow felt him shaking, shaking as though he were going to fall apart. I felt that ice in my guts again, the dread I'd felt all afternoon; and again I watched the barmaid, moving about the bar, washing glasses, and singing. "Listen. They'll let him out and then it'll just start all over again. That's what I mean."
Sonny's friend and the narrator really go back and forth here. The friend thinks if they let him out then it's just going to go back to where he started.
"They'll send him away some place and they'll try to cure him." He shook his head. "Maybe he'll even think he's kicked the habit. Then they'll let him loose"-he gestured, throwing his cigarette into the gutter. "That's all." "What do you mean, that's all?
He is most likely talking about a drug rehab place for him to get better.
"I never give Sonny nothing," the boy said finally, "but a long time ago I come to school high and Sonny asked me how it felt." He paused, I couldn't bear to watch him, I watched the barmaid, and I listened to the music which seemed to be causing the pavement to shake. "I told him it felt great." The music stopped, the barmaid paused and watched the juke box until the music began again. "It did.
Sonny probably started doing drugs after meeting this friend. Since Sonny asked him how it felt and he said great he probably wanted to try it.
"Funny thing," he said, and from his tone we might have been discussing the quickest way to get to Brooklyn, "when I saw the papers this morning, the first thing I asked myself was if I had anything to do with it. I felt sort of responsible."
I find it interesting that he felt sort of responsible.
Look. I haven't seen Sonny for over a year, I'm not sure I'm going to do anything. Anyway, what the hell can I do?
You can tell that he cares about Sonny and wants to help him but he doesn't know what to do.
"What're you going to do?" he asked me. "I mean, about Sonny?"
It seems like the narrator and Sonny's friend don't get a long at all.
"You mean about Sonny? Yes, I already know about it. How come they didn't get you?"
The narrator seems upset that they got Sonny for drug use but didn't get his friend for doing the same thing.
He'd never been mine, having been too young for me, and, anyway, I'd never liked him. And now, even though he was a grown-up man, he still hung around that block, still spent hours on the street corners, was always high and raggy.
He probably didn't like him because he was also into drugs just like Sonny had gotten into.
The courtyard was almost deserted by the time I got downstairs. I saw this boy standing in the shadow of a doorway, looking just like Sonny. I almost called his name.
At this point he can't stop thinking about Sonny so he has the image of Sonny in his head.
I started collecting my stuff. I thought I'd better get home and talk to Isabel.
This is the first time the narrator spoke of Isabel. It's probably his wife.
My clothes were wet-I may have looked as though I'd been sitting in a steam bath, all dressed up, all afternoon. I sat alone in the classroom a long time. I listened to the boys outside, downstairs, shouting and cursing and laughing.
This is probably from stress and worry. He couldn't stop thinking about Sonny.
I was sure that the first time Sonny had ever had horse, he couldn't have been much older than these boys were now.
You can tell that the narrator really loves his brother Sonny and wants what's best for him.
And he'd always been a good boy, he hadn't ever turned hard or evil or disrespectful, the way kids can, so quick, so quick, especially in Harlem.
He might have been a good kid once before but he could have possibly gotten into the wrong crowd.
I hadn't wanted to know. I had had suspicions, but I didn't name them, I kept putting them away.
This was probably because he wanted to assume Sonny wasn't getting into trouble but he really was.
A great block of ice got settled in my belly and kept melting there slowly all day long, while I taught my classes algebra.
It's interesting that he uses he has a block of ice in his stomach. This is probably from being nervous or scared for Sonny.
trapped in the darkness which roared outside
Learning about that his brother was arrested portrayed a lot of darkness. The more he read it and looked at it he couldn't believe it.