7 Matching Annotations
  1. Oct 2016
    1. reators have nopart in assessing authenticity

      This has relation to the topic of poetry and translation, as the author's wishes are not always what determines if a poem is authentic or not. This argument is central to poetic authenticity.

    2. ditors are hardly alone in conflating ‘authen-ticity’ and ‘creative voice’

      Shows motive of the author in tone; He argues against this idea, so uses a dismissive tone to downplay the counterargument.

  2. Sep 2016
    1. compound diction

      I feel like this attributes to complexity and poetic diction what might actually just be colloquial speech. This might also be a comment on the duality of the existence of both that "compound diction" and the common man's speech.

    1. enjoying something the “right” way, rather than exploring the actual way these songs are appreciated

      Would these two points not be the same for most people? The author seems to be making a distinction here between descriptive and prescriptive work that he does not support in the rest of the article.

    1. as Sir Joshua Reynolds has observed, is anacquiredtalent

      Implicit TS/IS: They (Sir Joshua Reynolds) say(s) that an accurate taste is an acquired taste, and Wordsworth agrees, but is conversing by qualifying the statement.

    2. (I have already said that I wish him to judge for himself)

      Explicit TS/IS: They say not to let readers think for themselves, I say to let them do so.

    3. How common is it to hear a person say, I myself do not object to this style of composition, or this or that expression, but, to such and such classes of people it will appear mean or ludicrous! This mode of criticism, so destructive of all sound unadulterated judgement, is almost universal: let the Reader then abide, independently, by his own feelings,

      TS/IS: THEY SAY that something offends others, therefore it must be censored, I (WORDSWORTH) SAY: let the readers form their own opinions without prior restraint.