have gone tiptoe
JP accuses his wife of regarding him with constant suspicion.
have gone tiptoe
JP accuses his wife of regarding him with constant suspicion.
It is a mouse no more
Metaphor of how Mary Warren is "a mouse no more" suggests how she is revelling in her new importance as an important member of the court to rid the town of witchcraft.
Proctor: It’s well seasoned.
Proctor says the food is seasoned well even though it was him who added salt without Elizabeth's knowledge. He chose not to tell her about his actions earlier because he wanted to please his wife.
There is a lack of honesty between the couple.
He continues on to the fireplace, leans the gun against the wall as he swings a pot out of the fire and smells it. Then he lifts out the ladle and tastes. He is not quite pleased. He reaches to a cupboard, takes a pinch of salt, and drops it into the pot. As he is tasting again, her footsteps are heard on the stair. He swings the pot into the fireplace and goes to a basin and washes his hands and face, Elizabeth enters.
Proctor seasons the soup that Elizabeth is cooking in the pot without her knowing. Why does he do this? Read on to find out.
What does this suggest about their relationship? E.g. is it unsatisfactory between husband and wife?
It’s winter in here yet.
How does this contrast with the setting that it is early spring?
(See earlier quote: "Aye the farm is seeded".)
Proctor: I were planting far out to the forest edge. Elizabeth: Oh, you’re done then.Proctor: Aye, the farm is seeded
Proctor has been seeding the farm -- indicates that it is early spring, a time brimming with warmth and budding new life after the dead freeze of winter.
eight days later.
8 days after the end of Act 1.
Why, then, it is not as you told me.
Elizabeth makes clear that John is hiding things from her, and that she is not happy.
ou were alone with her?
Rising tension; Elizabeth voices out her displeasure and suspicion of her husband.
Elizabeth, she doesn’t want friction, and yet she must: You come so late I thought you’d gone to Salem this afternoon.
Elizabeth thought Proctor went into town to see Abigail, but they've yet to discuss their feelings about his affair. This bottling up of resentment to preserve order mirrors what goes on every day in Salem's Puritan society.
she raises up her chin like the daughter of a prince and lays to me, “I must go to Salem, Goody Proctor; I am an official of the court!”
It's now clear that hysteria is gripping the town, extending even to the authorities. Proctor can no longer dismiss or ignore it. Yet Proctor still resists going to the court because he fears for his reputation.
Aye.
Note Elizabeth's brief responses in this extract. What do her brief responses tor John Proctor show about her feelings towards her husband?
He gets up, goes to her, kisses her. She receives it. With a certain disappointment, he returns to the table.
John expects Elizabeth to respond but she shows restraint ("receives" the kiss instead of returning with another kiss for her husband).
Their relationship is strained and distant, especially from Elizabeth's POV.
it is hard to say:
However, Elizabeth finds it hard to accept his intentions to make her happy. Why do you think this is so?
Proctor, with a grin: I mean to please you, Elizabeth.
Proctor desires to make Elizabeth happy.
It is the low, dark, and rather long living room of the time.
There is a sense of emptiness in the setting portrayed of Proctor's house. This reflects the relationship of the Proctors, which also shows the emptiness and detachment between husband and wife.
with great relief:
Referring to this quote in Extract 2: "The witch-hunt was not, however, a mere repression. It was also, and as importantly, a long overdue opportunity for everyone so inclined to express publicly his guilt and sins, under the cover of accusations against the victims. "
Why do you think Betty feels great relief in calling out names associated with the devil?
Hale: Glory to God! It is broken, they are free!
There is GREAT IRONY in this statement: nobody is actually free! The people Tituba, Abigail and Betty accused are dragged into a situation that does not exist!
the Devil is out and preying on her like a beast upon the flesh of the pure lamb.
simile; the devil is presented as someone sly, malicious, cruel, powerful.
Take courage, you must give us all their names.
Hale is supporting Tituba's newfound power and authority as the mouthpiece of who has associated with the devil
Tituba, in a fury: He say Mr. Parris must be kill! He bid me rise out of my bed and cut your throat! They gasp.
Tituba has all the power in being able to accuse anyone of witchcraft. There is an implicit suggestion that Parris did not treat her well, which could be why his name was raised in her recount of her conversation with the devil.
Now Hale takes her hand. She is surprised.
Tituba is surprised because she does not expect such kindness from someone of Hale's position (a well-known preacher and intellectual).
Putnam: Sarah Good? Did you ever see Sarah Good with him? Or Osburn?
Putnam here is sly in implicitly suggesting who he wants to hear being accused as witches.
Hale: And you love God, Tituba?Tituba: I love God with all my bein’.
Hale is confirming whether Tituba really intends to repent of her association to the devil.
repent: feel or express sincere regret or remorse about one's wrongdoing or sin.
Tituba, terrified, falls to her knees: No, no, don’t hang Tituba! I tell him I don’t desire to work for him, sir.
This is the start of the hysteria, where Tituba is the first one to confess to witchcraft. Watch her body language: what emotions is she feeling? What is the main reason for her confession? Did she really commit witchcraft or not?
Remember the comment about her status as a slave early in Act 1, and how this might influence her response here - "but she is also very frightened because her slave sense has warned her that, as always, trouble in this house eventually lands on her back.".
Tituba: No, no, chicken blood. I gave she chicken blood!
By saying this, Tituba is unwittingly 'admitting' to witchery.
Abigail: I never sold myself! I’m a good girl! I’m a proper girl!
There is great irony in Abigail's words here, especially from what the audience has discovered about her.
Similar to how she earlier promised that "I would never hurt Betty. I love her dearly.".
Did you feel any strangeness when she called him? A sudden cold wind, perhaps? A trembling below the ground?
Refers to common 'signs' of the devil's presence, or as what Hale believes to be are the signs.
We have all manner of licentious people in the village!
licentious: behaving in a way that is not considered sexually moral
Parris here makes a comment on the Salem society, insinuating that not everyone in Salem is as pure and righteous. The irony behind his statement is that he himself is not sinless too.
If a cow was missed, the first thought was to look for her around Corey’s house; a fire blazing up at night brought sus-picion of arson to his door
Nobody likes Giles in the Salem society.
but he forgot to say that he’d only recently learned any prayers and it didn’t take much to make him stumble over them
Giles does not know how to pray. He is not a religious man.
they feel resentful of her note of moral superiority.
connotation of "moral superiority": Rebecca is not being proud but logical.
Parris, with trepidation – and resentment: I hope you do not mean we go to Satan here! Slight pause.
Parris is concerned about his reputation, and takes offence ("resentment") that Rebecca Nurse might be insinuating that he was not doing God's work iin trying to get his daughter to wake up.
Hale, surprised: You permit dancing?
Hale is surprised that Parris would permit dancing because Puritan laws did not allow for entertainment (see Extract 1).
that’s a sure sign of witchcraft afloat.
Putnam, like his wife, is quick to conclude that witchcraft is the reason behind Betty's condition.
pleased
Putnam enjoys being noticed.
prodigious
remarkably or impressively great in extent, size, or degree.
Putnam: You load one oak of mine and you’ll fight to drag it home!Giles: Aye, and we’ll win too, Putnam - this fool and I. Come on! He turns to Proctor and starts out. Putnam: I’ll have my men on you, Corey! I’ll clap a writ on you!
Prior to the witch hunt, there weren't any socially sanctioned means for expressing ill will against a neighbour. The religious code required each citizen to love his neighbour as himself (Mark 12:31). Any outward expression of of hostility would have been severely frowned upon. This led to a great situation where much resentment was seething below the surface, without any outlet.
Abigail: She heard you singin’ and suddenly she’s up and screamin’.
Abigail concludes that Betty was whining due to the psalm althought it may not be so. "you" suggests that she is deflecting the blame for Betty's behaviour onto Parris.
I’ll clap a writ on you!
meaning: I will summon you in court!
That tract is in my bounds, it’s in my bounds, Mr. Proctor.
meaning: the area is within my boundaries.
A land dispute is beginning.
Recap:"why is land a big topic for dispute? Why do people dispute one another for it?"
I never said no such thing, but I’ve paid you for it, so I hope I can call you deaf without charge. Now come along, Giles, and help me drag my lumber home.
Proctor and GIles are good friends; they jest with each other.
, familiarly, with warmth,
Proctor and Giles know each other well and are friends.
Wherefore is everybody suing everybody else? Think on it now, it’s a deep thing, and dark as a pit. l have been six time in court this year –
Further reveals how Giles is able to see through the hysteria. He is able to see the real reasons why everybody is suing everybody else and therefore may be able to see why people are being blamed for witchcraft.
So what is this real reason?
No, you cannot break charity with your minister. You are another kind, John. Clasp his hand, make your peace.
Rebecca is encouraging Proctor that he must make amends with Parris. Parris, who is an appointed reverend, holds religious authority. So, in the context of Salem's beliefs, being in conflict with Parris is like breaking one's connection to God.
I mean it solemnly, Rebecca; I like not the smell of this “authority.”
Proctor is essentially expressing his displeasure with the authority figures in Salem's community. Proctor is a relative outsider and does not support Reverend Parris's leadership.
As the reverend of a Puritan town, Parris is the leading authority figure in the community. Proctor recognizes this and does not support Reverend Parris or those institutions that grant him authority. His comment also foreshadows his decision to challenge Salem's court later in the play. (source)
There is a party in this church. l am not blind; there is a faction and a party.
There is division in the Salem society.
There is shock among the others.
Why do you think the Puritans in Salem are so shocked at Proctor's response?
Hint: how does the Salem Puritan society expect its people to behave?
I may speak my heart, I think!
Shows confidence. Exclamation mark implies a powerful voice. ‘Heart’ suggests his own personal opinion. ‘I think’ could show arrogance and also shows that he values his own opinion which adds to his arrogance.
Why, then I must find it and join it.
Here he is referring to the ‘party’ that Putnam and Parris think is against them in the parish. This reflects his honest and open opposition to these two characters.
Quakers
Although the Quakers may have resembled the Puritans in some religious beliefs and practices, they differed with them over the necessity of compelling religious uniformity in society.
https://coredifferences.com/difference-between-puritans-and-quakers/
Parris: There is either obedience or the church will burn like Hell is burning!
Proctor's earlier words about Parris being focused on hell and judgment ring true: "I have enough trouble without I come five mile to hear him preach only hellfire and bloody damnation."
I come five mile to hear him preach only hellfire and bloody damnation.
John Proctor speaks for those in the parish who dislike Parris’s negative preaching. 'damnation' - the act of sending someone to hell or the state of being in hell
a minister is not to be so lightly crossed and contradicted –
Parris is using his authority as a preacher to influence the Salem villagers to listen to him.
the last meeting I were at you spoke so long on deeds and mortgages I thought it were an auction.
John Proctor is sarcastic, implying how Parris has not preached from the Bible/"hardly ever mentione[d] God" for a while.
Aye, and well instructed in arithmetic!
Giles is sarcastic here, showing his disagreement with Parris' complaints.
The salary is sixty-six pound, Mr. Proctor! I am not some preaching farmer with a book under my arm; I am a graduate of Harvard College.
Parris thinks he should deserve a more lavish preaching salary. His comment indirectly shows his disdain for what a farmer does.
now aroused
Parris is now becoming increasingly defensive because of Proctor's criticism of his preaching.
It is not the children who are unmindful of their obligations toward this ministry.
Parris is implying that it is the adults who sin, not their children.
there are many that quail to bring their children –
i.e. Rebecca agrees that some villagers in Salem are not bringing their children to church due to Parris' preaching.
I do not think I saw you at Sabbath meeting since snow flew.
Why does Putnam bring this up? What is he trying to insinuate about John Proctor?
What does this suggest about Putnam then?
You cannot command Mr. Parris. We vote by name in this society, not by acreage.
'acreage' = amount of land
Proctor again puts Putnam in his place, reminding him that in Salem, things are decided according to one's character and not wealth. This also shows Proctor's contempt for people like Putnam who think they can use their money and power to dominate those who are less well off.
There are wheels within wheels in this village, and fires within fires!
When she then says that "There are wheels within wheels in this village, and fires within fires!" what she means is that there are secrets at work, conspiracies and plots among those townsfolk who are in league with the Devil and who do his work for him.
When Tituba names Goody Osburn as a witch at the end of Act One, this confirms all Mrs. Putnam's suspicions. She says, "I knew it! Goody Osburn were midwife to me three times [....]. My babies always shriveled in her hands!" It is easy to believe because Mrs. Putnam wants so badly to believe it. She wants there to be an answer to her question, and this would seem to be one.
Mrs. Putnam, with a growing edge of sarcasm: But I must! You think it God’s work you should never lose a child, nor grandchild either, and bury all but one? There are wheels within wheels in this village, and fires within fires!
Mrs Putnam is jealous of Rebecca as the latter is "twenty-six times a grandma" while all of Mrs Putnam's children, except for Ruth, have died.
This will set us all to arguin’ again in the society, and we thought to have peace this year. I think we ought rely on the doctor now, and good prayer.
Rebecca is peaceful and does not like quarrels. She shows her wisdom in her intervention here.
Her comment also implies that Salem usually experiences public conflict.
This society will not be a bag to swing around you head, Mr. Putnam.
Proctor dares to oppose Putnam (remember that Thomas Putnam is a man of power in the Salem village). The use of metaphor here "a bag to swing around your head" suggests Proctor's warning that he will not allow Putnam to manipulate the town for his own gain.
In the play, Proctor is often bold and blunt in his statements and tends to offend both Parris and Putnam.
There be children dyin’ in the village, Mister!
Note that Putnam is contributing to the mass hysteria by stating a lie: no children has died.
I hope you are not decided to go in search of loose spirits, Mr. Parris. I’ve heard promise of that outside.
"loose spirits" refers to superstitions.
This shows how the village of Salem has an underlying fear of witchcraft, thus resulting in rumous about the influence of witchcraft on the behaviour of young girls.
As for Rebecca herself, the general opinion of her character was so high that to explain how anyone dared cry her out for a witch – and more, how adults could bring themselves to lay hands on her we must look to the fields and boundaries of that time.
Miller as the narrator alludes to how Rebecca would later be accused as a witch, and implies that the reason for her being charged was because of past disputes between the Putnams and the Nurses.
Theme of VENGEANCE: what can you learn about revenge that characters take upon others?
Rebecca simply stands over the child, who gradually quiets.
Betty is calmed by Rebecca's presence.
Note some descriptions about Rebecca in this extract to form impressions of her character.
The psalm! The psalm! She cannot bear to hear the Lord’s name!
Mrs Putnam rushes to echo this conclusion that Betty is reacting advsersely to anything of God, therefore implying she is under witchcraft.
This is no silly season, Rebecca.
Mrs Putnam disputes Rebecca's advice earlier. Is this dispute a sign of the Putnams' underlying resentment for her because Rebecca is a Nurse?
A child’s spirit is like a child, you can never catch it by running after it; you must stand still, and, for love, it will soon itself come back.
Rebecca is logical and experienced with children.
and Thomas Putnam’s little daughter was the one who fell into a fit at the hearing and pointed to Rebecca as her attacker.
Cross-reference to Extract 1: * "Long-held hatreds of neighbours could now be openly expressed, and vengeance taken, despite the Bible’s charitable injunctions." * "Old scores could be settled on a plane of heavenly combat between Lucifer and the Lord; suspicions and envy of the miserable toward the happy could and did burst out in the general revenge."* *
It was Edward and Jonathan Putnam who signed the first complaint against Rebecca
Members of the Putnam family were the first to sign the charge of Rebecca as a witch.
Rebecca also enjoyed the high opinion most people had for him.
Both Francis Nurse and his wife Rebecca were respected in society.
systematic campaign
Connotes a well-planned and orderly campaign.
What impression of Putnam does this suggest?
and one theory has it that, as he gradually paid for it and raised hi: social status, there were those who resented his rise.
From earlier in Extract 1: "Land-lust which had been expressed before by constant bickering over boundaries and deeds, could now be elevated to the arena of morality; once could cry witch against one’s neighbour and feel perfectly justified in the bargain."
Land was highly sought after as the possession of more land equated to more power and money, especially since the land could grow crops to sell.
Theme of jealousy
arbitrate disputes
To settle both sides of a dispute in a fair manner.
light
"light" to represent: - her love for John Proctor - her enlightenment of the true nature of society: Salem people are not perfect despite their religious obedience.
You loved me, John Proctor, and whatever sin it is, you love me yet!
Desperate and indignant cry of Abigail that shows her belief that John Proctor still loves her.
I never knew what pretense Salem was, I never knew the lying lessons I was taught by all these Christian women and their covenanted men!
Through their affair, Abigail accuses Proctor of showing her the extent of which hypocrisy governs social relations in Salem ("lying lessons").
Perhaps her cynicism about the Salem society puts her in a good position to take advantage of the witch trials for personal gain and revenge?
I look for John Proctor that took me from my sleep and put knowledge in my heart!
Abigail accuses Proctor of destroying her innocence by taking her virginity ("put knowledge in my heart").
Proctor, angered, at himself as well: You’ll speak nothin’ of Elizabeth!
Proctor's outward morality hides immoral thoughts and actions (i.e. the affair). Yet Proctor's self-hatred regarding his affair with Abigail actually proves his morality: he hates himself for being immoral.
reddish
Referring to blood.
Let either of you breathe a word, or the edge of a word, about the other things, and I will come to you in the black of some terrible night and I will bring a pointy reckoning that will shudder you. And you know I can do it; I saw Indians smash my dear parents’ heads on the pillow next to mine, and I have seen some reddish work done at night, and I can make you wish you had never seen the sun go down!
Abigail uses intimidation to create an atmosphere of fear that pervades the entire play later on.
This is the first demonstration of her ability to terrorise others. This threat from her foreshadows Abby's accusations of witchcraft against others.
You drank blood, Abby!
Likely animal's blood.
Abigail's evil action that night is revealed. How do we know it is evil? Because Abigail had evil intentions as revealed shortly after.
collapsing on the bed: Mama, Mama! She dissolves into sobs.
"collapsing" and "dissolved": the use of diction here portray Betty in a helpless state, evoking sympathy for her. At the same time, this also emphasises how threatening Abigail appears to the other girls.
Theme of FEAR: Intimidation terrorises others to create fear in people, which makes them more submissive/obedient to those in power.
ou drank a charm to kill John Proctor’s wife! You drank a charm to kill Goody Proctor!
Abigail's evil intentions – Now it's revealed that Abigail really did push well beyond the strict religious laws of Salem in hopes of killing Elizabeth Proctor. Abigail is more than just a liar: she's capable of murder.
Theme of DESIRES: Is everyone permitted to pursue their own desires? How is Abigail's pursuit of her desires dangerous?
flattens herself against the wall
Visual imagery conveys her great fear of Abigail, she is acting as if the wall can protect her.
What a grand peeping courage you have!
Sarcastic tone; Mercy is mocking Mary about her timid nature (Mary's fear is the reason why Mary wants to tell the whole truth).
Oh, we’ll be whipped!
"we'll" is italicised to show Abigail's emphasis that Mary Warren is as guilty as the other girls (i.e. they will be punished together).
Marry Warren: Abby, we’ve got to tell! Witchery’s a hangin’ error, a hangin’ like they done in Boston two years ago! We must tell the truth, Abby! You’ll only be whipped for dancin’, and the other things!
Mary Warren's fearful tone shows how she does not believe there was not any real witchcraft in what the girls did that night. This is why she is so keen to come clean.
Listen, now; if they be questioning us, tell them we danced — I told him as much already.
Abigail is established as a liar.
smashes her across the face: Shut it! Now shut it!
Abigail resorts to violence to shut Betty up. Word intensity of "smashes" shows how aggressive and violent she can be when she wants to get her own way.
This contrasts with her demure and respectful atittude towards Parris earlier (e.g. her promise that she "would never hurt Betty"). As the audience, we see her "endless capacity for dissembling".
with hushed trepidation:
Abigail does not want to show her fear, which suggests that what the girls did was more than "we did dance".
There is a faction that is sworn to drive me from my pulpit!
Parris is paranoid about his position as a reverend in Salem.
abomination
Word intensity conveys Parris' anger at Abigail and his determination to find out the truth about what the girls were up to in the forest.
I cannot blink what I saw,
Parris cannot deny what he saw.
my own household is discovered to be the very centre of some obscene practice.
This is what Parris fears.
Abigail, quavering, as she sits: I would never hurt Betty. I love her dearly.
Ironic: Abigail hits Betty and scolds her later on.
put out all thought of unnatural causes here. There be none.
Parris is desperate to deny all witchcraft. Why is he so afraid to entertain this possibility of witchcraft?
his eyes going wide: No-no. There
Visual imagery suggests Parris' desperate denial of witchcraft as the cause for Betty's condition.
Now she is all worry and apprehension and propriety.
"Now" conveys how her worry and apprehension is not completely genuine.
with an endless capacity for dissembling.
Abigail Williams enjoys pretending.
a sense of his confusion
Parris feels helpless about his daughter's condition.
hard work kept the morals of the place from spoiling, for the people were forced to fight the land like heroes for every grain of corn, and no man had very much time for fooling around.
People worked hard so as to survive the harsh winter. There was no time to act without sense of judgement.
a few small-windowed, dark houses snuggling against the raw Massachusetts winter.
Symbol of little light ("small-windowed", "dark") – suggests not a lot of clarity or a lot of secrets in Salem
manifestation
manifestation—the act of showing something
It is still impossible for man to organise his social life without repressions, and the balance has yet to be struck between order and freedom.
To be part of a society means that you have to repress some of yourself, but how much?
Repression is always necessary but how much?
for a man to say that Martha Corey had come into his bedroom at night, and that, while his wife was sleeping at his side, Martha laid herself down on his chest and ‘nearly suffocated him’. Of course it was her spirit only, but his satisfaction at confessing himself was no lighter than if it had been Martha herself. One could not ordinarily speak such things in public.
Lust confession disguised as a witch accusation (so it would seem like the man was confessing out of his good and religious duty to the community).
Land-lust which had been expressed before by constant bickering over boundaries and deeds, could now be elevated to the arena of morality; once could cry witch against one’s neighbour and feel perfectly justified in the bargain
These people are dressing up their conflicts with one another as the fight between good and evil ("elevated to the arena of morality")! It’s all about revenge, but the Puritans disguise these attempts as them trying to seek out the devil.
At the very heart of it, these people do not want to take responsibility over their disagreements with one another, and seek to win these conflicts by dressing it up as a religious battle.
old scores could be settled on a plane of heavenly combat between Lucifer and the Lord; suspicions and envy of the miserable toward the happy could and did burst out in the general revenge.
Miller here explores how the Puritans were really no different from others in their desire for revenge and their desire to succeed in the world througn accumulation of wealth and land.
The witch-hunt was a perverse manifestation of the panic which set in among all classes when the balance began to turn toward greater individual freedom.
Power used to be in the hands of only the people voted and placed in authority (repressive theocracy). As the witch hunt began and continued on, more power and freedom was given to the people of Salem because they could actually speak individually and also give accounts of other people. By suddenly being given more power, there was an abrupt change in society, a panic set in.
long overdue opportunity for everyone so inclined to express publicly his guilt and sins, under the cover of accusations against the victims.
"to express publicly his guilt and sins, under the cover of accusations against the victims" – this means that people accused others as a means of expressing their own guilt over their own wrongdoing (the accusers were the one who are wrong!) >> scapegoating
According to Miller, the cause of the Witch trials did not stem from the outside influences of Satan, but rather from the greed and evil of the Puritan people as well as the contradictions of Puritan society.
Because of this internal corruption, not because of the outside influences of Satan, 19 people were executed by the government during the Salem Witch Trials.
despite the Bible’s charitable injunctions.
Despite Biblical commands to love one another (e.g. Ten Commandments), the Salem Puritans refused to forget and forgive any grudges between each other.
Long-held hatreds of neighbours
personal grudges
t was forged for a necessary purpose and accomplished that purpose. But all organization is and must be grounded on the idea of exclusion and prohibition
"exclusion and prohibition" – restrictive freedom in the Salem theocracy
Contradiction 2: the Puritan theocracy was so busy protecting against outside corruption (which was why they repressed anything that would bring "disunity"), they could not see that internal corruption was the biggest threat to their society.
Simply, it was this: for good purposes, even high purposes, the people of Salem developed a theocracy, a combine of state and religious power whose function was to keep the community together, and to prevent and kind of disunity that might open it to destruction by material or ideological enemies.
The first contradiction was that the Purtian government in Salem was restrictive ("prevent any kind of disunity"). By doing this, the Puritan government limited the freedom of all their people and ultimately created the sort of absolute power that they had first run away from in England (they ran away from the persecution in England).
So they ran away to enjoy religious freedom, only to restrict such freedom in their own government. The irony!
paradox
contradiction
i.e. Miller the narrator argues that the Puritan society was built upon many contradictions.
theocracy
a system of government in which priests rule in the name of God or a god. (e.g. the Bible is used as a rule book)
y. It is not hard to see how easily many could have been led to believe that the time of confusion had been brought upon them by deep and darkling forces. No hint of such speculation appears on the court record, but social disorder in any age breeds such mystical suspicions,
The devout beliefs of the Puritans in Salem made it easy for collective fear and hysteria to build in society.
hysteria – when someone has a very strong emotion that is unmanageable. Often, this means a very strong sense of fear.
junta
A military or political group that rules its country after taking power by force (e.g. Myanmar).
, it is too much to expect people to hold back very long from laying on the victims with all the force of their frustrations.
When people are frustrated, they tend to take out their frustrations on others.
The proof of their belief’s value to them may be taken from the opposite character of the first Jamestown settlement, farther south, in Virginia. The Englishmen who landed there were motivated mainly by a hunt for profit. They had thought to pick off the wealth of the new country and then return rich to England. They were a band of individualists, and a much more ingratiating group than the Massachusetts men. But Virginia destroyed them. Massachusetts tried to kill off the Puritans, but they combined; they set up a communal society which, in the beginning, was little more than an armed camp with an autocratic and very devoted leadership. It was, however, an autocracy by consent, for they were united from top to bottom by a commonly held ideology whose perpetuation was the reason and justification for all their sufferings. So their self-denial, their purposefulness, their suspicion of all vain pursuits, their hardhanded justice, were altogether perfect instruments for the conquest of this space so antagonistic to man.
Puritans were settlers in Massachusetts. Here, Miller is giving an example of another group of settlers (Englishmen trying to settle in Virginia). This example is to show how the Puritans managed to survive the Massachusetts men and become successful settlers, unlike the Englishmen in Jamestown. The Puritans succeeded by: - they banded together and created a communal society with “…an auto-cratic and very devoted leadership.” - worked together and “were united from top to bottom by a commonly held ideology” (i.e. united by religion)
they held in their steady hands the candle that would light the world.
The metaphor of a candle suggests that the Puritans believed their beliefs/values system is the way that the world should follow, that it would only benefit everyone ("light the world").
So now they and their church found it necessary to deny any other sect its freedom, lest their New Jerusalem be defiled and corrupted by wrong ways and deceitful ideas.
The Puritans felt that their faith was the only right way, and because of this history of being persecuted, they were deeply protective and defensive of their beliefs. >> Intolerance of other beliefs, only their way is right.
To the best of their knowledge the American forest was the last place on earth that was not paying homage to God.
It is also interesting where the girls danced was in the forest, as if foreshadowing the societal harm such mischief brought. later on.
and the Salem folk believed that the virgin forest was the Devil’s last preserve, his home base and the citadel of his final stand.
The forest was a place that was unknown, and therefore held danger (especially since Indian tribes came to invade the Puritan villagers occasionally. This fed their paranoia of what lies outside because they were surrounded by others of different religions (e.g. Indians).
Their devour religious beliefs fed this paranoia, which as Miller alluded to earlier, led to a fear of witches.
parochial snobbery
Refers to how the Puritans, being religious people, think that they're better than others. This arrogance was also why they were intolerant of other beliefs, like the Indians. This is also indicated by use of diction "heathen" previously.
heathen
A person who does not belong to a widely held religion (especially one who is not a Christian, Jew, or Muslim) as regarded by those who do.
ACT ONE(AN OVERTURE)A small upper bedroom in the home of Reverend Samuel Parris, Salem, Massachusetts, in the spring of the year 1692. There is a narrow window at the left. Through its leaded panes the morning sunlight streams. A candle still burns near the bed, which is at the right. A chest, a chair, and a small table are the other furnishings. At the back a door opens on the landing of the stairway to the ground floor. The room gives off an air of clean spareness. The roof rafters are exposed, and the wood colours are raw and unmellowed. As the curtain rises, REVEREND PARRIS is discovered kneeling beside the bed, evidently in prayer. His daughter BETTY PARRIS, aged ten is lying on the bed, inert. At the time of these events Parris was in his middle forties. In history he cut a villainous path, and there is very little good to be said for him. He believed he was being persecuted wherever he went, despite his best efforts to win people and God to his side. In meetings, he felt insulted if someone rose to shut the door without first asking his permission. He was a widower with no interest in children or talent with them he regarded them as young adults and until this strange crisis he, like the rest of Salem, never conceived that the children were anything but thankful for being permitted to walk straight, eyes slightly lowered, arms at the sides, and mouths shut until bidden to speak. His house stood in the ‘town’ -- but we today would hardly call it a village. The meeting house was nearby, and from the this point outward -- toward the bay or inland -- there were a few small-windowed, dark houses snuggling against the raw Massachusetts winter. Salem had been established hardly forty years before. To the European world the whole province was a barbaric frontier inhabited by a sect of fanatics who, nevertheless, were shipping out products of slowly increasing quantity and value.No one can really know what their lives were like. They had no novelists -- and would not have permitted anyone to read a novel if one were handy. Their creed forbade anything resembling a theatre or ‘vain enjoyment’. They did not celebrate Christmas, and a holiday from work meant only that they must concentrate even more upon prayer. Which is not to say that nothing broke into this strict and sombre way of life. When a new farmhouse was built, friends assembled to ‘raise the roof’, and there would be special foods cooked and probably some potent cider passed around. There was a good supply of ne’er-do-wells in Salem, who dallied at the shovelboard n Bridget Bishop’s tavern. Probably more than the creed, hard work kept the morals of the place from spoiling, for the people were forced to fight the land like heroes for every grain of corn, and no man had very much time for fooling around. That there were some jokers, however, is indicated by the practice of appointing a two-man patrol whose duty was to ‘walk forth in the time of God’s worship to take notice of such as either lye about the meeting house, without attending to the word and ordinances, or that lye at home or in the fields without giving good account there of, and to take the names of such persons, and to present them to the magistrates, whereby they may be accordingly proceeded against’. This predilection for minding other people’s business was time-honoured among the people of Salem, and it undoubtedly created many of the suspicions which were to feed the coming madness. It was also, in my opinion, one of the things that John Proctor would rebel against, for the time of the armed camp had almost passed, and since the country was reasonably -- although not wholly -- safe, the old disciplines were beginning to rankle. But, as in all such matter, the issue was not clear-cut, for danger was still a possibility, and in unity still lay the best promise of safety. The edge of the wilderness was close by. The American continent stretched endlessly west, and it was full of mystery for them. It stood, dark and threatening, over their shoulders night and day,
Salem was surrounded by unexplored forest that the people believed was occupied by the Devil.
the practice of appointing a two-man patrol whose duty was to ‘walk forth in the time of God’s worship to take notice of such as either lye about the meeting house, without attending to the word and ordinances, or that lye at home or in the fields without giving good account there of, and to take the names of such persons, and to present them to the magistrates, whereby they may be accordingly proceeded against’.
There is a practice of a villager patrol team where they walk around to note down names of people who do not follow the way of life revolving around religion and hard work.
Ensuring the morality standards of the village requires surveillance.
This predilection for minding other people’s business was time-honoured among the people of Salem, and it undoubtedly created many of the suspicions which were to feed the coming madness.
People in Salem tend to stick their noses into other people's business. And it's Miller's opinion (the playwright is inserting his opinion as narrator here) that it's this interfering attitude which helped to create the conditions for the subsequent witch-craze.
were forced to fight the land like heroes
Simile conveys how the weather and conditions of land were not favourable for growing crops.
dallied
to act or move slowly
ne’er-do-wells
never-do-wells – jobless people
and would not have permitted anyone to read a novel if one were handy. Their creed forbade anything resembling a theatre or ‘vain enjoyment’.
'creed' – set of beliefs
The Puritans did not allow entertainment or any "selfish" acts. They believed that theater and other entertainment distracted people from work and God.
These are harsh rules that they abide strictly by as part of their devout way of life.
They did not celebrate Christmas, and a holiday from work meant only that they must concentrate even more upon prayer.
Puritans didn't celebrate Christmas like other Christian denominations. They also believed that getting the day off was a time to pray to God as a opposed to relaxing/ doing things for their own enjoyment.
IMPRESSION: Puritans are pious people (i.e. devoutly religious).
by a sect of fanatics
What people outside Salem viewed the Puritans as. Puritans refers to the villagers living in Salem who practise a stricter moral code of Christianity than is generally followed.
raw Massachusetts winter.
Winter was cold and harsh.
never conceived that the children were anything but thankful for being permitted to walk straight, eyes slightly lowered, arms at the sides, and mouths shut until bidden to speak.
The Salem society expects children to be seen but not heard (i.e. society considers it unacceptable that children should express their desires). Because of this, children feel repressed that they do not have the chance to express themselves personally. This could be one reason why Abigail and the other girls rebel.
he felt insulted if someone rose to shut the door without first asking his permission.
insecure; Parris is very conscious of his reputation and authority as he perceives many actions to be done with offence to him
despite his best efforts to win people and God to his side.
the juxtaposition between the word “despite” and the high word intensity of “best” suggest how Parris’ great longing to be welcomed by the villagers in Salem is not satisfied. In his eyes, he feels like he is not welcome by the village, therefore feeling “persecuted” and unfairly treated.
It is no lie, you cannot speak of lies.
Irony
raw and unmellowed
A new building.
A small upper bedroom in the home of Reverend Samuel Parris,
Overall, this setting shows a very humble household with no extra furniture or lavish decor – extravagance and excess were associated with being sinful. Since this is a house of a reverend (a religious leader), Parris' house is simple and clean.
he room gives off an air of clean spareness
A typical Salem house is simple and clean.
a backwards reaction
Vague. Do you mean negative?
Mr. Blue Sky please tell us whyYou had to hide away for so long (so long)
From "please tell us why" and "hide away", the personification of the blue sky portrays the weather as a living thing.
!
cannot be replaced
In contrast, the speaker asserts that this person is unique and one-of-a-kind. There is a comforting and reassuring tone.
You don't have to feel like a waste of space
The use of simile suggests that this person feels insecure and unconfident about themselves. I can reflect on the theme of identity, and how we see ourselves often affects the way we think and behave.
Make 'em go, "Oh, oh, oh"
The repeated interjection of "Oh, oh, oh" suggests that the speaker believes this person will leave people in wonder and amazement.
baby
"baby" is a term of endearment. This suggests the affection the speaker has for this person.
there's still a chance for you
The use of diction in "still" suggests this person whom the speaker is addressing has not reached the end. Instead, the speaker is suggesting there are opportunities up ahead for this person. The tone in "still" is one of conviction and confidence, showing the speaker's great belief in this person.
Oh Mr. Blue Sky please tell us whyYou had to hide away for so long (so long)Where did we go wrong?Hey there Mr. BlueWe're so pleased to be with youLook around see what you doEverybody smiles at youHey there Mr. BlueWe're so pleased to be with youLook around see what you doEverybody smiles at you
The repetition of the chorus shows its importance in the song.
Sun is shinin' in the sky
Visual imagery evokes a sense of happiness, joy, and freedom.
But soon comes Mr. Night creepin' over
From "creepin'", I can infer that the night is portrayed as suspicious and secretive. Night seems to come without the speaker's knowledge.
The picture shows how suspicious and sinister Mr. Night is portrayed to be "creepin' over" to the speaker.
And today is the day we've waited for
From "the day we've waited for", I can infer that the speaker feels anticipation for Mr. Blue Sky to return.
Now his hand is on your shoulder
"his hand is on your shoulder" seems to suggest the speaker feeling overwhelmed by night time. The darkness is overwhelming.
I feel afraid for the speaker, as he seems uncomfortable and overwhelmed.
Sun is shinin' in the sky
Visual imagery evokes a sense of happiness, joy, and freedom. The sibilance in this line brings a calming effect, drawing the listener to imagining a perfect day that is further emphasised in the following lines.
Sun is shinin' in the sky
This shows the use of visual imagery - suggests happiness and joy. The feeling of being carefree is also repeated in the following lines.
And more tired than he’d ever seen her,
This shows the seriousness of her illness, and how the many treatments received have been draining for her
She was happy to see him, but she was frightened, too. And sad.
The mixed emotions within Conor's mother show tension - while she is happy to see her son, she is frightened and saddened by how she cannot recover from her illness.
Then he saw that the smile didn’t match her eyes.
"smile didn't match her eyes" implies that Conor's mother is not truly happy. Conor is also able to read his mother's expression very well - shows their close relationship.
“Hi, son,” she said,
the tone is sad and regretful - Conor's mother knows that her illness is beyond cure
her bed in its sitting-up position. What’s more, she was smiling,
Conor's mother's is seated upright and is smiling - showing more life and energy
her eyes filled and he could hear the thickness in her voice.
visual and auditory imagery to highlight her deep sadness and regret towards revealing the truth to Conor
Conor’s heart leapt.
Conor is feeling hopeful; use of personification to show Conor's great hope in his mother's recovery