he leading architects in building society’s enduringmemory
This strikes me as a particularly romantic view of archivists, akin to Percy Shelley’s notion of "poets" as "the unacknowledged legislators of the world." It practically amounts to saying that history, which is the history of class struggle (Marx), is "created" by the "winners" and the "classes" do not preexist their narration in the historical archive. History’s actors are, in other words, "constructs," rather than economically determined. At the end of the next paragraph, however, Cook says archives "legitimize" the powerful, implying that power relations preexist their discursive legitimization. So, which is it? Are "classes" discursively or extra-discursively constituted? Is this not an important distinction to make given the role of the archivist in relation to power?