6 Matching Annotations
  1. Feb 2025
    1. The burgeoning popularity of digital music has drastically reduced revenue brought in from CD sales since 2001. Although many people have switched from illegally downloading to purchasing music on digital stores, paid digital downloads have not yet begun to make up for the loss of revenue from CD sales, and illegal downloads remain a problem for the recording industry.

      The industry has been compelled by this shift to investigate other sources of income, like live concerts and streaming platforms. Its struggle serves as a reminder of how challenging it is to strike a balance between accessibility and equitable payment for producers and artists.

    1. The Association of Independent Music claimed that the deals would “further marginalize a vibrant independent sector, serving to stifle competition and narrow consumer choice.”Adam Sherwin, “Indies Accuse Universal of Gaining Monopoly”

      Concerns over how big label deals can hurt independent artists and labels are brought up. The industry is less competitive when big companies like Universal are allowed to control it, which makes it more difficult for smaller labels to succeed. Only musicians supported by major labels may get widespread recognition as a result, homogenizing the music industry and reducing diversity in both musical genres and artist representation. The worry is that if big businesses dominate the distribution and promotion channels, independent musicians—who frequently contribute new and inventive sounds—may find it difficult to connect with fans.

    1. Many white artists and producers would also take writing credit for the songs they covered and would buy the rights to songs from black writers without giving them royalties or songwriting credit. This practice fueled racism within the music industry. Independent record producer Danny Kessler of Okeh Records said, “The odds for a black record to crack through were slim. If the black record began to happen, the chances were that a white artist would cover—and the big stations would play the white records…. There was a color line, and it wasn’t easy to cross.”

      By covering and popularizing songs originally written and performed by Black artists, white musicians gained mainstream radio play and commercial success, while Black artists were often neglected. Danny Kessler’s quote underlines how systemic racism in the industry limited opportunities for Black musicians. This exploitation not only robbed many artists of financial success but also obscured their contributions to music history—a pattern that has had lasting effects on the industry.

    1. The introduction of television into people’s homes threatened the existence of the radio industry. The radio industry adapted by focusing on music, joining forces with the recording industry to survive. In an effort to do so, it became somewhat of a promotional tool. Stations became more dependent on recorded music to fill airtime, and in 1955 the Top 40 format was born.

      This text emphasizes how, in order to thrive, industries must adjust to technological progress. When television came into being , radio changed its emphasis to music and allied itself with the recording industry. This change not only kept radio up-to-date, but it also made it an effective instrument for music industry promotion. Digital streaming services, which have changed how music is found and promoted, are one example of a similar adaption.

    2. Better yet, it offered a wide range of free music that required none of the musical skills, expensive instruments, or sheet music necessary for creating one’s own music in the home, nor the expense of purchasing records to play on the gramophone. This development was a threat to the entire recording industry, which began to campaign for, and was ultimately granted, the right to collect license fees from broadcasters. With the license fees in place, the recording industry eventually began to profit from the new technology.

      This section demonstrates how modern technology first upended the music business by making music freely accessible and eliminating the need for conventional knowledge and gear. But instead of completely opposing change, the recording business adjusted by obtaining license fees, thus transforming a possible danger into a new source of income. Similar conflicts emerged with the emergence of streaming services like Spotify. This pattern of initial rejection followed by adaption is a recurrent subject in media history.

    1. Caillat’s story highlights one area in which the Internet is changing the face of the music industry. Aspiring artists no longer need to rely on expensive publicists, recording studios, or contacts within the industry; they can connect directly with fans to sell their music.

      By enabling independent musicians to circumvent conventional gatekeepers, digital platforms have revolutionized the music industry, as this excerpt demonstrates. Music distribution is becoming more accessible because to social media and virtual worlds, which offer direct contact to audiences. But even as this lowers entrance barriers, it also makes it more difficult for artists to stand out because of the increased competition.