强吸引、弱契约、高监管以及低反抗。
看出什么端倪了吗？
23 Matching Annotations
- Sep 2020
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mp.weixin.qq.com mp.weixin.qq.com外卖骑手，困在系统里15
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在电梯口，阿飞看过无数骑手情绪崩溃，急哭的、吵架的，太多了，因为「毕竟就差最后一步了，挤上去了，你就送到了」，只是现实中，骑手们只能站在电梯口等着，「你啥都干不了，就是干等着。」
我们每个人都知道等待的痛苦。快递员这个工作与其说是帮助你把餐食送到面前，更多的是在资本的驱动下承担了消费者「等待」的痛苦——而这一切在电梯口完成了激化。
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出餐慢单多的小饭馆，骑手要常去拉关系，递根烟唠唠嗑，跟老板开开玩笑，最后他们都能给我插队做。大商家，得跟前台小妹或者打包人搞好关系，聊多了，他们会用对讲机帮你催一催，总是有用的。
在系统和数据面前，还是发展到了靠人情办事的地步。真是死结。
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网红楼红鼎国际，「特别魔幻，一共48层，里面全都是那种小工作室，密密麻麻的，一层能有三四十个工作室，你想多可怕。」
好奇这种楼里是什么样的？
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无论专送还是众包，没有任何一位骑手与外送平台存在劳动雇佣关系
临时工的时代
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他们不担心没人来跑，你不干，有的是人来干。
资本主义规训劳动者的经典措辞。
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优化算法让平台降低了19%的运力损耗，过去5个骑手能送的餐，现在4个骑手就能送了
一个人就这样成了「19%的运力」。
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潜能
另外一个资本主义词汇。
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有的骑手背着成倍的订单，有的骑手几乎没有单子；有的骑手接到了方向完全相反的单子；距离近的单子配送时间比距离远的还长……
看来这「万人」、「万点」、「秒级」系统也不过如此
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无奈
吃人的体系中，每个人都是受害者与加害者的共体。
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骑手们的超时率不得高于3%
谁设置的规矩？
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「吃数据饭的。」美团配送站站长
是个极具时代特征的职位。
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万单对万人的秒级求解
有大跃进内味了。
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魏莱
名字叫做「未来」，但现实却是过去。
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这是值得称颂的进步
为什么这是值得称颂的？按照什么标准来说，「吞掉」时间的技术室值得称颂的？如此赤裸裸的具有资本主义早期特征的剥削为什么在21世纪的社会主义中国成为了值得称颂的了？
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- May 2020
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noteology.wordpress.com noteology.wordpress.com
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draw a quick story mountain
This may be useful for novels. But may not be suitable for short stories, which can be snippets of a complete story, taking a more fragmented form. But nonetheless, to keep an eye on story arc will benefit you in terms of understanding what this story is about.
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his/her introductory sentence is a great place to start
Pay special attention to the FIRST line, the introductory line of a character.
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themes are complete statements– they cannot be expressed in a single word.
Themes are statement, a revelation distilled by the author by way of the story. I need to understand better about how to get better at identifying themes - so to form my own.
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mark up all the examples of character traits and development, themes, symbols, diction, syntax, figurative language, and any other devices your teacher may require you to find.
Need a colour scheme to keep track of all important points. Must make one of my own to do this.
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Try to take notes at the end of each scene, act, event, flashback, chapter, or other natural structural element.
Segment your attention by scene/act/event/flashback/chapter and other structural elements.
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Get through the exposition, where the main characters and setting are introduced (usually the first 1-2 chapters), before even picking up a pen.
Get yourself familiar with the story?
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Your diction and syntax alarm should’ve started blaring as soon as you read that.
Read anything with the attention to diction and syntax.
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theattic.jezebel.com theattic.jezebel.com
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the real horror often lies in the manic loneliness of women so desperate for—even entrapped by the idea of—stable domesticity that they abandon their dying mothers, poison their fathers, and die by suicide rather than leave the places they’ve claimed as home.
One can grow unaware of such horror given time.
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