175 Matching Annotations
  1. Dec 2021
    1. “A lot of [my students] think people are obese because people can’t put down a fork . . .

      That is what "they" want you to think... Until you educate yourself enough to know that there are more complex dynamics surrounding the issue. That is when change happens.

    2. particularly of the spaces they call home.

      Whenever you focus on "home" you are able to advocate for change. It needs to be directly related to our students' lives in order for them to recognize how they are the ones who are the experts.

    3. knowledge that often differs from outside perspectives

      This is why it is so important to apply critical literacy skills and realize who is telling the story. Outside perspectives are just that, outside perspectives. It is only fair to listen to stories told by the true experts, the ones who live it, not the ones who learn about it.

    4. positioning them as experts about the places they inhabit.

      They are the experts and should be named as such! What a powerful way to invite students to contribute.

    1. Each year the market is flooded with prob-lematic books that publishers market to classroom teachers, but there are also gems worth reading.

      After reading this article I wonder about how I can change the narrative in the school I work in. It would be beneficial for teachers to attend a PD about unlearning these stereotypes and reminding them that it lives all year around, not just during November.

    2. Jenna’s house is in an everyday neighborhood and she is wearing clothes similar to kids in the classroom. She is a person of the present day.

      Sadly, this is an eye opener for many students. The idea of being a "person of the present day".

    3. keeping Native peoples visible throughout the school year.

      Just by implementing this in itself demonstrates the importance of Native people. I know far too many teachers who take out their "Native books" during November and then put them right back in their "Thanksgiving Activities" box.

    4. They are ubiquitous and mostly written by people who are not, themselves, Native.

      Another big issue in many aspects. This is why it is so important to pay attention to who is telling the story.

    5. Critical literacy encourages children to read between the lines and ask questions when engaging with literature: Whose story is this? Who benefits from this story? Whose voices are not being heard?
      1. Whose story is this?
      2. Who benefits from this story?
      3. Whose voices are not being heard? These three questions can be transferred to almost anything in literature or in the media. It is important to be constantly aware of what we are reading and watching in order to challenge the narratives being taught and presented. If we do not pay attention and apply these skills, we are vulnerable to believing whatever is being taught.
    6. unlearning

      Such a powerful word in any given context, but especially in this one. The idea of learning how to unlearn something that has already been taught.

  2. Nov 2021
    1. I discovered like them as educators that “consider-able liberty exists in determining how [standards] may be enacted” with professional judgment

      I admire the teacher's stance as a "hacker". Teachers have to admit the standards exist in classrooms, but at the same time, teachers need to select appropriate text wisely to meet standards.

    2. Based on in-equities reproduced by institutions and experienced by students, the notion of creating change seemed far removed from their schema and experience to enact change.

      Students are surrounded by the institutions where their family members are imprisoned. It's easy for them to feel hopeless. They are forced to believe that they may follow the same route as their family members. However, the institutions are fundamentally unequal. How could they resist this kind of psychological implication and make changes?

    3. The concerns expressed by students of Latinx, Southeast Asian, and Punjabi descent mirrored what H. Samy Alim and Django Paris describe as a “saga of cultural and linguistic assault [that] has had and continues to have devastating effects on the access, achievement, and well- being of students of color in public schools” (1). Their experiences in and out-side of school reflected indifference to adult author-ity when their agency and voice are unconsidered and overlooked.

      As an Southeast Asian, what is described as "saga of cultural and linguistic assault... devastating effects on the access, achievement, and well-being of students of color in public schools" is something I can personally relate to. As the terms sweep and dirt are described in this article, it almost reminds me of the not so little jokes/comments/etc. people would make towards students of color and the sad reality that we would not recognize as being harmful and to keep harmony we would just laugh along with them. All relating back to the feeling of voicelessness and loss of freedom, opportunity, and self as a student.

    4. SweepingSweeping is usuallyA good thing— it cleansesAnd renews. We sweep crackersFallen on the floor, leaves crumblingOn the driveway. We even sweepGangs, drugs, and crimes awayFrom our streets. But We should never Sweep tardy studentsFrom our schools— we helpThem to get up earlier,Get to class on time,And succeed.A student, after all, is notA floor, norA fallenCrumb.

      This poem was powerful, just as powerful as the freedom writers movement. Not to mention the classic movie, Freedom Writers, I cry every time I watch it. I think this poem truly honored their labor, critical thinking, resilience, and action research in the way that they deserved, because I do think sweeping cleanses and they made a movement powerful enough to sweep this into something that meant something to them as students.

    5. My awareness of students’ love of literature and writing, ranging from poetry and short stories to young adult literature, guided me to select texts that could extend the conversation to texts about humane treatment.

      Like stated in The Vulnerable Heart of Literacy, using literature is a way to extend the invitation to have challenging conversations or having testimony and witness.

    6. “If you treat students more professionally, then they are likely to act more professionally.”

      I agree with this statement, as we should be open to our students having their own voices in our classrooms. How does this idea of "professional" work with younger students, such as lower elementary?

    7. “We won’t be able to do anything!” “Who will listen to us?” “They [staff] won’t listen to us. We’re just students.” “What is there to do about it, anyway?”

      It is unfortunate that the students have already lost hope, which can carry on throughout their lives if they are never given a platform where they feel their voices are heard enough to produce change.

    8. Despite these feelings, the students sat down and continued sharing in class by taking turns in the dialogue.

      Being vulnerable in the classroom is essential.

    9. My awareness of students’ love of literature and writing, ranging from poetry and short stories to young adult literature, guided me to select texts that could extend the conversation to texts about humane treatment.

      Demonstrates the importance of knowing your students in order to select texts that fit what you're teaching and what they are interested in.

    10. I began to learn about how systems worked against working communities.

      The power of learning! Once you learn enough about how systems work, you are able to take action.

    11. Tardy Sweep (see Figure 1). The students’ concern stemmed from the connota-tion to refuse and trash.

      This is interesting. The high school I went to did something similar, and so does the high school I work at now. They call it 'hall sweeps'. If a student is tardy / caught in the hall after the bell rings, they have to go downstairs for a 'tardy pass' and detention. This is meant to hold students accountable and improve tardies. However, going through that process they continue to loose out on class instruction. I also don't know if I see a decrease in tardies as a result of hall sweeps.

    12. I began to learn about how systems worked against working communities.

      This is sad. A lot of the systems put in place are not allowing any type of growth or equity for everyone.

    13. Some protest activism has the potential to become reactionary and filled with anger, name- calling, and sometimes violence. A dejected spirit of de-featism can appear. Nonetheless, the students, later renamed youth participatory action researchers, re-sponded

      I think this is an important distinction. Students may feel passionate about an issue and it is important to turn that passion into tangible action that they can use to further empower themselves.

    14. What do you think can be done to change the name?” Silence. Wait time. Heads shook from side to side. I ob-served subdued bodies and even slumping at desks. As if in a chorus from an Aztec or Greek drama, the students raised their voices and spoke: “We won’t be able to do anything!” “Who will listen to us?” “They [staff] won’t listen to us. We’re just students.” “What is there to do about it, anyway?

      This is an interesting observation. I experience similar responses to students when I try to make them civically engaged or have them combat against a rule that they deem as unjust. They talk a lot but when it comes to actions there is almost a type of indoctrinated helplessness.

    1. A pervasive negative national rhetoric has been constructed about Chicago’s South Side and the people who live there as dangerous and violent (

      This is just one way where media and news first hand have an impact on the community they are speaking on. People do actually listen to what is being said which is why it is crucial to change the way the media sees people of color and people of color neighborhoods. #CI45021

    2. Spatial justice can be understood as being premised on the idea that “

      I have learned about spacial justice especially regarding creating a physical division between low and high income communities which means access is limited to those in lower income communities because "traveling there" requires one or two forms of transportation. #CI45021

    3. Kara cultivated her students’ urban literacies by encouraging them to draw from their local knowledge of self, culture, and place; to critically situate their local knowledge in broader sociopolitical contexts; and to craft counter narratives

      Building from their own funds of knowledge!

    4. Many young adolescents already possess these abilities; however, as with other urban literacies, this knowledge is not typically cultivated in schools.

      This reminds me of the article "when school is not enough" and also Gholdy Muhammad's idea of teaching the 'whole child'

    5. Many young adolescents already possess these abilities; however, as with other urban literacies, this knowledge is not typically cultivated in schools.

      Adolescents go to school with their funds of knowledge, and they are willing to talk about their neighborhood. Teachers should create a chance to adolescents to discuss the local community. They will have a better understanding of what happened around them and why that happened?

    6. Spatial justice can be understood as being premised on the idea that “justice, however it might be defined, has a consequential geography, a spatial expression that is more than just a background reflection or set of physical attributes to be descriptively mapped”

      Spacial justice offers me a new way to understand social justice. It talks about social resources are disproportionally distributed. It includes more than the physical space but all of the relations in this space, environment, quality food, and so on.

    7. Kara acknowledges the reality of her students’ lives but also helps them develop urban literacies to reposition the South Side of Chicago as a place to which violence has been systematically done—by denying access to basic necessities such as healthy food—not merely a place where violence occurs

      I believe this is the first step any educator should take is to acknowledge and be self-aware of what actually is, so I applaud Kara for acknowledging the reality of her students instead of trying to place a reality on their experiences and their lives. It is not an easy process, but cultivating that space and inviting students to grow in that space is what will open the opportunities to becoming change agents in and outside of the classroom.

    8. . . . If I said I was from chiraq, where there a lot of violence, and gun shotsEverywhere boom, boom, bang, bang would you know where i’m from?

      Throughout the handful of articles we have read through the past few weeks, I truly enjoy reading the actual work of the students. As a Chicago Native, it's sad because I know where Malcolm is from, and that is not saying anything about Malcolm but the actual city itself. The description of his city accounting negative characteristics is enough to empower his ability to change that description. I think Kara's use of spatial justice is extremely eye-opening, in terms of being able to construct an entirely different perspective from what the students originally thought of.

    9. Kara built on her students’ knowledge of larger sociopolitical contexts in order to counter prevailing notions about place, food, and obesity—

      I wonder what other contexts would work to help students think critically about social issues.

    10. “I think this helps them with their critical consciousness. I don’t think they’ll walk away saying ‘I won’t eat McDonald’s anymore,’ but I want them to be able to challenge social structures, I want them to understand systemic racism, and I want them to be able to see themselves as change agents.”

      I thought food was in interesting angle to work with, but this quote helped my perspective. I think that when students bring in their own funds of knowledge, they can critically analyze these systems through different lens', such as this one.

    11. Throughout this unit, Kara asked her students to make use of their knowledge of their own neighborhoods, positioning them as experts about the places they inhabit.

      I like this idea of making the students the "experts". Even though it's such a simple term, students feel more empowered in their learning and work when they are identified as experts, and who wouldn't be an expert of their own neighborhood?

    12. “Most people that are obese are not treated fairly and can’t do certain things. This is not only cause your[sic] . . . obese but also because you are Black.”

      I like this quote here because it shows the intersectionality of issues. Very rarely is it only a race, health, or class issues but it can be a mixture of all of these things put together! Having students understand these power dynamics is extremely valuable.

    13. This assignment positioned students as experts with insider knowledge about their local environment (Machado, Vaughan, Coppola, & Woodard, 2017)—knowledge that often differs from outside perspectives

      I like this idea in particular because it is creating counter narratives that can combat stereotypes. In addition, it draws on funds of knowledges that the students may have. This is a great way to take ownership over their education.

    1. Black girl” that manifests itself in intricate ways. Literature has the power to oppose or uphold stereotypical depictions of Black girls and women.

      We need to be able to show the individual as a "whole" not only as deficits. Successes should be celebrated and written about just as anything else.

    2. English language arts provides a space for Black women and girls to express themselves or to find solace in the shared lived experiences of Black women and girls. However, this is impossible if the texts used to ed-ucate Black women and girls are void of their lived experiences, beliefs, and cultural norms.

      Culturally relevant texts is a must in all classrooms. Selecting texts that relate to our students lives are critical in creating a space where they feel welcome and vulnerable to share their voice.

    3. These subliminal messages facilitate self- loathing and maladaptive constructions of what it means to be beautiful or desirable.

      How do we support young Black girls in this healing process? In addition to not seeing themselves in stereotypes, their beauty and lifestyles are so heavily policed by dominant culture.

    4. Black girls must be exposed to and seen within the subject that they are learning while also given the opportunities for counternarratives and resistance to injustice.

      I think counterstorytelling is important, especially for People of the Global Majority to be able to share their stories authentically and challenge racist stereotypes and assumptions. However, where I'm feeling a lot of tension with media representation is when People of the Global Majority are given roles that have historically been done by white folx. Counterstorytelling is not the same thing as rewriting narratives. It's frustrating that students have to see themselves in "other versions" instead of having nuance roles or roles that were specifically made for them OR even roles that are not centered around tropes of a culture but instead are actually about People of the Global Majority having normal lives with universal experiences. A good example of this is "Never Have I Ever." But also nuanced roles like Shang-Chi are important as well!

    5. English language arts provides a space for Black women and girls to express themselves or to find solace in the shared lived experiences of Black women and girls.

      Creating culturally relevant classrooms is vital to creating a safe space for students to share their experiences and be able to make connections.

    6. When the plot diagram was completed, I asked the students to think of Goldilocks as a young Black girl. “How would the story change? And in what ways would the character’s traits, the setting, or the author’s point of view become different if the Goldilocks was an 11- year- old Black girl from your neighborhood?”

      The idea of invitation!

    7. literacy instruction should be re-sponsive to students’ identities (e.g., race, ethnicity, gender expression, age, appearance, ability, spiri-tual belief, sexual orientation, socioeconomic sta-tus, and community environment) and languages/dialects as they affect students’ opportunities to learn

      Not only do I feel like literacy instruction should be responsive to our students' identities, but it can help build their identities too. Just to make a connection, I feel that I would have been more invested in my own Asian culture had my teachers provided me and made me feel comfortable with engaging all students in other texts of Asian culture.

    8. Hartman and Sexton remind us that an enslaved status (whether physically, intel-lectually, creatively, or culturally) not only restrains individuals from being engaged in acts of resis-tance but also seeks to dismantle the development of “freedom dreams” that can cause an individual to critically challenge bondage.

      Psychological slavery is more harmful. In the white-dominant culture, the role of black people are marginalized and their contributions are neglected. So the black people will devalue themselves which constraint their gifts in every perspective.

    9. girls who sit at the intersections of racism and sexism

      Racism happens between different racial groups, but sexism can happen in the same racial group. Black women bear the tag"black" and "women", so they may encounter more discrimination than other groups.

    10. Black girls are encountering state- sanctioned violence and criminalization in schooling systems that have long supported the educational genocide of the Black body.

      Schools have employed many form of exclusionary practices, for example, office referrals, suspensions, and expulsions. However, the zero tolerance theory escalated the situation of drop-out rate. Poor Children of color are more likely to be punished strictly for minor noncriminal violations of school rules. This also called "The School to Prison Pipeline".

    11. We propose the inclusion of counter fairy tales as an instructional tool to capture these funds of knowledge to leverage and increase their oppor-tunities to receive relevant literacy instruction.

      Before this I had never heard of CFT. I think this is a great and valuable tool to use in the classroom and I can see myself using this in the future.

    12. Like Marley and countless other Black girls who are “missing” from literature or are not the main characters, young adolescents can see who is valued in the class-room and how that value is assessed based on race and gender classification.

      Incorporating texts that are by BIPOC, about BIPOC is a way of conveying the message to students that their lives, experiences and ideas matter and are important.

    13. Exposure to these narratives is at the heart of educational equity.

      Yes, yes, yes. I completely agree with this. Curriculums, 'cannonical literature', etc. need to be updated if we truly want to have equity in the classroom.

    14. However, this is impossible if the texts used to ed-ucate Black women and girls are void of their lived experiences, beliefs, and cultural norms.

      This is why it is so important to be extremely intentional and critical about the texts we choose to include in our classroom learning. There is so much value in students being able to directly connect and relate to a text.

    15. Therefore, if students are never presented with pos-itive visions of their own lived experiences in the stories they read, there is a need for them to create their own stories through the use of counternarra-tives in writing instruction

      This is a really important point as it relates to the importance of counternarratives and why representation matters. In recent years you will hear artists say that they created their story, movie or hero because they did not see themselves represented and wanted young kids to have someone to look up to.

    16. n-glish education teachers expose Black students, and Black girls in particular, to mostly Western European thought and tradition that mutes the racial, ethnic, and gendered experiences of individuals who look like the students whom they are teaching

      I think an important point of this is that it's not only in English classes that there is a Eurocentric focus but in history classes as well. I think the fact that there is an AP Us History and an AP European History speak to how Eurocentric the education system is.

    1. We are aware that schools cannot do it alone—that is, schools cannot by themselves eliminate all forms of educational inequities and social inequalities, given that these are large-scale systemic issues rooted in structural oppression. H

      As teachers we acknowledge that we can only have so much of an impact on students. It is up to society as a whole to be able to eliminate these systemic structures in place.

    2. I thought I was suppose to learn all this in school, but who knew that I’d have to step away from school to learn this information

      Black students are disappointed by the schooling, in which black culture is not valued. So they want to get out of school to find the truth. Finally, they may find more misinformation against black people. The worst thing is that they make the stereotype come true.

    3. Counternarratives, or counterstories, represent one tenet of critical race theory. While they take a variety of forms (e.g., personal stories, others’ stories, compos-ite stories), Solórzano and Yosso (2002) define them as a “method of telling the stories of those people whose experiences are not often told” in order to “shatter complacency, challenge the dominant discourse on race, and further the struggle for racial reform” (p. 32).

      I didn't learn about counternarratives until this semester in my MEd program, which I'm surprised about. When I reflect on my early education through high school, I don't ever recall my teachers asking me or any other students to write counternarratives.

    4. “Our struggle to live never matters to other people,

      This part being the first part we really start to hear their voices and listen to their stories was moving, but it was sad to read this specific statement because these students are speaking for themselves and to what we know, for all the other students out there for feel like their struggles don't matter as well. To conclude no one cares is to have lost hope in the systems, processes, education that continues to fail them.

    5. “Don’t hope for too much”

      It took me a while to read this article, the entirety was overwhelmingly filled with information that I kept reading over and over again, it was a read that included dialogue and that made it feel as if I were talking to both Khaleeq and Rendell. There is a lot to unpack here, but I think it is important to take the time to unpack it and our own pace that won't deter students from tak(ing) risks, fall(ing) down, get(ting) back up, and do(ing) it again. That is the process and it takes a village to get this accomplished. From a personal standpoint, I stray away from hope to, it often leads to disappointment in whatever context, but to be reminded that everyone is in a process, it's empowering and to read the narratives of these students, gave hope that change is possible.

    6. overrepresentation of Black males in special education classes (Kearns, Ford, & Linney, 2005) get blamed on Black youth rather than on the structural inequalities endemic to US society.

      "overrepresentation of Black males in special education classes" should be problematic. I read an article, which stated that black students are put in special education disproportionally. Since schools are incapable of providing language classes. Some black students are regarded as retard because they only have language problems. Black youth should not bear on criticism.

    7. Why is education not a great equalizer for the lives and literacies of many students of color who rely on public education to prepare them for opportunities that may have been denied to their parents or grandparents, and that are now being denied to them?

      Education is their chance to change a life. But, ironically, they are still trapped in the same social status as their parents and grandparents, who have not received an education. It is because their schools are underfunded and lack enough educational service.

    8. Education is the great equalizer in a democratic society, and if people are not given access to a quality education, then what we are doing is creating an underclass of people who will challenge our very way of life”

      This can explain why the crime rate is high in some areas, because education related to identity development and future careers. Deprive people's right of education equals to take away their opportunity for better life. Thus, there would be more social problems.

    9. Because recognition is not enough, we must also determine tangible ways to transform schools and communities into humanizing, loving places and spaces that nurture and support, encourage and honor the lives and literacies of Black youth.

      Most of the PDs I attend, and sometimes school / staff meetings, always focus on such great ideas, but no concrete plan with how to follow through. We cannot continue to be all talk, no action.

    10. I don’t be feelin’ confident in school. I wonder if I’m stupid or if school be makin’ me think I’m stupid.

      This is powerful. Khaleeq continued to say that he should feel the way he feels in the community, in school. Schools should cultivate and embrace the 'whole child'.

    11. Urban public schools that serve a large demographic of low-income students of color are often on the chopping block when it comes to receiving adequate funding to renovate facilities, modernize technology, replace outdated books, hire teachers early, and ensure that all students have access to a full-time staff of nurses, therapists, and counselors. When students are sitting in classes hungry, when they cannot see the words on the board or on the page, and when they experience school as a place where they are regularly bombarded with standardized tests, we have to wonder: Education as a great equalizer for whom? When they are forced to learn under conditions that rely on English Only and zero-tolerance policies, we have to inquire: Education as a great equalizer for what? And, when they are discouraged from relying on their family and community histories, intellectual traditions, and cultural practices to make sense of academic require-ments, we must ask: Education as a great equalizer where and how?

      Wow.. this really spoke to me. Education as a great equalizer for whom? It can be hard for students to prioritize their learning, or assignments or quizzes when they have an extreme lack of resources available to them. For example, we see many schools with 2-3 police officers in the building every day, yet they may have a nurse that comes in once a week. Where are the priorities?

    12. As a result, we focus on how they cultivated their literacies, nurtured their spirits, and charted their own trajectories within community spaces when school was not enough.

      From this first paragraph, I am completely hooked on what the rest of this paper will be about. I think about this all the time. Our Black and Brown students are brilliant and have so many different ways of showing their learning and skills, many of those ways are outside of what is considered "traditional" in a school setting

    13. he found himself (e.g., voice, confidence, agency) and became interested in increas-ing his participation in the community. He shared: “It’s a way to give back, and think about what the community needs.

      This is shows how impactful a simple project can be for a school. That by giving students these opportunities they might start to develop a new identity and develop counter narratives.

    14. It highlights that although their “experiences are often overshadowed by the master narrative that amplifies Black male underachievement, disengagement, and attrition” (Harper, 2009, p. 708), countless Black males who are academically successful also encounter racism

      I think this is an important point. That you can be the most educated person in the world but you can still encounter racism. Education may help with economic status but that doesn't fix the prejudice embedded in society.

    15. What happens, then, when students are preparing to exit those schools after having learned under the very same conditions that were present when they first entered them? Why is education not a great equalizer for the lives and literacies of many students of color who rely on public education to prepare them for opportunities that may have been denied to their parents or grandparents, and that are now being denied to them?

      I think this is a very valid point. What happens when public education does not accurately prepare students for the real world. Students often feel like they are being prepared for prison because the conditions in the classroom or school often emulate those of prison conditions.

    1. and by extension, Native people. In addition, a critical literacies perspective gives voice to how sto-ries are presented and told about people and their history.

      First hand accounts allow for accurate depiction of real life events. Some stories are told in different lights and from various perspectives.

    2. hoose books by Native writers.

      This made me think of the HRL model and how important it is to choose authors that students can assimilate with. Not only will they connect with the writer but they will also allow for deeper discussions.

    3. When teachers use Thanksgiving as the vehicle for their instruction about Native peoples, they are inadvertently locat-ing Native lives in the past

      In the video, there was a statement that concluded students aren't ever learning the truth about Native lives or Thanksgiving because they introduce it and then they leave for break. There is importance in allowing literature to be read yearly, which brings their stories and history into the present and away from this holiday "break" as most students might only see Thanksgiving as time off of school.

    4. Critical Indigenous Literacies (Reese, 2013). Critical literacy encourages children to read between the lines and ask questions when engaging with literature: Whose story is this? Who benefits from this story? Whose voices are not being heard?

      This is the first time coming across this this terminology, "Critical Indigenous Literacies", but this is encouraging to see a term like this that gives voice to the stories and history being told. Although I think these are difficult questions to ask, I think educators need to be the first to ask themselves these questions of whose story is this, benefits from this story, and whose voices are not being heard so if they are able to read between the lines and open the floor for their students to do the same.

    5. Debbie Reese

      I just wanted to highlight the author of this article. In the video, she introduced herself with a back story of her teacher correcting her name from Debbie to Deborah. To my own story, I have had my name mispronounced, misspelled, and so on for my entire life, so it made me proud to hear her story and to have her parents stand up for her in that situation.

    6. To go even further, use the provocative but accurate word “invaded” instead of “arrived.”

      Teachers need to tell the truth which is important, also students have to recognize that native nation's existence.

    7. Whose story is this? Who benefits from this story? Whose voices are not being heard?

      Paolo Freire's banking model also pointed that schooling contributes to dehumanization and oppression, because teachers can decide which knowledge is valuable, and students are treated as passive learners.

      CL encourages students read beyond the text, and begin to consider who are privileged and underrepresented?

    8. Critical literacy encourages children to read between the lines and ask questions when engaging with literature: Whose story is this? Who benefits from this story? Whose voices are not being heard?

      This is a skill that we need to teach our students. They should be able to decode the text and beyond the text: what was the author's purpose for writing this text? What areas was the author successful and/or not successful?.

    9. Use books by Native writers all year round

      Teachers need to pose their values and reflect that in their teaching. In order for students to have better understanding of the Native American tribes' cultures students should be exposed to an array of books that provide them with information and allow them to critically think about the history. This should be the case for all marginalized communities. This also supports the idea that students should see their teachers as writers. Students can also become writers and share their experiments though different ways of writing.

    10. When teachers use Thanksgiving as the vehicle for their instruction about Native peoples, they are inadvertently locat-ing Native lives in the past.

      I think that this is important because a lot of students don't actually know the history behind Thanksgiving. Taking this as a lead into centering Native people would be a good objective to obtain. Not only do we need to discuss Natives lives in the past, but also bring them to the present.

    11. #OwnVoices stories— a hashtag created by Corinne Duyvis to describe a book that is written by someone who is of the particular culture being depicted. The idea is that the quality of a story is improved when the person creating that story is an insider who knows what to share and how to share it with outsiders.

      This brings in the idea of authenticity. I am working on a project that revolves around children's literature and their climate, and a big part of this project is discussing the racial/cultural background of the author, illustrator, and even audience.

    12. , a critical literacies perspective gives voice to how sto-ries are presented and told about people and their history

      Although a story may be told, it is also important to dissect how they are being told and by who.

    13. Use books by Native writers all year round.

      Creating a diverse learning environment / material is not only sometimes, during specific times, or holidays. Creating a diverse classroom is something that should be actively worked at every day.

    14. Choose books by Native writers.

      Being critical of the authors of our chosen texts is important in order to assure that our students are reading culturally accurate stories.

    15. One group of creation stories is categorized and treated as fiction while the other group of creation stories is accepted as truth.

      This is why critical literacy is important. We can and should question why only certain narratives are considered 'dominant'

    16. To go even further, use the provocative but accurate word “invaded”

      I think this is an important point along with the rest of the paragraph. That the language we uses softens the blow of what happens. That this was another nation we took over and we act like they disappeared and treat them as a monolith when these people exist are some of the marginalized people in this nation. Marginalized to the point that they are often left out of discussions of people of color.

    17. The outcomes of those negotiations were treaties, much like the ones the United States forges with foreign nations today. Nonetheless, depictions of Native peoples as primitive or uncivilized are one of the reasons our nationhood is difficult to accept or understand.

      I think this is a very important point to dehumanizing Native Americans or depicting them as "savages". They had university, school, made complex calendars, and had advanced farming techniques. The idea of Native Americans as one monolith who never had a real civilization is propaganda.

    1. Many of the headlines in the media described the killers as “quiet,” “smart,” “nice,” and “typical American Boy[s].

      Yes! It is so messed up to see the difference in how the media labels different ethnic groups. Despite the fact that a similar crime was made, the labels will always target the marginalized groups and place them in a negative light.

    2. “the American people are being force-fed a diet of stereotypes and misperceptions, overcriminalization and marginaliz-ing of Black Americans through language, images and omissions.”

      And not just Black Americans but any and all members of the marginalized community. It is devastating to accept that the media portrays people a certain way yet it is even more devastating to see people believing the false information being spread.

    3. Johnson (2015) suggests that within mainstream media, young Black victims, particularly Black boys, tend to be presented as guilty adults. Black youth and children are hardly ever portrayed as victims or labeled as “children” in the media in comparison to young White victims and suspects.

      This is one of my biggest struggles working in education. In my spaces with white educators specifically, I'm constantly finding myself in conversations where they both infantilize AND adultify our Black students. In academic settings, these specific educators have such deficit thinking about what our students can and cannot do -- all based on negative assumptions about our students capabilities. However, in events with "behavior management," our students are adultified and are punished accordingly. It cannot be both, and it really shouldn't be either of those options. We should be treating our students as full humans with a wide range of capabilities while also recognizing that they are still children who need our guidance and support through love and high expectations -- not punitive reactions to disobedience of white supremacy.

    4. When the victim or criminal is White, the media tend to use photos that paint a positive picture of the victim’s life. In the case of Black victims, however, media outlets tend to use compromising and damaging photos.

      I have noticed that on the news they usually always use pictures off of social media for black victims in comparison to a family or professional photo (school picture) for white victims.

    5. don’t know what to do, and are just scared for their lives. That’s supposed to be somebody that’s going to protect us. Not somebody that we need to be scared of, or afraid.

      This is incredibly frustrating because on top of students, specifically Black and Brown students, experiencing racial policing in the real world, many students also experience it in schools, a place that is supposed to be a inviting and inclusive and a place for them to let their guard down. We cannot build safe and brave spaces for students to have meaningful learning experiences if they aren't allowed to make mistakes or are always met with punitive measures for their mistakes. The same way that we judge "Karens" for calling police on BIPOC folx, teachers need to assess how they do the same thing when they call admin and SROs on students of color as a defense mechanism for their white discomfort.

    6. typical American Boy[s].”

      What is a typical American boy?

    7. If you aren’t careful, the newspapers will have you hating the people who are being oppressed and loving the people who are doing the oppressing.

      Which is why it is so important to teach our youth to use their critical thinking skills and do their own research. That way, they can come up with their own opinions by taking other perspectives into consideration.

    8. Finally, it is important for educators to implement these same tools with White students who benefit from white supremacy and the damaging narratives that mainstream media produce about Black youth and other youth of color

      I was going to highlight a sentence earlier and question if there was going to be any learning and advocacy among the White student population. I think it is just as important to implement these tools with White students so that they can be conscious and play a role in getting rid of White supremacy.

    9. invite

      "Invite" is the KEY word! Of course we want all of our students to partake in these discussions, but it should never be forced.

    10. this is OK

      Reading this line, as an educator, made me feel at ease for just a second. Often times, I find it difficult to see that both students and educators face our own disparities and it is a constant battle, but we continue doing it, for the good of our students, ourselves, and society.

    11. Black Twitter, have be-come powerful voices and new forms of social activism for Black youth

      Twitter has been around for so long, but I barely started using Twitter only a couple of years ago. Twitter is one of the only platforms where I feel individuals are allowed to post anything in their interest, which a powerful movement of others who share the same interest standing behind them. Although news channels and etc. are still around, younger generations are starting to use spaces like Twitter, Instagram, etc. to get the attention they deserve.

    12. “She Had No Respect,”

      When hearing stories like these, I am always in disbelief that people in the world will still defend actions with excuses such as "she had no respect". I have read a book by Dr. Kendi called How to Be an Antiracist and I believe media is a core part of society that needs to reframe how they tell stories especially for communities of color.

    13. By critical media literacy, we mean “the educational process that makes young people aware of the role that media play, both positively and problematically, in shaping social thought”

      Critical media literacy plays an important role in shaping youth's world view. Youth learns to break up the stereotypes manipulated by mainstream media. Youth has to build rightness and justice by themselves.

    14. “Critical media literacies can serve as protection against alienation, depression, eating disorders, violence, and a host of other ills that can be linked, at least in part, to the uncritical consumption mainstream media texts”

      Mainstream media often mislead people and ignore minorities. Critical media literacies is a good platform for people of color and other minorities to have a voice.

    15. 2) provides youth with opportunities to in-vestigate, dismantle, and rewrite the damaging narratives that mainstream media and other social institutions use to construct and oppress Black youth. A pedagogy of healing is increas-ingly necessary and important in a time when Black youth are feeling wounded, weary, and dispirited by the ubiquitous as-sault against Black bodies and a burgeoning media culture that works to stigmatize, criminalize, demonize, and objectify them.

      This is an example of Tenet Two in *The Vulnerable Heart of Literacy: Critical Witness and Testimony. As we engage students in witnessing their peers' testimonies, we can provide opportunities for them to be critical witnesses in rewriting these damaging narratives.

    16. case of 12-year-old shooting victim Tamir Rice, who was killed by police in Cleveland, Ohio. Unfortunately, Rice was not viewed as “a boy playing with a toy in the park, but a Black male with a gun” (O’Malley, 2014). Many me-dia outlets characterized Rice as “big for his age,” as if this was a sufficient reason for the cause of his death.

      This reminds me of the Adam Toledo case. I felt like people was more coverage on why the officer did it and the pressure that got put on him to make a decision in a split-second, versus the young boy.

    17. he newspapers will have you hating the people who are being oppressed and loving the people who are doing the oppressing.

      I think that it is crazy that Malcolm X is the one who said this because it is SO relevant right now. It is all over social media.

    18. For educators who struggle with finding pragmatic ways of working toward racial justice in their classrooms, this article offers hope, tools, and possibilities that are the beginning steps toward racial justice.

      A lot of the times these ideas are thrown out but there is not a direct clear way to incorporate into our practice. I appreciate the concrete, detailed lesson plans that demonstrated how we can work toward racial justice in the classroom. I will definitely be using these with my students.

    19. In other words, if we only prepare Black youth to be critical of the ways that mainstream media outlets uphold white supremacy and negatively characterize them, we miss an opportunity to il-lustrate the role that youth-produced media can play in working toward social change.

      Now more than ever, social media is such a big part of the daily lives of the youth, which is why incorporating critical consumption in the classroom can be so important. I also agree that bringing up the idea of creating youth-produced media is equally if not, more, important.

    20. e.g., critical media pedagogy, urban debate, critical language pedagogy, hip-hop based pedagogy, critical race pedagogy

      I would be so interested to learn more about these, especially hip-hop based pedagogy

    21. youth-produced media have always contributed to social change and making young people aware of injustice

      I think we have started to see this a lot within the last couple of years, especially with social medias like twitter, youtube, instagram, etc.

    22. Production and distribution components of critical media pedagogy go hand in hand and involve prepar-ing youth to be agents of change by producing “counter-knowledge through the manipulation of media tools” (

      The production part of counter narratives is really important to shifting dominant narratives and countering white supremacist practices. By allowing our students to do this we get them to question the status quo and realize that they can be products of change which can be invaluable in the future.

    23. In the case of Black victims, however, media outlets tend to use compromising and damaging photos.

      I think one thing that is not brought up here is the deliberate altering of photos as well. In the OJ Simpsons case Time Magazine deliberately altered photos of OJ Simpson to seem darker and more menacing. This is in contrast to Newsweek which just used a photo of him unaltered. So there is the addition of deliberate choices by the media to negatively stereotype African Americans. Time Magazine also changed the image in response to backlash stating they had no racial agenda. Which may further bemoan the point they may even be participating in white supremacist practices unconsciously

    1. It is striking that the greatest unmet needs in classrooms are not reflected in policy documents such as the Common Core State Standards.

      This explains why addressing trauma in the classroom is not done as often as it should be. It is expected that we do it, but not mandated like Common Core is.

    2. Listening to teachers and students that day and in the weeks leading up to and following the 2016 election provided striking and poignant reminders that students of all ages carry with them into school the myriad worries, ideas, and oft-repeated phrases of indoctrination spouted on television, websites, and in neighborhoods.

      I was a senior in high school when Donald Trump was elected into office. Many teachers had very strong opinions about this, and many had different opinions about what should and should not be allowed to share with students. I distinctly remember one teacher, who had given her opinion specifically once (as to not center herself in the conversation), but gave all of us the space to listen, speak, cry, and work through our emotions about such a controversial election the day after the election. I understand the pressure that teachers have to remain neutral in political conversations with students, especially due to legality issues but also families who heavily condemn this. However, when students are experiencing trauma from current events and are turning to schools and trusted teachers for comfort, it needs to be our responsibility to publicly condemn bigotry, white supremacy, Anti-Blackness, racism, Islamophobia, and homophobia for our students. Especially when we are active members in a system that historically has harmed students from these marginalized communities.

    3. motion and trauma in classrooms, witnessing serves as both action and metaphor for the kind of presence necessary

      Trauma is the first thing that we should be focusing on in the classroom but in order to do that we must first be able to recognize the trauma that we carry and that others carry.

    4. When absent in teacher education programs and national policies, it is little wonder that many English teachers may be both stymied and fearful about addressing the civic, healing needs of classrooms

      This is very interesting because during my teacher preparation program here at UIC, we often were covering SEL and trauma-informed lessons, but I don't think anything can truly prepare teachers for the way our society is built on trauma of BIPOC folx. For example, many of our trauma-informed pedagogies are centered around student wellness and trauma they experience on a personal level, and while we may beat around the bush that the real problem are social oppressive systems and their impact on students, it feels very rare that we are examining how trauma is ingrained in every aspect of our society for Black and Brown children. For example, none of us were prepared to support students through the trauma of Covid-19, but the trauma that Black and Brown students are experiencing from Covid-19 is very different from the experience of many white families, and that is, again, because of the oppressive systems that we know of but don't fully examine as being the reason why students have so much trauma.

    5. What does it mean to matter (or #matter) in this world? In this way, SEL must address what it means to cultivate belonging in a broken world.

      I've definitely seen SEL be more apparent in curriculum or pedagogy nowadays, but it is interesting to think of the certain role SEL plays in the classrooms. To put in perspective that we live in a broken world, and how should we matter in that world is an overwhelming statement, but crucial in order to get students to think critically about what that truly means today.

    6. students and teachers were crying together, holding each other, or, in some cases, having to confront that others were jubilant over an outcome that left them stunned and terrified.

      Even though its been more than a year, I still remember that initial feeling of when the news spread across the nation and tears, fears, and emotions were rushing through my body scared for those around me and the lives of those I cared so much for, it was a fear of their lives being taken away and it was something I was not sure how to confront.

    7. teach-ers are generally not prepared to address the intersections of healing, politics, and emotion in classrooms.

      Most teachers come into the profession with the intention of helping students emotionally (and academically). The harsh reality is that we are not always given the tools, time, materials, or resources to address these concerns in the classroom. Especially with all of the other demands put on us. To say that we are not prepared is a bit disappointing.

    8. Personal traumas, in turn, are felt individually, but students and teachers carry those losses and disruptions into classrooms in ways that must then be viewed as a collective imperative, not only for the particular classroom community but also for the ways individual challenges are often connected to political systems and shared oppressions such as local, state, and governments’ responses.

      It regards the classroom as a supportive community. Traumas are not individually after being brought into the classroom, but a "collective imperative" that matters to many people.

    9. English educators must address trauma in classrooms, while also recognizing how individuals and groups are positioned differently in the material and emotional stakes of this election.

      Different people share different opinions of trauma, during this pandemic, some people gain more support from their communities, but others suffer more from pandemic. However, addressing these issues in classroom will help students build an understanding of the underprivileged and empathy with others.

    10. attending to tensions that may exist in how English teachers and teacher educators address issues of trauma and healing in our classrooms.

      I thought this was interesting. Is there tension because teachers do not know how to address trauma and healing in classrooms? Or are there tensions because it is done without purpose and intention? Or are there tensions because it is a difficult concept to address in classrooms?

    11. Listening to teachers and students that day and in the weeks leading up to and following the 2016 election provided striking and poignant reminders that students of all ages carry with them into school the myriad worries, ideas, and oft-repeated phrases of indoctrination spouted on television, websites, and in neighborhoods.

      In this time where technology, social media has become so valued in our students' lives, they are engaging in their own learning a lot outside of our classrooms. Some of these students are walking into my classroom teaching me something.

    12. acknowledging our personal dismay with the outcome of the election, even as we also recognize that some readers did and, perhaps, still do support President Trump.

      I think it is important to remember that educators should remain unbiased. We don't want to impose our own opinions (if any) on our students, as we are trying to teach them to have an open-mind in their learning.

    13. Healing is not a singular journey of moving from hurt to being fully healed, but an ongoing path in which attention to healing and critical youth development have to be made part and parcel of teaching and learning in classrooms.

      It's true. Healing cannot be ended since we live in a society with so much uncertainties. We don't know when the pandemic will come to an end, we don't know when the racial equality will realize, but we can make sure that if we create a safety context for our students to share their fears and pains, that will help them to have a promising future, instead of falling into a precarious situation.

    14. shared vulnerability is crucial in building humane and anti-oppressive classrooms

      Reciprocating that vulnerability is extremely important, as well as always providing that invitation for students to share. I see so many connections in this paragraph to the Vulnerable Heart of Literacy

    15. In this way, it was a shared traumatic event that, we might hope, prompted widespread empathy and despair. However, each affected child carried his or her highly personal experience into whatever post-hurricane classroom he or she entered. Personal traumas, in turn, are felt individually, but students and teachers carry those losses and disruptions into classrooms in ways that must then be viewed as a collective imperative, not only for the particular classroom community but also for the ways individual challenges are often connected to political systems and shared oppressions such as local, state, and governments’ responses.

      Although this is very different, I think that we can connect this to how it is returning to the classroom in person after being remote. A lot of students and teachers have experienced so much trauma since the pandemic began

    16. many colleagues in schools were struggling to help students of all ages unpack the questions and uncertainties they had learned in the hours since the election was called for Trump.

      I was in undergrad during this time and I remember professors sending emails addressing this and some even cancelled class

    17. we call for more expansive conversations among English educators across perspectives concerned with creating safe, relational, anti-oppressive classrooms

      This should be a priority when it comes to creating professional development for teachers

    18. As the consequences of this election continue to directly affect stu-dents and families, healing requires not offering false reassurances. We cannot suggest the certainty of a more hopeful future for all members in our classrooms. Rather, such work must be framed in English education as a continual process that is never “done.”

      I think this is an important reminder to ourselves and to our students. That it is important to be hopeful to our students but it is important to not lie to them. We need to have them engage with the world in order to make the world a better place.

    19. At its core, education must be focused on the relationship between teachers and their students “and the extent to which that relationship nurtures the longing of the child to matter in the world” (Shriver & Buffett, 2015, p. xv). The fundamental role that SEL plays in classrooms hints at a broader consideration: What does it mean to matter (or #matter) in this world? In this way, SEL must address what it means to cultivate belonging in a broken world.

      This is an interesting idea. It very much reminds me of the TED talk video "Every Kid Needs a Champion.". The idea being that Kids don't learn from someone the don't like. It reminds me very much of a parent and child relationship or a mentorship. It just makes me realize just how important being a teacher is to a person. That we see kids so frequently that we can have a profound impact on them.

    20. following the 2016 election provided striking and poignant reminders that students of all ages carry with them into school the myriad worries, ideas, and oft-repeated phrases of indoctrination spouted on television, websites, and in neighborhoods.

      This is an important point for helping our students and people generally become more politically active and avoid indoctrination. Have them realize that maybe they are just repeating lines or ideas that they have heard. Are they engaging with the discourse that is happening or are they passively accepting it. This could also relate to the banking model of education. Remember education does not just happen in school.

    1. A critical literacy means that students probe who benefits and who suffers, how did it come to be this way, what are the alternatives, and how can we make things more just?

      This reminds me of Dutro's idea of Witness and Critical Witness. We are witnesses to our students testimonies, but a critical witness is one who takes action and advocates.

    2. “I didn’t realize that other people went through the same things we [African Americans] did.”

      This is the power of literature!! We all share similar experiences with people who we think are different. We just need to dedicate the time to find those similarities.

    3. I knew what didn’t work, but I still didn’t know what did work.

      This demonstrates one of the biggest challenges (in my opinion) as teachers. Every class is different, every year is different, and every student is different. Teaching is not "one size fits all". What works now, may not work in the future. What did not work before, may not work in the future. We are always growing and evolving, as are the students we teach.

    4. As students read, we laugh, cry, and create community, but we also teach and learn from each other. If I had to choose one strategy as the centerpiece of my teaching, it would be the read-around. It provides both the writing text for my classroom and the social text where our lives intersect and we deepen our connections and understandings across lines of race, class, gender, nationality, and sexual orientation.

      This activity supports the sociocultural historical theory because the teacher provides students an opportunity from each other experiences and relate to meaningful topics of conversation.

    5. o. I frame this unit by sharing a quote from the Pew Research Center (Kochhar & Fry, 2014): “The median wealth of White households is 13 times that of Black households and 18 times that of Hispanic households.” And then I ask, “How did this ‘gap’ happen?” I tell students that we are going to look at the housing history in Portland to help us understand those statistics

      Christensen poses her lessons/units around the topic of gentrification. She selects this topic because it is impacting her students lives in several ways. The way poses her lesson makes it appealing to her students and this lesson provides students an opportunity to be civically involved. This section reminds of Pose, Wobble, Flow: how to be a culturally proactive teacher in literature.

    6. “I didn’t realize that other people went through the same things we [African Americans] did.”

      When teachers take the time know their students and select text that they can mirror themselves in they can engage in meaningful discussions as students as more likely to make connections and think beyond the text.

    7. My students’ voices and lives didn’t need “housekeeping”; they didn’t need to be told to “hush.” They needed a teacher who could unleash their beauty on the page and their capacity to discuss and argue in the classroom.

      This reminds me of the book The Vulnerable Heart of Teaching because in order for meaningful discussions to take place students need to feel that they are in safe space to share. The same applies with writing.

    8. We can choose to push back against the disadvantaged narratives and mandates that continue to lurk in our schools and society and instead build a curriculum that puts students’ lives at the center and encourages them to resist a story line that distorts or maligns their right to blossom into the intellectuals and change-makers they are so ready to become

      Yessss! I love the way this educator organized her unit. It definitely allows for student centered discussion. Students need to feel seen, heard and valued first before they focus on their learning.

    9. And then there was the graduate who returned and chided me for not preparing her with any “traditional” literature.

      I can relate to this. My high school experience was completely filled with literature by BIPOC but not necessarily "traditional" literature.

    10. My error—and the error of the department that hired me—was to see these students as “disadvantaged” instead of seeing their brilliance.

      This!! A lot of the times it can be so easy to focus on the flaws and not all the assets. Focusing on the 'brilliance' of the student, I think is similar to focusing on the 'whole child'

    11. sustained argument against inequality and injustice.

      I stirve to be a teacher like this but I know it takes time and plenty of trial and error. I hope to be able to achieve the HRL model into my teaching one day.

    12. Their test scores guided our work.

      I wonder what test scores she is referring to, whether it is standardized or just coming from the school. If it is standardized, I wonder how accurate the scores aligned to the students' skills.

    13. But the worst part came later when my photo appeared in the local paper stating that I taught “disadvantaged” students.

      Reading this, I was super surprised. To start off, I can't believe a title such as the "US West Outstanding Teacher of the Western United States" was given solely off a resume and answered questions, and not even an observation. I wonder if this award still exists? I also wonder what exactly they meant by disadvantaged, and if this was communicated to the teacher before the local paper published it.

    14. But the worst part came later when my photo appeared in the local paper stating that I taught “disadvantaged” students.

      This has to be the worst label to give to students. It leaves me feeling outraged at how the media can portray students who need support.

    15. As students read, we laugh, cry, and create community,

      I feel as if often times, educators lose the sight of creating community for their students instead of forcing them into a community where they might not belong, which furthers the gap of the community we should be creating. This also highlights the quote where Christensen states "I moved in the right direction when I stopped believing that I was the one who knew and they were the ones who need to know". The students we work with hold funds of knowledge that can create the community they will thrive in the most.

    16. As an Asian American, she wanted to be included

      I would highlight this entire paragraph and the one below, but this has spoke volume to me as an Asian American. I recall this past year as the world experienced traumatic events, one specific event being the incident in Atlanta, my professor prompted some time in his class for anyone to share their thoughts, emotions, etc., and I spoke to be heard. It was shocking to hear some of my peers did not even hear about this and weren't aware of the actual impact it had on our community. So I agree 100% with Christensen, in essence that students will connected to the experiences shared with them, they just need to opportunity of being exposed to those stories.

    17. No one who gave me the award even watched me teach.

      In the most recent book I read, similarly quoted that there remains a large gap between what we know or should know and what we actually do in classrooms and schools, so I am shocked, but not as shocked as I thought I would be reading this quote from Christensen. There is such a difference to those who have created theories/frameworks/models and those who actually have to practice/teach/approach in the classroom.

    18. I still hadn’t created classrooms that matched the classroom in my imagination, where students read, argued, and wrote passionately. I moved in the right direction when I stopped believing that I was the one who knew and they were the ones who needed to know. I became curious about what I didn’t know

      This part reminds me of the book "pose, wobble, flow"by Antero Garcia and Cindy O'Donnell-Allen, which suggests the "pose" or role of teachers as culturally proactive teacher, who will "wobble" over uncertainties despite the frustration, the "flow" to the right direction.

    19. But as teachers, we have more academic space than we inhabit. We can choose to push back against the disadvantaged narratives and mandates that continue to lurk in our schools and society and instead build a curriculum that puts students’ lives at the center and encourages them to resist a story line that distorts or maligns their right to blossom into the intellectuals and change-makers they are so ready to become.

      There is no "disadvantaged" students, but the "disadvantaged narratives and mandates". It's unfair to define our students just based on test scores which should not be the only evaluation criterion of teaching skills. This article centered on students as independent and equal individuals with great potential to success.

    20. “I didn’t realize that other people went through the same things we [African Americans] did.”

      I think this is an important point. Though we may certain experiences because of our racial or ethnic history that does not mean that other people could not experience similar things. There are stories and experiences that are universal amongst the human experience.

    21. And yet “these kids” could out argue me about everything under the sun: the inherent problems with school policies, the merits of long lunches, why we should hold class outside, and about local issues that reverberated through the building like desegregation and school closures. When they wrote, they had spelling errors and grammar issues, despite—or because of—the Warriner drills or my lack of knowledge about African American Vernacular English, but their logic and evidence spun circles around me.

      I think this is an important paragraph because it points out that academic English can often times act as a barrier to acknowledging the true ability of our students. We may focus on the grammar or misspellings and mistake that for a lack of intelligence or ability when it's simply the hegemonic norm we continue to enforce.

    1. as if what we are doing in the Writing Our Lives program is somehow “radical.”

      I appreciate this so much. It is viewed as "radical" when really it is something that we should have doing all along. It is "radical" because now people are showing the importance of free write, when these students have been doing it behind closed doors all along. It is not "radical" for the people doing it, it is "radical" because we never paid attention to it.

    2. Through Writing Our Lives, we aim to offer opportunities for students to write about their experiences, to tell their stories, and to participate in the global conversation.

      Please check out the book "The Vulnerable Heart of Literacy: Centering Trauma as Powerful Pedagogy" by Elizabeth Dutro. This book gives insight on how to incorporate trauma through our everyday literacy practices.

    3. nor do I want to,

      So powerful! I think this sums up exactly what this whole initiative is about. It does not always have to be for a grade or for data, it is simply for students to be seen as writers.

    4. We talked about the need for mentors and the importance of nurturing parent involvement in schools.

      How can we as educators advocate for more mentors in our schools? How can we implement more opportunities for parent involvement through a systematic approach?

    5. validate the writing practices that young people already engage in, and to then provide a space to support those practices.

      I think this is so important! As teachers we have a habit of saying there is not enough time. The students are already practicing writing in different ways, it is up to us to support what is already being done.

    6. while there are others that remain invisible and are deemed less important

      My mind immediately goes to poetry and lyrics! SO many students are blessed with this talent and it never goes noticed in school!

    7. “underground writers. . . .

      Love this! Reminds me of the Freedom Writers. It is important for us as educators to take in consideration that all writing is writing!! Just because it isn't "academic" does not mean it is not important. It is important for us to highlight and honor all types of writing in the classroom.

    8. who was characterized by some of his teachers as a disengaged learner and a “struggling” writer,

      This shows the importance in how our opinions as teachers are just that, opinions. Opinions are subjective and can truly harm a students overall academic success. We may view a student a certain way, but we only see part of the student. We do not see them outside of school and if we come up with our own conclusions, we may never even get the chance to allow them to open up. If this student felt comfortable enough to open up, his teachers would have known what he did instead of labeling him according to their opinions.

    9. school you kinda contradict yourself and you kinda like, you know, cover up some stuff, like you kind of hide yourself in school but when you’re outside of school, it’s like you open yourself up. You unfold everything.”

      What a strong way to hook the audience. Such a thought provoking sentence. It is almost upsetting to think that even the students are aware of how they feel that they need to cover up who they truly are. As educators we know that school should be a place of authenticity, yet students are admitting that they can't be themselves.

    10. . This is also not that distant from the experiences of the youth writers who make clear distinctions between writing done for school and writing done for self.

      What can we as teachers do to persuade our students to write for "themselves" and break that skill measuring narrative?

    11. It celebrated what I always knew and believed—that young people love to write in many ways, for many purposes, and for many audiences.

      What are some ways teachers can create this classroom community at the beginning of the school year and main it through out year while addressing CCSS standards?

    12. Her statement is significant because it acknowledges that there are some writing practices that are expected, valued, and legitimized in school contexts, while there are others that remain invisible and are deemed less important.

      There are many different takes into what writing can look like. The multimodal opportunities that writing allows for is much more than paper and pencil.

    13. Many of the young people I work with feel inept when writing for school.

      The way teachers pose writing projects often lead students to writingcide (the loss of interest in writing) due to the standards they are trying to meet. What teachers should ask themselves is how can they foster student engagement, based on their students funds of knowledge, through writing in meaningful ways?

    14. who was characterized by some of his teachers as a disengaged learner and a “struggling” writer,

      How the teacher perceives the student has a great impact on student's performance. The teacher has the option to view their students assets and build from them to make them successful or view them from a deficit perspective and not help them grow.

    15. r me, writing is like breathing. I need it to survive.” He went on to complete a degree in writing and to stage his first play i

      What does the child mean by "writing is like breathing"? Why is writing very important to them?

    16. Through Writing Our Lives, we aim to offer opportunities for students to write about their experiences, to tell their stories, and to participate in the global conversation.

      This reminds me of the idea of consistently providing students with invitations to voice their trauma and experiences, as seen in *The Vulnerable Heart of Literacy

    17. Over the years, I have been asked to articulate the “impact” of Writing Our Lives.

      Writing for Our Lives reminds me of Louder than a Bomb because it allows students to see the power in writing and using your own voice

    18. Writing Our Lives began as a part of my involvement with parent and community groups concerned with the educational experiences of African American children in an urban school community.

      Parent and community involvement can make such a huge difference in the school culture

    19. achers as a disengaged learner and a “struggling” writer, created and maintained three websites and blogs each day.

      I think this is a prime example of how beneficial it can be to allow students to present their writing and skills through different mediums

    20. Every day, instances of violence are normalized in the lives of young people.

      The reality is that violence and trauma has been a part of the lives of our young people for a very, very long time and it is sad to see it be normalized, so it is important to recognize that these experiences become apart of their identity, impact how they learn, how they retain, and especially how they will write.

    21. We are all writers; from there, we move forward.

      The point of allowing a student to identify themselves as a writer, regardless if they see themselves as something negative, that is a starting point and that allows them to begin thinking of themselves as a writer alone, I highlight "from there, we move forward", because the process does not stop there and it's empowering to see educators understand how important this process is to students and their success.

    22. how can schools create and sustain teaching and learning opportunities that recognize youth as writers and leverage their writing competence?

      This question is more reasonable. The way we encourage our students to become writers cannot only be evaluated by students' writing achievement, instead school should reconsider how to value our students as writers and help them with their writing potential.

    23. Youth writers in the workshops are encouraged to post their ideas and thoughts as comments on websites featuring essays and news stories about current events. They create blog sites where they contribute articles raising awareness about social injustices and inequities and offering solutions to the problems.

      Writing is not limited to classroom settings. It can happen at any circumstances with functions of healing people and demanding social justice. Aa educators, we should encouraged our students perform their roles as writers which will make our society become better.

    24. there are some writing practices that are expected, valued, and legitimized in school contexts, while there are others that remain invisible and are deemed less important. By extension, many youth writers feel excluded or undermined by the writing expectations of schools today.

      Schools set boundaries for students' writing. Some works that meet the requirement are regarded as excellent, while the others are dismissed. What is the essence of writing? Is it functional? Schools plan to help students develop their writing skills but limit their potential. It is not the way to create good writers but good students.

    25. Teachers must be writers.n Students must see themselves as writers.n Teachers must cultivate spaces for students to write.n Students must have opportunities to write in multiple ways, for multiple purposes, and in multiple genres.n Teachers must honor and respect youth-led and youth-centered writing practices

      This very much reminds me of Pose, Wobble, Flow where it was stated one should assume the pose of a writer in order to teaching writing and said similar things about cultivating a space where students have opportunities to write. It is similar in the considering the context of the students as well. I wonder if the author would include social media in this new form of writing.

    26. a “struggling” writer, created and maintained three websites and blogs each day. From his bedroom to his neighborhood streets, he wrote and composed music lyrics, uploaded audio files, and directed music videos.

      I think this shows the practice of just doing actions daily and encouraging one to become a writer instead of just writing. By becoming a writer they are likely to increase in skill every day. However, in school we can often discourage this type of behavior by having students write in only set spaces.