But jealous souls will not be answered so.They are not ever jealous for the cause,But jealous for they’re jealous. It is a monsterBegot upon itself, born on itself
This implies Othello himself is a beast, a monster, who was born with the jealousy and not given reason to do so.
Arise, black vengeance, from the hollow hell!Yield up, O love, thy crown and hearted throneTo tyrannous hate! Swell, bosom, with thy fraught,For ’tis of aspics' tongues
He speaks as if he is demonic, possessed, as if he has dual souls living inside of him... maybe he does. And all Iago did was play with his unstable convictions until his demon shows.
Across the entry for T. W. Tonkin of Barnes, who had sent in nothingfor a sixteenth-century polemical work against female monarchs, The FirstBlast of the Trumpet Against the Monstrous Regiment of Women by theScottish Protestant Reformer John Knox, he wrote in blue pencil, ‘Impostor –Stole the Book’
it struck him for the first time that she was beautiful. It had never before occurred to him that the body of a woman of fifty, blown up to monstrous dimensions by childbearing, then hardened, roughened by work till it was coarse in the grain like an over-ripe turnip, could be beautiful. But it was so, and after all, he thought, why not? The solid, contourless body, like a block of granite, and the rasping red skin, bore the same relation to the body of a girl as the rose-hip to the rose. Why should the fruit be held inferior to the flower? 'She's beautiful,' he murmured. 'She's a metre across the hips, easily,' said Julia. 'That is her style of beauty,' said Winston.
shifting view for W
Julia was twenty-six years old. She lived in a hostel with thirty other girls ('Always in the stink of women! How I hate women!' she said parenthetically)
n enormous prole and an almost equally enormous woman, presumably his wife, who seemed to form an impenetrable wall of flesh.