english

spanish

english

keep

delete complex onsets

keep the glide

don't keep the glide

every sonority peak is a nuclei, things that surround it are onsets and codas

no codas in pali no complex onsets or codas word initial clusters get deleted in pali, word medial clusters get changed (nasal or sharing the same sound as the following onset)

codas in pali: nasals and identical to following onset

no complex onsets, single consonant coda

ŋ: underlying form ə: used to break up the syllable (can't have t+ŋ)

what sounds are allowed to touch each other + what groups of sounds are allowed to exist in a syllable together

at / lan/ tic a/ tro/ cious diff between l and r: if you can start a word with a combo of sounds, you can usually start a syllable the same way

onset replaced, rime stays

cant move because of no onset

rime

rime

anything after the nucleus complex: more than one sound (start) if you don't have a coda, the preceding vowel have to be tense

usually the vowel complex: dipthongs

before the vowel in a syllable complex onset: more than one sound (spat)

everything else

japanese doesn't like syllables to be more than consonant vowel could be: no consonant after vowel

adding j: avoiding syllables starting with vowels deleting j: might not allow j word finally or before consonant or multiple consonants at the end of syllables

some languages have very complicated syllable structures (english lets syllables have many different sounds in their syllable boundaries where other languages don't)

syllable initial and syllable ending

we

he

net

wep

lil and il

ka and i

consonant before suffix

vowel before suffix

minimal meaningful unit of language

first poem: using the title as the first line

afterwise: structure is interesting; what do the slashes do fo the poem that the line breaks don't?

don't look that witch in the eye

dependent on rule order: applied on the surface level: lises underlying level: liss only works if you have 2 levels

rules have to have steps in order to work properly bleeding rules: stealing the environment that lets another rule happen

consonant

input>output level

no place restriction, stops + affricates, aspirated, voiceless [-voice, s.g.]

labial, +consonantal, [lab, +cons]

whether it has a (yuh) sound 1. yes 2. yes 3. no 4. yes 5. no 6. yes 7. yes 8. no 9. no 10. yes 11. yes 12. no 13. no 14. yes

yes: p, k, b, g, m, f, v, h no: t,d,n,th,s differences: place of articulation; coronals don't get a (yuh)

occurs in the same place, doesn't change the meaning

occur in the same way; different phonemes

don't show up in the same place; predictable; allophones

should be a s

spread glottis

brackets aren't an exhaustive list

doesn't

has

manner

name of the feature

oh the pains of getting older

this part is giving hozier

this is an image! /pos

idk why i just really like the word mulch used here

there's something about the shape of this poem that really suits it; I don't know if it was particularly intentional or not, but it feels fitting. especially the "to eat" it's almost like a pedestal that the rest of the poem sits on.

this is such a strong image

i love this line real bad

i think some punctuation would be helpful here

i like this poem. i don't have any particularly deep thoughts, but it speaks to me.

as someone who struggles with poetry, i really relate to this poem. thank you.

i like this!

if this is an announcement, i would like to see it more formatted like someone is speaking into a mic

I feel like we had such an evocative image with "steams grabs the air" and i wish the momentum had continued to the end

this is an insane image /pos

i love gudetama he's such a guy

I like this poem a lot, however, the line breaks are a little jarirng for me. I would like to know the intention behind them.

I think maybe having some sort of punctuation between Nosferatu and the original may make this more potent.