Everything changes. Now she was going to go away like the others, to leave her home.
These sentences capture the story's thematic core: the internal and external dynamics of coming and going, not only spatially (e.g., the passing pedestrians) and geographically (e.g., the priest in Melbourne), but also generationally (see the double repetition of "grown up" in this paragraph) and in the transition from life to death. We could begin to trace the workings of this theme in this story, and throughout Dubliners, by comparing the frequency of language of stasis and return to the frequency of words associated with leaving and escape.